Egon Schiele, Portrait of his family, (unfinished) 1918
In 1918, at the age of 28, Austrian artist Egon Schiele began painting a portrait of his new family. That autumn, Egon, his wife Edith, and their unborn baby died. They were among millions of people who succumbed to the Spanish flu that year.
Gustav Klimpt, Portrait of Amalie Zuckerk, (unfinished) 1917-1918
Before his death, Schiele mourned his mentor and friend, the artist Gustav Klimt. Following a stroke, Klimt had died from the flu that February, at the age of 55. Schiele sketched a portrait of Klimt on his deathbed.
Egon Schiele, Portrait of Gustav Klimpt, 1918
Another artist who caught the flu but luckily survived was Norwegian artist Edvard Munch. While many of his early works convey haunting scenes of the death of his sister as well as fears of his own death, Munch’s Spanish flu paintings read more direct that the earlier dream-styled works.
Edvard Munch, Self-Portrait with the Spanish Flu, 1919
During 1919 Munch painted a series of self portraits documenting his bout with the Spanish Flu. In the first (above) his mouth is open as if a corpse. In the second, he leans towards the viewer with pale lips and feverish face. In the last (below) he appears to stagger forward, normal color returning.
Edvard Munch, Self-Portrait with the Spanish Flu, 1919Edvard Munch, Self-Portrait with the Spanish Flu, 1919
The 1918 Spanish flu pandemic lasted from January 1918 to December 1920. 500 million people were infected – 25% of the world’s population at the time. I hope the comparisons of the Spanish flu pandemic of 1918 to the present day’s Coronavirus are not too foretelling. It’s disconcerting how similar the illustration “Germicide Rush” is to the present day.
Germicide Rush, 1918, National Library of Medicine, Fine Art America
In the past, if I had two words to describe watercolor, I might say “fresh” and “delicate.” I’d always thought of watercolor as a fairly fragile medium that shouldn’t be worked too hard. I thought of the white of the paper as the most valuable resource, and the greatest mistake would be to lose that …
Marcia Della Pace SAL Challenge Pics More and more and more creative challenges are getting posted online! You can find them by using the hashtags #salchallenge @seattleartistleague. I posted some of my SAL Challenge favorites for week one, my favorites for week two, and for week three. Below are my favorite discoveries for the last week, including …
[image_with_animation image_url=”7755″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Madelaine Mimi Torchia Boothby (League artist), 2017 What did you do yesterday? Draw, collage, paint, print…. make us a picture to tell us about your day. Share your sketches to this post on our Facebook page. (#salchallenge) We also had some great inkblots posted yesterday. While you’re there, check them out, and tell …
As a genre, daily paintings tend to use high contrast colors and values that translate well to the internet, and have very easy subject matter for buyers (still lifes, landscapes, pets). Posted online, these artists get instant feedback on their work. They know within 24 hours what subject matter, colors, and styles attract the most …
1918
In 1918, at the age of 28, Austrian artist Egon Schiele began painting a portrait of his new family. That autumn, Egon, his wife Edith, and their unborn baby died. They were among millions of people who succumbed to the Spanish flu that year.
Before his death, Schiele mourned his mentor and friend, the artist Gustav Klimt. Following a stroke, Klimt had died from the flu that February, at the age of 55. Schiele sketched a portrait of Klimt on his deathbed.
Another artist who caught the flu but luckily survived was Norwegian artist Edvard Munch. While many of his early works convey haunting scenes of the death of his sister as well as fears of his own death, Munch’s Spanish flu paintings read more direct that the earlier dream-styled works.
During 1919 Munch painted a series of self portraits documenting his bout with the Spanish Flu. In the first (above) his mouth is open as if a corpse. In the second, he leans towards the viewer with pale lips and feverish face. In the last (below) he appears to stagger forward, normal color returning.
The 1918 Spanish flu pandemic lasted from January 1918 to December 1920. 500 million people were infected – 25% of the world’s population at the time. I hope the comparisons of the Spanish flu pandemic of 1918 to the present day’s Coronavirus are not too foretelling. It’s disconcerting how similar the illustration “Germicide Rush” is to the present day.
Stay well, friends.
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