Scroll from a set of the Lotus Sutra (Hokekyō), Heian period, 12th century, Japan, handscroll; gold and silver on indigo-dyed paper, 10 1/16 in. x 33 ft., Metropolitan Museum of Art
A search for indigo dye brought me a glimpse of these stunning treasures. While indigo is common as a clothing dye and (often now synthetic) indigo is worn all around the world as a near religious love of blue jeans, these Buddhist works on indigo-dyed paper are anything but common.
Lotus Sutra
In the 11th century, many sponsors valued these higher class of sutra, written in gold and silver inks on indigo-dyed paper as an insurance of their own salvation. Salvation for some can be a rather expensive bartyr, evidently. Donations at times assumed monumental proportions: five thousand scrolls necessitated the importing of professional scribes and artists from Kyoto, and took 10 years to complete. The scrolls were dedicated the year of the donor’s death.
Despite the staggering volume of production, the quality of many of these scrolls is exquisite. The text is written in alternate lines of gold and silver ink, and the illuminations are evocative, almost ethereal, the deities engulfed in diaphanous silver clouds.
Since there were over five thousand scrolls commissioned, and it is only natural that they became repetitive, especially if the artists, assembled in specialized sutra workshops, were working under the pressure of a deadline – to be completed before the death of the patron. In this environment, artists lacked the leisure to be inventive, and images were reduced to stereotypes. The shortcuts of a mass-production system give these exquisite scrolls a remarkable sameness. – Navin Kumar Gallery
Unknown (Japanese) Anoku-Fu Sutra, from 1183 to 1185 gold and silver ink on indigo paperUnknown (Japanese) Anoku-Fu Sutra, from 1183 to 1185 gold and silver ink on indigo paperUnknown (Japanese) Anoku-Fu Sutra, from 1183 to 1185 gold and silver ink on indigo paperThe Buddhist Book of Illuminations (unknown date)
Other works on Indigo…
Qurʾan folio on blue parchment, North Africa or Near East 800–900AD (300 years before the Sutras above). Museum of Fine Arts, BostonLuohan with Fantastic Animals Gold and silver ink on indigo paper (unknown year) 10 1/4 x 7 1/4 in
Love Indigo?
You too can buy your way to eternal salvation by joining the Indigo Workshop March 7 & 14. We’ll know your spirit is saved by the blissful smile on your face, and the sight of your deep blue hands.
[vc_row type=”in_container” full_screen_row_position=”middle” full_height=”yes” columns_placement=”top” scene_position=”center” text_color=”dark” text_align=”center” overlay_strength=”0.3″][vc_column centered_text=”true” column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/2″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”6592″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”][/vc_column][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/2″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][vc_column_text] October Creative Challenge The last 30 day creative challenge was so delightful, I thought it might be time to do …
[vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1/1″][vc_column_text]Pictured above might be one of my favorite watercolor landscapes in the world. I was surprised to discover it was painted by a local artist, and then later, I was thrilled he was willing to meet me to chat about ideas for the new school. …
[vc_row type=”in_container” full_screen_row_position=”middle” full_height=”yes” columns_placement=”top” scene_position=”center” text_color=”dark” text_align=”center” overlay_strength=”0.3″][vc_column centered_text=”true” column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”6299″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”][divider line_type=”No Line” custom_height=”30″][vc_column_text] Sara Rahbar Wiki: Sara Rahbar (born in 1976 in Tehran, Iran) is a contemporary, mixed media artist based in New York City. Her work ranges from photography …
[vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1/1″][vc_column_text] Nearly 100 works show how an American post-war painter used a French master’s work as inspiration. BMA Exhibit Curated by Katy Rothkopf. Post edited from original post by Gabriella Souza on Baltimore Arts & Culture. Posted on October 20, 2016 They were painters separated by decades, continents, and …
Silver, Gold on Indigo Paper
A search for indigo dye brought me a glimpse of these stunning treasures. While indigo is common as a clothing dye and (often now synthetic) indigo is worn all around the world as a near religious love of blue jeans, these Buddhist works on indigo-dyed paper are anything but common.
In the 11th century, many sponsors valued these higher class of sutra, written in gold and silver inks on indigo-dyed paper as an insurance of their own salvation. Salvation for some can be a rather expensive bartyr, evidently. Donations at times assumed monumental proportions: five thousand scrolls necessitated the importing of professional scribes and artists from Kyoto, and took 10 years to complete. The scrolls were dedicated the year of the donor’s death.
Despite the staggering volume of production, the quality of many of these scrolls is exquisite. The text is written in alternate lines of gold and silver ink, and the illuminations are evocative, almost ethereal, the deities engulfed in diaphanous silver clouds.
Since there were over five thousand scrolls commissioned, and it is only natural that they became repetitive, especially if the artists, assembled in specialized sutra workshops, were working under the pressure of a deadline – to be completed before the death of the patron. In this environment, artists lacked the leisure to be inventive, and images were reduced to stereotypes. The shortcuts of a mass-production system give these exquisite scrolls a remarkable sameness. – Navin Kumar Gallery
Anoku-Fu Sutra, from 1183 to 1185
gold and silver ink on indigo paper
Anoku-Fu Sutra, from 1183 to 1185
gold and silver ink on indigo paper
Anoku-Fu Sutra, from 1183 to 1185
gold and silver ink on indigo paper
Other works on Indigo…
800–900AD (300 years before the Sutras above). Museum of Fine Arts, Boston
Gold and silver ink on indigo paper (unknown year)
10 1/4 x 7 1/4 in
Love Indigo?
You too can buy your way to eternal salvation by joining the Indigo Workshop March 7 & 14. We’ll know your spirit is saved by the blissful smile on your face, and the sight of your deep blue hands.
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