Late Sun, 1990-1996 watercolor, graphite, conté crayon, litho crayon, and pen and ink on Fabriano paper (5 1/4 x 9 7/8 in) Charles Ritchie, Jasan Haam Gallery
Yesterday I said the next post would be about color, but I didn’t have time to write today, and there has been so much bad news that I wanted to put a little art in your inbox.
Today is an addition to yesterday’s post about the Effects of Light, with illusions of glow produced from contrasting dark (a lot of dark) against light (a little light), and then implementing hard and soft edges. This painting arrived in my inbox as part of an invitation to a show in Korea, and I thought it was a great example of what we had been studying. Notice how much of the image is dark values, to make those lamps glow. Within that, hard vs soft edges seems to be the subtle game within the entire painting. See how many transitions you can find.
Study for Home I 2013-2014 watercolor and graphite on Fabriano paper (5 1/4 x 12 1/4 in) Charles Ritchie, Jasan Haam GalleryStudy for Home I (detail) Charles Ritchie
#30SAL Big thanks to everyone who is posting, and giving support to others on social media. As of 11pm Jan 2, there are 163 new art posts on Instagram with the #30SAL and lots of comments. This is fantastic! How many will we have on January 31??? Art & Fear So… I heard some uncertainty and …
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”10543″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”][vc_column_text]There is something so danged exciting about making a big piece of art. I mean, a really really big piece of art. The work to make a visual design, which is most of the …
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”8958″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”][vc_column_text]Alex Walker, an Especially Enjoyable student in my Intermediate Studio class, decided to work on making his brushwork more direct and decisive by doing a study of John Singer Sargent’s portrait of Henry James. …
[vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1/1″][vc_column_text]Sculptors think in terms of mass, volume, weight and texture. Those elements are present even in their 2D work. Henry Moore (1898 – 1986) is known mainly for his sculptures, but he also made a few voluminous sketches. Take a look at this series of sheep. They have mass, …
Effects of Light: Charles Ritchie
Yesterday I said the next post would be about color, but I didn’t have time to write today, and there has been so much bad news that I wanted to put a little art in your inbox.
Today is an addition to yesterday’s post about the Effects of Light, with illusions of glow produced from contrasting dark (a lot of dark) against light (a little light), and then implementing hard and soft edges. This painting arrived in my inbox as part of an invitation to a show in Korea, and I thought it was a great example of what we had been studying. Notice how much of the image is dark values, to make those lamps glow. Within that, hard vs soft edges seems to be the subtle game within the entire painting. See how many transitions you can find.
(5 1/4 x 12 1/4 in) Charles Ritchie, Jasan Haam Gallery
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