Blind contour portrait. Drawn, then painted. Artist unknown, pinned by Molly Rowe
Happy New Year, and welcome to the first day of our 30 day challenge! For this first project, we’ll have you warm up and introduce yourself with a delightfully odd looking portrait.
Blind contour drawing is an exercise in which an artist draws the contours of a subject without looking at the paper. The technique was introduced by Kimon Nicolaïdes in The Natural Way to Draw (1941), but most people know it from the widely popular Betty Edwards‘ Drawing on the Right Side of the Brain (1979). Both are indispensable resource guides for learning how to draw.
Blind contour drawing is a fabulous technique to cultivate your focus and curiosity, but it’s a horrible strategy for drawing things in the right place. Your coordination does get better with practice, but honestly, the uncontrollable aspect of blind drawings is part of what I love about the technique. I’d be disappointed if all the features ended up exactly where I intended. For one thing, letting go of this control can be incredibly liberating to an artist. For another, these drawings are surprising, delightfully interesting to make and to view.
Don’t peek!
Your goal is to do this without peeking, but if you absolutely cannot stop yourself even when threatened with the punishment of slugs in your nose, if you realize you have glanced down at your drawing, then stop moving the pencil as soon as you do. When you look back at your reflection, then you can continue your drawing.
Feeling your way around the form
Nicolaides suggests that you imagine the pencil tip is the tip of your finger, and as your pencil moves across the paper, you are moving your finger across the model’s form, feeling that you are touching the surface and contours. Times have changed since 1941, and while forming a connection between the tactile sensory input to your flat paper drawing is a lovely idea, when I teach figure drawing classes I am very careful to not say “pretend you are touching the figure” with a nude model on stage. Since you are within the intimate setting of you and your own consensual face, I invite you to give it a try. As you draw, notice the smooth quality of the hair, the firm areas over bone, and the softness of the cheeks. Don’t think about how to include this in your drawing, just notice how it feels to touch, and let the rest happen naturally.
30SAL Challenge: Blind Contour Self Portrait
Ruthie V.
Set the timer for 20 minutes. Materials are artist’s choice.
Position yourself in front of a mirror. Place your paper away from view. Draw the outside and cross contours very slowly in a steady, continuous line without looking at the paper. Notice each individual detail, surface, and angle.
Proceed carefully. Concentrate, focus, and draw the object as if you are tracing or feeling your way around the contours of the form. Move your pencil in a slow and steady pace, much like tracing. You may wish to do a several drawings within the 20 minute goal.
When you’re finished with your session, post your project and tag us: #30SAL
Blind contour drawings from our summer Figure Drawing Teen Camps
A great video showing the process and drawings for blind contours by Allison Kunath
The Dutch artist Rembrandt van Rijn created nearly one hundred self portraits during his 63 years of life. Roughly 40 of these self portraits were oil paintings. The rest were drawings and etchings. This was, and is, a fairly unusual number of self portraits for an artist without a smartphone. He might have made self portraits to practice rendering …
Most of the time when people draw something such as a still life, they draw the objects and then neglect everything around the objects, like the table holding it up, and the wall behind it. A drawing like this shows us a thing floating in nothing instead of an interaction of depth, volume, and surfaces …
[image_with_animation image_url=”9160″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”] Siobhán Wilder, Indian Alley, oil on panel, 10×8″ League painter Siobhán Wilder was chosen for an online critique through Clara Lieu’s Art Prof site, which now offers critiques for artists. Clara Lieu is an adjunct professor at RISD and the critique was given by Lieu’s associate Lauryn Welch, painter and performance …
Can you guess the color? It’s just delicious fun to watch paint get mixed. Painters, notice how long it takes. It’s easy to get impatient with this part of the process when we’re painting, thinking the mix should instantly be mixed so you could get on with applying the next brush strokes, but really what good is the application …
30SAL Challenge: Blind Contour Self Portrait
Happy New Year, and welcome to the first day of our 30 day challenge! For this first project, we’ll have you warm up and introduce yourself with a delightfully odd looking portrait.
Blind contour drawing is an exercise in which an artist draws the contours of a subject without looking at the paper. The technique was introduced by Kimon Nicolaïdes in The Natural Way to Draw (1941), but most people know it from the widely popular Betty Edwards‘ Drawing on the Right Side of the Brain (1979). Both are indispensable resource guides for learning how to draw.
Blind contour drawing is a fabulous technique to cultivate your focus and curiosity, but it’s a horrible strategy for drawing things in the right place. Your coordination does get better with practice, but honestly, the uncontrollable aspect of blind drawings is part of what I love about the technique. I’d be disappointed if all the features ended up exactly where I intended. For one thing, letting go of this control can be incredibly liberating to an artist. For another, these drawings are surprising, delightfully interesting to make and to view.
Don’t peek!
Your goal is to do this without peeking, but if you absolutely cannot stop yourself even when threatened with the punishment of slugs in your nose, if you realize you have glanced down at your drawing, then stop moving the pencil as soon as you do. When you look back at your reflection, then you can continue your drawing.
Feeling your way around the form
Nicolaides suggests that you imagine the pencil tip is the tip of your finger, and as your pencil moves across the paper, you are moving your finger across the model’s form, feeling that you are touching the surface and contours. Times have changed since 1941, and while forming a connection between the tactile sensory input to your flat paper drawing is a lovely idea, when I teach figure drawing classes I am very careful to not say “pretend you are touching the figure” with a nude model on stage. Since you are within the intimate setting of you and your own consensual face, I invite you to give it a try. As you draw, notice the smooth quality of the hair, the firm areas over bone, and the softness of the cheeks. Don’t think about how to include this in your drawing, just notice how it feels to touch, and let the rest happen naturally.
30SAL Challenge: Blind Contour Self Portrait
Set the timer for 20 minutes. Materials are artist’s choice.
Position yourself in front of a mirror. Place your paper away from view. Draw the outside and cross contours very slowly in a steady, continuous line without looking at the paper. Notice each individual detail, surface, and angle.
Proceed carefully. Concentrate, focus, and draw the object as if you are tracing or feeling your way around the contours of the form. Move your pencil in a slow and steady pace, much like tracing. You may wish to do a several drawings within the 20 minute goal.
When you’re finished with your session, post your project and tag us: #30SAL
Related Posts
Rembrandt’s Self Portrait Drawings
The Dutch artist Rembrandt van Rijn created nearly one hundred self portraits during his 63 years of life. Roughly 40 of these self portraits were oil paintings. The rest were drawings and etchings. This was, and is, a fairly unusual number of self portraits for an artist without a smartphone. He might have made self portraits to practice rendering …
Day 23: Set the Stage #30SAL
Most of the time when people draw something such as a still life, they draw the objects and then neglect everything around the objects, like the table holding it up, and the wall behind it. A drawing like this shows us a thing floating in nothing instead of an interaction of depth, volume, and surfaces …
Siobhán Wilder’s Critique
[image_with_animation image_url=”9160″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”] Siobhán Wilder, Indian Alley, oil on panel, 10×8″ League painter Siobhán Wilder was chosen for an online critique through Clara Lieu’s Art Prof site, which now offers critiques for artists. Clara Lieu is an adjunct professor at RISD and the critique was given by Lieu’s associate Lauryn Welch, painter and performance …
Watch Acrylic Paint Colors Mix
Can you guess the color? It’s just delicious fun to watch paint get mixed. Painters, notice how long it takes. It’s easy to get impatient with this part of the process when we’re painting, thinking the mix should instantly be mixed so you could get on with applying the next brush strokes, but really what good is the application …