We started the challenge with a self portrait, and we ended by drawing the place where you make art. I enjoyed getting to glimpse into everyone’s spaces, especially after getting to know you a little in your posts. Seeing your spaces, I felt that we were all a bit closer, even though we may not have met.
It’s interesting to see the art, then see the similarities and differences in the spaces where that art was made. Some people have a dedicated studio, some have a little corner, some find a way to make it work with the world swirling all around them. I can’t help but be impressed by them all!
Once in a while I don’t know why the ‘ease’ in easel seems a lie. For there are times when I find more ease holding the canvas on my knees. – John Engle
I’m hoping I caught everyone’s posts for Atelier. If I missed any, please send me a pic or a link so I can add it to the collection.
Delores Haugland
@courtney.wooten
@dailyinstadoodle
@elysian_fields_forever
@enniebee
@ersliwinski
@gretamusland
@julierx
@mbyanowart
@onlymojofrog
@sori.stillnessart
@szminkoholik
@tawmsart
Sara Todd
Kathy Paul: learning to see blind
I’d like to give a special mention to Kathy Paul. She’s been exploring new ways of making art since having her vision affected by strokes in both of her eyes. Now almost completely blind, she studies the scene very carefully, and pulls out parts and pieces as she’s able to find them. An arch here, a line there…. What results is a semi-abstracted series of careful marks that have a tentative yet patient, brave, and studied mood to them. The lines and spaces form a rhythm in the composition that allows for depth, physical space, and an invitation to be within the lines. Concentrated drawings by a person who can barely see. Who knew they’d have so much expressive beauty?
I asked Fran O’Neill from the New York Studio School to talk about her upcoming workshop “To Transcribe” and the benefits of transcribing masterworks. She offered a beautiful and inspiring response. Fran O’Neill’s 2 day workshop “To Transcribe” is coming to the Seattle Artist League October 24, 2020. Click here to learn more. “To Transcribe” …
“Anything done more than a week ago I’m embarrassed about. You think you can get it right, but you never get it right. No one’s got it right. Who got it right?” – Harry Ally Source: https://www.escapeintolife.com/mixed-media-2/breaking-the-mold-art-of-harry-ally/ Harry Paul Ally paints with dry pigments, acrylics, tar, fabrics, oils, bonding agents, and different clays dug from the …
This is our last post in our list of Faves from the 30 Day Challenge. We received hundreds of creations throughout the month. THANK YOU TO EVERYONE WHO PARTICIPATED! The next 30SAL post will include prizes and awards for our tip pics, and special recognition for the artists who completed all 30. Below are some …
Some people need a little extra push to get them to sit and draw. I’m one of those people. I’m a chronic multi-tasker. I tend to be scattered, I take on too much, and whatever I’m doing I feel like I should be doing something else. One very potent and wonderful invitation to focus is …
30SAL Challenge: Atelier
We started the challenge with a self portrait, and we ended by drawing the place where you make art. I enjoyed getting to glimpse into everyone’s spaces, especially after getting to know you a little in your posts. Seeing your spaces, I felt that we were all a bit closer, even though we may not have met.
It’s interesting to see the art, then see the similarities and differences in the spaces where that art was made. Some people have a dedicated studio, some have a little corner, some find a way to make it work with the world swirling all around them. I can’t help but be impressed by them all!
Once in a while
I don’t know why
the ‘ease’ in easel
seems a lie.
For there are times
when I find more ease
holding the canvas
on my knees.
– John Engle
I’m hoping I caught everyone’s posts for Atelier. If I missed any, please send me a pic or a link so I can add it to the collection.
Kathy Paul: learning to see blind
I’d like to give a special mention to Kathy Paul. She’s been exploring new ways of making art since having her vision affected by strokes in both of her eyes. Now almost completely blind, she studies the scene very carefully, and pulls out parts and pieces as she’s able to find them. An arch here, a line there…. What results is a semi-abstracted series of careful marks that have a tentative yet patient, brave, and studied mood to them. The lines and spaces form a rhythm in the composition that allows for depth, physical space, and an invitation to be within the lines. Concentrated drawings by a person who can barely see. Who knew they’d have so much expressive beauty?
Related Posts
Fran O’Neill on Transcribing Masterworks
I asked Fran O’Neill from the New York Studio School to talk about her upcoming workshop “To Transcribe” and the benefits of transcribing masterworks. She offered a beautiful and inspiring response. Fran O’Neill’s 2 day workshop “To Transcribe” is coming to the Seattle Artist League October 24, 2020. Click here to learn more. “To Transcribe” …
The Undeniably Optimistic Process of Harry Ally
“Anything done more than a week ago I’m embarrassed about. You think you can get it right, but you never get it right. No one’s got it right. Who got it right?” – Harry Ally Source: https://www.escapeintolife.com/mixed-media-2/breaking-the-mold-art-of-harry-ally/ Harry Paul Ally paints with dry pigments, acrylics, tar, fabrics, oils, bonding agents, and different clays dug from the …
30SAL Faves: Week 4, Part 2
This is our last post in our list of Faves from the 30 Day Challenge. We received hundreds of creations throughout the month. THANK YOU TO EVERYONE WHO PARTICIPATED! The next 30SAL post will include prizes and awards for our tip pics, and special recognition for the artists who completed all 30. Below are some …
Why I draw the figure
Some people need a little extra push to get them to sit and draw. I’m one of those people. I’m a chronic multi-tasker. I tend to be scattered, I take on too much, and whatever I’m doing I feel like I should be doing something else. One very potent and wonderful invitation to focus is …