Indigo Workshop with Jodi Waltier at the League, Spring 2019
Patterns in indigo textiles are made by tightly binding fabric so white patterns form where the deep blue dye did not reach. Traditional work is done with stitching, sticks, and leaves, but you can see rubber bands and clothespins used in the examples below. Notice that loops and lids have also been employed.
Jodi Waltier teaches shibori and other indigo techniques at the League. Below are some images from Jodi Waltier’s very fun Indigo Workshop. You can see students pulling work from the indigo dye, discovering the pattern their resists have formed. The dye starts green, but turns the dark indigo blue it’s famous for as soon as it is exposed to oxygen.
Indigo Workshop with Jodi Waltier at the League, Spring 2019
For her fine art show “Evaporation Diaries” Waltier made a series of textile works in which the everyday objects themselves left marks from their interaction with the water. These photographs document the moment a rusted iron object is unwrapped after an indigo dye bath. This unusual textile project called uses indigo, ink, iron, and rust to form works that are, at the moment of their birth, nearly visceral in their appearance. once washed, the fabric takes on a more elegant and painterly appearance, as seen below.
There is an intrinsic magic associated with the indigo vat and the unknown patterns and shades of blue. One needs only to be a willing, hands-on participant to be able to walk away with a notebook full of techniques and a head full of possibilities. You can learn the basics of folding and clamping, bound resist, setting up the indigo vat, and stitch techniques. You can explore resists with objects, pole wrapping and bundling in Indigo; a two day workshop with Jodi Waltier.
Want to give it a try?
Next Indigo Workshop is March 7/14, 2020
Rolled design. Indigo Workshop with Jodi Waltier at the League, Spring 2019Paint stick form. Indigo Workshop with Jodi Waltier at the League, Spring 2019
Born on this day: September 6, 1947, Luciano de Liberato is an Italian colorist who paints constructed “still lifes” of colored paper. The paintings appear at first to be flat but upon further inspection are actually carefully crafted to imitate exactly the depth of layered paper, woven, and lifted up a bit at the edges. The …
[image_with_animation image_url=”7724″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Piet Mondrian, 1912 Yesterday’s challenge was to draw a tree from observation. That was part 1 of 3. Today is part 2 of 3. Today we’ll do the same, only different. Look again at the tree. If you did a drawing, study your drawing. Look at the branches, how …
Today’s Challenge: Mix and match figures with an interior from historical artworks. Materials are artist’s choice. #mashup References You can find your own references, or find something in these suggestions: Figures: Villa of Mysteries in Pompeii, Nicolas Poussin, Mughal Indian Miniatures Interiors: Pierre Bonnard, Henri Matisse, Edward Hopper Post it To be eligible for prizes …
Today’s post is from special guest star Anne Walker. Anne majored in Fine Arts with a focus in painting at Wesleyan University, Middletown, CT in 1989. She started taking classes at the League a couple of years ago. I met her in Fran’s Giant Figures workshop in February 2020 (shortly before our classes went online). …
Indigo and Rust
Patterns in indigo textiles are made by tightly binding fabric so white patterns form where the deep blue dye did not reach. Traditional work is done with stitching, sticks, and leaves, but you can see rubber bands and clothespins used in the examples below. Notice that loops and lids have also been employed.
Jodi Waltier teaches shibori and other indigo techniques at the League. Below are some images from Jodi Waltier’s very fun Indigo Workshop. You can see students pulling work from the indigo dye, discovering the pattern their resists have formed. The dye starts green, but turns the dark indigo blue it’s famous for as soon as it is exposed to oxygen.
For her fine art show “Evaporation Diaries” Waltier made a series of textile works in which the everyday objects themselves left marks from their interaction with the water. These photographs document the moment a rusted iron object is unwrapped after an indigo dye bath. This unusual textile project called uses indigo, ink, iron, and rust to form works that are, at the moment of their birth, nearly visceral in their appearance. once washed, the fabric takes on a more elegant and painterly appearance, as seen below.
There is an intrinsic magic associated with the indigo vat and the unknown patterns and shades of blue. One needs only to be a willing, hands-on participant to be able to walk away with a notebook full of techniques and a head full of possibilities. You can learn the basics of folding and clamping, bound resist, setting up the indigo vat, and stitch techniques. You can explore resists with objects, pole wrapping and bundling in Indigo; a two day workshop with Jodi Waltier.
Want to give it a try?
Next Indigo Workshop is March 7/14, 2020
Get deep into INDIGO.
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Today’s post is from special guest star Anne Walker. Anne majored in Fine Arts with a focus in painting at Wesleyan University, Middletown, CT in 1989. She started taking classes at the League a couple of years ago. I met her in Fran’s Giant Figures workshop in February 2020 (shortly before our classes went online). …