Indigo Workshop with Jodi Waltier at the League, Spring 2019
Patterns in indigo textiles are made by tightly binding fabric so white patterns form where the deep blue dye did not reach. Traditional work is done with stitching, sticks, and leaves, but you can see rubber bands and clothespins used in the examples below. Notice that loops and lids have also been employed.
Jodi Waltier teaches shibori and other indigo techniques at the League. Below are some images from Jodi Waltier’s very fun Indigo Workshop. You can see students pulling work from the indigo dye, discovering the pattern their resists have formed. The dye starts green, but turns the dark indigo blue it’s famous for as soon as it is exposed to oxygen.
Indigo Workshop with Jodi Waltier at the League, Spring 2019
For her fine art show “Evaporation Diaries” Waltier made a series of textile works in which the everyday objects themselves left marks from their interaction with the water. These photographs document the moment a rusted iron object is unwrapped after an indigo dye bath. This unusual textile project called uses indigo, ink, iron, and rust to form works that are, at the moment of their birth, nearly visceral in their appearance. once washed, the fabric takes on a more elegant and painterly appearance, as seen below.
There is an intrinsic magic associated with the indigo vat and the unknown patterns and shades of blue. One needs only to be a willing, hands-on participant to be able to walk away with a notebook full of techniques and a head full of possibilities. You can learn the basics of folding and clamping, bound resist, setting up the indigo vat, and stitch techniques. You can explore resists with objects, pole wrapping and bundling in Indigo; a two day workshop with Jodi Waltier.
Rolled design. Indigo Workshop with Jodi Waltier at the League, Spring 2019Paint stick form. Indigo Workshop with Jodi Waltier at the League, Spring 2019
Search the internet for perspective, and Western perspective is pretty much all you’ll see. Billions of lessons illustrating the importance of one point, two point, and three point perspective. Lessons state that this is something every artist needs to learn in order to correctly render the three dimensional world on a two dimensional surface. It …
The following is text from my interview of Fran O’Neill, Oct 6, 2020. I asked Fran to share some of the historical artworks she regards as masterworks. She talked about what she sees as the magic of transcriptions. “There’s a whole mystery that is incredible about works from the past, and unlocking some of that …
[image_with_animation image_url=”9378″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Preparing for my mini workshop “Paint like Cezanne,” I ran across this work by Joel Meyerowitz, a photographer who documented still life objects of famous painters, particularly Cezanne and Morandi. Meyerowitz’ photographs are handsome recordings of plain yet interesting objects. Unlike the painters who assemble compositions, Meyerowitz framed each …
There are drips on some drawings, and the drips are round, not running vertically down the paper, which suggests the paper is flat. Some of the drips start right before a line and follow the same direction, which suggests the artist loaded his brush with ink, and the brush dripped down on a horizontal surface …
Indigo and Rust
Patterns in indigo textiles are made by tightly binding fabric so white patterns form where the deep blue dye did not reach. Traditional work is done with stitching, sticks, and leaves, but you can see rubber bands and clothespins used in the examples below. Notice that loops and lids have also been employed.
Jodi Waltier teaches shibori and other indigo techniques at the League. Below are some images from Jodi Waltier’s very fun Indigo Workshop. You can see students pulling work from the indigo dye, discovering the pattern their resists have formed. The dye starts green, but turns the dark indigo blue it’s famous for as soon as it is exposed to oxygen.
For her fine art show “Evaporation Diaries” Waltier made a series of textile works in which the everyday objects themselves left marks from their interaction with the water. These photographs document the moment a rusted iron object is unwrapped after an indigo dye bath. This unusual textile project called uses indigo, ink, iron, and rust to form works that are, at the moment of their birth, nearly visceral in their appearance. once washed, the fabric takes on a more elegant and painterly appearance, as seen below.
There is an intrinsic magic associated with the indigo vat and the unknown patterns and shades of blue. One needs only to be a willing, hands-on participant to be able to walk away with a notebook full of techniques and a head full of possibilities. You can learn the basics of folding and clamping, bound resist, setting up the indigo vat, and stitch techniques. You can explore resists with objects, pole wrapping and bundling in Indigo; a two day workshop with Jodi Waltier.
Want to give it a try?
Next Indigo Workshop is March 7/14, 2020
Get deep into INDIGO.
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Day 22: Vertical Perspective #30SAL
Search the internet for perspective, and Western perspective is pretty much all you’ll see. Billions of lessons illustrating the importance of one point, two point, and three point perspective. Lessons state that this is something every artist needs to learn in order to correctly render the three dimensional world on a two dimensional surface. It …
Fran O’Neill’s Transcriptions
The following is text from my interview of Fran O’Neill, Oct 6, 2020. I asked Fran to share some of the historical artworks she regards as masterworks. She talked about what she sees as the magic of transcriptions. “There’s a whole mystery that is incredible about works from the past, and unlocking some of that …
Cezanne’s Objects
[image_with_animation image_url=”9378″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Preparing for my mini workshop “Paint like Cezanne,” I ran across this work by Joel Meyerowitz, a photographer who documented still life objects of famous painters, particularly Cezanne and Morandi. Meyerowitz’ photographs are handsome recordings of plain yet interesting objects. Unlike the painters who assemble compositions, Meyerowitz framed each …
“Reading” drawings by Max Uhlig
There are drips on some drawings, and the drips are round, not running vertically down the paper, which suggests the paper is flat. Some of the drips start right before a line and follow the same direction, which suggests the artist loaded his brush with ink, and the brush dripped down on a horizontal surface …