Today is Design Friday, so your challenge is something the graphic designers will likely be familiar with: figure/ground reversal.
“Figure/ground” is a phrase that came from modern German Gestalt psychology. It refers to how our mind organizes forms, distinguishing an object (figure) from its background (ground).
In the early 1900s Danish psychologist Edgar Rubin famously experimented with figure-ground perception, using black and white optical illusions that reversed, to study how humans perceive figure and ground.
Many artists and art movements throughout the 20th century have played with this figure/ground reversal idea. Perhaps the most famous and obvious examples are the creations by M.C. Escher.
Escher’s Day and Night
In a good composition, all shapes, whether they are the shape of the object or the shape of the space around the object, are equally important. Figure/ground reversals are a great exercise for building appreciation and skill for composition. In addition, the exercise below will make you more aware of spacing, and whether or not shapes touch, almost touch, or overlap. This is very useful in your drawings and paintings!
Matisse
Below are your instructions for the creative design challenge. Please read them carefully.
Figure/Ground Reversal: Initials
Use your own initials to create a series of compositions that play with positive and negative shape relationships.
Cuong Doan
GUIDELINES:
Create variations of your initials in any combination of lower or upper case. For instance, if your first and last initials are “LH” you can use LH, lh, Lh or lH. You can also just pick one letter “L” instead of two, and use the edges of the little composition to interact with, like this:
Colette Wines
You can use portions of letters. You do not have to use the entire letter.
You can start by sketching lines with pencil, but complete this exercise in clear black and white shapes only. No blending, no texture, no lines.
It’s ok (encouraged!) to let white shapes disappear into white background areas, and black shapes disappear into black background areas. Again, we don’t have to see the full letter for this to work. See example below.
Rainy Moments in Art Edited from http://blog.orangecarton.com/famous-rain-moments-in-art-painting/ Rain has been one of the most popular subjects of art painting. Artists like Monet, Van Gogh, and many others found rain as perfect subject for their paintings. Here are some paintings to celebrate this rainy season. Paris Street; Rainy Day Paris Street; Rainy Day Gustave Caillebotte was a French …
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months. Through this year, we have met each other online to draw, …
I don’t always have the patience to sit down and draw from observation, but whenever I can manage to glue my butt to the chair I am rewarded with an increase in appreciation for the world around me. For me, to see clearly is an active practice of discovery, curiosity, attention, acceptance, problem solving, flexibility, …
WTF The quote from Gerhard Richter about looking for boring and irrelevant photo materials is from the upcoming lecture on Portraiture After Photography – part of our ongoing WTF Art History Lecture series with Suzanne Walker (BA, MA, PhD, BFD). These lectures are one of a kind, and not recorded. Don’t miss Suzanne Walker’s latest spitfire! …
30SAL Challenge: Figure/Ground Initials
Today is Design Friday, so your challenge is something the graphic designers will likely be familiar with: figure/ground reversal.
“Figure/ground” is a phrase that came from modern German Gestalt psychology. It refers to how our mind organizes forms, distinguishing an object (figure) from its background (ground).
In the early 1900s Danish psychologist Edgar Rubin famously experimented with figure-ground perception, using black and white optical illusions that reversed, to study how humans perceive figure and ground.
Many artists and art movements throughout the 20th century have played with this figure/ground reversal idea. Perhaps the most famous and obvious examples are the creations by M.C. Escher.
In a good composition, all shapes, whether they are the shape of the object or the shape of the space around the object, are equally important. Figure/ground reversals are a great exercise for building appreciation and skill for composition. In addition, the exercise below will make you more aware of spacing, and whether or not shapes touch, almost touch, or overlap. This is very useful in your drawings and paintings!
Below are your instructions for the creative design challenge. Please read them carefully.
Figure/Ground Reversal: Initials
Use your own initials to create a series of compositions that play with positive and negative shape relationships.
GUIDELINES:
Tag us! #30sal
#30sal #seattleartistleague #figuregroundinitials #figureground #design #negativespace #drawingchallenge #drawing #art #illustration #sketch #artchallenge #drawings #artist #draw #artistsoninstagram #sketchbook #instaart #artwork #drawingoftheday #dailydrawing #inkdrawing #drawingsketch #artoftheday #creativity #creativechallenge
Related Posts
Rainy Moments in Art
Rainy Moments in Art Edited from http://blog.orangecarton.com/famous-rain-moments-in-art-painting/ Rain has been one of the most popular subjects of art painting. Artists like Monet, Van Gogh, and many others found rain as perfect subject for their paintings. Here are some paintings to celebrate this rainy season. Paris Street; Rainy Day Paris Street; Rainy Day Gustave Caillebotte was a French …
Online Anniversary Show: Life in Blue and Green
One year ago in March, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. The virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for thirteen months. Through this year, we have met each other online to draw, …
Drawing Pathways
I don’t always have the patience to sit down and draw from observation, but whenever I can manage to glue my butt to the chair I am rewarded with an increase in appreciation for the world around me. For me, to see clearly is an active practice of discovery, curiosity, attention, acceptance, problem solving, flexibility, …
WTF? Gerhard Richter’s goal for photo references
WTF The quote from Gerhard Richter about looking for boring and irrelevant photo materials is from the upcoming lecture on Portraiture After Photography – part of our ongoing WTF Art History Lecture series with Suzanne Walker (BA, MA, PhD, BFD). These lectures are one of a kind, and not recorded. Don’t miss Suzanne Walker’s latest spitfire! …