Children with jack-o-lanterns study, graphite on yupo paper, Katie Jo Keppinger
Children with jack-o-lanterns, a sketch by Katie Jo Keppinger, in Thursday’s class for drawing and painting. I love Keppinger’s marks, bold and sensitive like Kathe Kollwitz, moody as Edvard Monk. This drawing uses a variety of edges and plenty of dark values and contrast to produce the sensation of glow. Organic circles, strong angles, and dynamic marks activate the composition. Beautiful.
“The beginning is the best part. Why continue? Yes, things will get richer and deeper, but the simplicity and directness of a birdsong is soon gone. When I get old and begin losing my marbles I will learn to keep it simple, the way Matisse, De Kooning and Whistler did in the end.” – Alex …
The following list was found among the papers of the painter Richard Diebenkorn after his death in 1993. Spelling and capitalization are as in the original. Notes to myself on beginning a painting 1. attempt what is not certain. Certainty may or may not come later. It may then be a valuable delusion. 2. The …
A High Wind Warning is in effect this weekend for the Seattle area. Batten the hatches, and be safe. Below: a small collection of wind storm paintings. If you see something that should be added to the collection, please post it here. Wind This house has been far out at sea all night, The woods crashing through …
Fierce Women of Art In the same breath that I will say “please don’t ever refer to my gender before you refer to my work” I will share this list of lady artists, because … sometimes you have to be a big pill when society is sick. Huff, sigh, shuffle, and growl. Go get ’em …
Effects of Light: Children with jack-o-lanterns
Children with jack-o-lanterns, a sketch by Katie Jo Keppinger, in Thursday’s class for drawing and painting. I love Keppinger’s marks, bold and sensitive like Kathe Kollwitz, moody as Edvard Monk. This drawing uses a variety of edges and plenty of dark values and contrast to produce the sensation of glow. Organic circles, strong angles, and dynamic marks activate the composition. Beautiful.
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The beginning is the best part, Kanevsky
“The beginning is the best part. Why continue? Yes, things will get richer and deeper, but the simplicity and directness of a birdsong is soon gone. When I get old and begin losing my marbles I will learn to keep it simple, the way Matisse, De Kooning and Whistler did in the end.” – Alex …
Diebenkorn’s Notes to Himself
The following list was found among the papers of the painter Richard Diebenkorn after his death in 1993. Spelling and capitalization are as in the original. Notes to myself on beginning a painting 1. attempt what is not certain. Certainty may or may not come later. It may then be a valuable delusion. 2. The …
Wind Storms
A High Wind Warning is in effect this weekend for the Seattle area. Batten the hatches, and be safe. Below: a small collection of wind storm paintings. If you see something that should be added to the collection, please post it here. Wind This house has been far out at sea all night, The woods crashing through …
Fierce Women of Art – Corita Kent
Fierce Women of Art In the same breath that I will say “please don’t ever refer to my gender before you refer to my work” I will share this list of lady artists, because … sometimes you have to be a big pill when society is sick. Huff, sigh, shuffle, and growl. Go get ’em …