In a quiet moment, take time to recall some memory that you find interesting or enjoyable. Perhaps this was a story told by your family, or some moment that formed an idea of yourself or someone around you. Maybe a photograph, smell or object will help bring back your recollection. As you sit, pull out the details and events from the narrative before and after that moment. Jot down everything you can remember. How old are you? Where are you? Who is there? What is around you? What is happening in the story?
For this memory, you can draw from any viewpoint, with elements out of realistic proportion. Perhaps forms are simplified and important elements are larger. Most people don’t remember every piece of a scene, so allow some elements to float without context, or layer pieces that shift and overlap in your mind. You have the option to draw what was before and after your moment, to tell the story. Once you have drawn elements of the narrative or scene, let the drawing be unfinished. There is no need to fill in pieces that you don’t remember.
“One of those family photos that always prompts a narrative, you are the subject of it but have no recollection of the events that everyone else recalls. In this case it was my first birthday and always accompanied by the story of how I ate the fruit from the cake while the adults were not looking. What i find curious about memory drawings is how childlike they are. The child in this drawing is not a one year old as in the narrative but seems to be more at the age I would have understood the story. Drawn purely from imagination no visual reference to the actual photo though i had seen it in the past. The lady with the huge hands is my grandmother, she had as I remember, huge hard-working hands with long nails as thick as hooves.” – Laura Hudson
If you have time, watch the first 12 minutes of this Art 21 video featuring Susan Rothenberg in “Memory.” Watch how she paints!
“The Colorist” Casey Klahn is an American pastel artist born in 1958 in Hoquiam, Washington, now living in Davenport. His pastel landscapes are abstracted shapes where color gets to play.
We are like crabs I was marveling out loud about how our left and right hands look the same but one works and one doesn’t, when I was gracefully informed by a dancer that one side of our body is best for fine motor skills, and the other is for strength. Could this be true?? …
“Winter solitude- in a world of one color the sound of the wind.” ― Bashō Matsuo From yesterday’s post: As a child, I collected the little cards with Japanese prints that came in ochazuke (breakfast rice soup sprinkles). The compositions were asymmetrical (diagonals!), the illustrations imaginative, and the colors shifted elegantly from the blunt American palette – the …
The article below has some good stuff, but it also misses some of my personal favorite points about how European artists were effected by Japanese art. In the mid/late 1800’s, European art was based on stodgy old realism, and Japanese artists had the crazy idea of using their imagination. In these Japanese prints, proportions are changed, angles are shifted, and …
30SAL Challenge: Memory Narrative
In a quiet moment, take time to recall some memory that you find interesting or enjoyable. Perhaps this was a story told by your family, or some moment that formed an idea of yourself or someone around you. Maybe a photograph, smell or object will help bring back your recollection. As you sit, pull out the details and events from the narrative before and after that moment. Jot down everything you can remember. How old are you? Where are you? Who is there? What is around you? What is happening in the story?
For this memory, you can draw from any viewpoint, with elements out of realistic proportion. Perhaps forms are simplified and important elements are larger. Most people don’t remember every piece of a scene, so allow some elements to float without context, or layer pieces that shift and overlap in your mind. You have the option to draw what was before and after your moment, to tell the story. Once you have drawn elements of the narrative or scene, let the drawing be unfinished. There is no need to fill in pieces that you don’t remember.
Below is a memory narrative by Laura Hudson:
“One of those family photos that always prompts a narrative, you are the subject of it but have no recollection of the events that everyone else recalls. In this case it was my first birthday and always accompanied by the story of how I ate the fruit from the cake while the adults were not looking. What i find curious about memory drawings is how childlike they are. The child in this drawing is not a one year old as in the narrative but seems to be more at the age I would have understood the story. Drawn purely from imagination no visual reference to the actual photo though i had seen it in the past. The lady with the huge hands is my grandmother, she had as I remember, huge hard-working hands with long nails as thick as hooves.” – Laura Hudson
If you have time, watch the first 12 minutes of this Art 21 video featuring Susan Rothenberg in “Memory.” Watch how she paints!
https://art21.org/watch/art-in-the-twenty-first-century/s3/susan-rothenberg-in-memory-segment/
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Casey Klahn
“The Colorist” Casey Klahn is an American pastel artist born in 1958 in Hoquiam, Washington, now living in Davenport. His pastel landscapes are abstracted shapes where color gets to play.
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We are like crabs I was marveling out loud about how our left and right hands look the same but one works and one doesn’t, when I was gracefully informed by a dancer that one side of our body is best for fine motor skills, and the other is for strength. Could this be true?? …
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“Winter solitude- in a world of one color the sound of the wind.” ― Bashō Matsuo From yesterday’s post: As a child, I collected the little cards with Japanese prints that came in ochazuke (breakfast rice soup sprinkles). The compositions were asymmetrical (diagonals!), the illustrations imaginative, and the colors shifted elegantly from the blunt American palette – the …
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The article below has some good stuff, but it also misses some of my personal favorite points about how European artists were effected by Japanese art. In the mid/late 1800’s, European art was based on stodgy old realism, and Japanese artists had the crazy idea of using their imagination. In these Japanese prints, proportions are changed, angles are shifted, and …