Young Woman and Ibis, 1857… or 1860–62? Oil on canvas, 40×30″
Thanks to Jennifer Small for sending this in response to yesterday’s post about Degas’ failed historical paintings. This one was painted some time between 1857 and 1862 (dates differ), which was around the same time as he was working on the other historical paintings.
Paintings and dates:
The Daughter of Jephtha 1860
The Daughter of Jephtha study 1860
Young Spartans Exercising 1860
Young Spartan Girls Challenging Boys 1860
Young Woman with Ibis 1861
Bucephalus 1861
At the Stables, Horse and Dog 1861
Semiramis Building Babylon 1861
Portrait of Madame Edmondo Morbilli 1865
Scene of War in the Middle Ages 1865
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Young Woman and Ibis seems unresolved, the landscape separate, the birds and flowers stuck on after everything else had already been half painted. He was trapped. Haven’t we all tried to save a scene by putting a bird on it? And the red-orange birds are a color complementary to the blue-green cloth. Clearly he knew the additions weren’t solving his problems. He was reaching for the easy tricks, and he knew it. He made a quick rough pass of thick desperate “fuck it” paint taken right off the palette, and stopped. I imagine he was thinking about other paintings, and how this or that move could work somewhere else, but not here. Young Woman with Ibis is a weird (yet lovely) painting. It’s nice to see that even the best painters have their puzzles they couldn’t solve.
“Degas made sketches of this composition in a notebook he used during his second stay in Rome in 1857–58. Originally conceived as a depiction of a pensive woman, the picture assumed a mysterious air when Degas added the imaginary Middle Eastern cityscape, the pink flowers, and the two red ibises around 1860–62. About the same time he also considered adding the brilliant birds to his large historical painting Semiramis Building Babylon.” – MetMuseum
Semiramis Building Babylon
The Paint like Degas 2 day workshop starts this Saturday. Artists are welcome to make studies in charcoal, pastel, monotype, or if they’re very very brave: paint. We’ll have a model on the first day, and we’ll work from photographs on the second, like Degas did. What would you enjoy?
Sign up for Draw, Sketch, Print, Paint like Degas.
The following is text from my interview of Fran O’Neill, Oct 6, 2020. I asked Fran to share some of the historical artworks she regards as masterworks. She talked about what she sees as the magic of transcriptions. “There’s a whole mystery that is incredible about works from the past, and unlocking some of that …
Raphael Soyer (December 25, 1899 – November 4, 1987) was a Russian-born American painter, draftsman, and printmaker. He is identified as a Social Realist because of his interest in men and women viewed in contemporary settings which included the streets, subways, salons and artists’ studios of New York City. He also wrote several books on his life and art. He was adamant in his …
Day 27 of our 30 day January Creative Challenge was inadvertently a cruel one. Komorebi is a Japanese word for sunlight filtering through the trees. In Seattle, January 27th supplied artists with neither leaves nor sun. Somehow, these innovative artists found their ways.
Chinese-American artist Jeffrey Cheung’s hairy and intertwined queer and trans figures gave me a lift today. Playful and positive, and sweet as ice cream ads, Cheung’s 2016 exhibition featured comfortable peach and pink figures in couplings, but with some minor adjustments to his palette and the numbers of figures, his recent paintings depict multicolored figures in sexually …
Degas put an Ibis on it
Thanks to Jennifer Small for sending this in response to yesterday’s post about Degas’ failed historical paintings. This one was painted some time between 1857 and 1862 (dates differ), which was around the same time as he was working on the other historical paintings.
Paintings and dates:
Young Woman and Ibis seems unresolved, the landscape separate, the birds and flowers stuck on after everything else had already been half painted. He was trapped. Haven’t we all tried to save a scene by putting a bird on it? And the red-orange birds are a color complementary to the blue-green cloth. Clearly he knew the additions weren’t solving his problems. He was reaching for the easy tricks, and he knew it. He made a quick rough pass of thick desperate “fuck it” paint taken right off the palette, and stopped. I imagine he was thinking about other paintings, and how this or that move could work somewhere else, but not here. Young Woman with Ibis is a weird (yet lovely) painting. It’s nice to see that even the best painters have their puzzles they couldn’t solve.
“Degas made sketches of this composition in a notebook he used during his second stay in Rome in 1857–58. Originally conceived as a depiction of a pensive woman, the picture assumed a mysterious air when Degas added the imaginary Middle Eastern cityscape, the pink flowers, and the two red ibises around 1860–62. About the same time he also considered adding the brilliant birds to his large historical painting Semiramis Building Babylon.” – MetMuseum
The Paint like Degas 2 day workshop starts this Saturday. Artists are welcome to make studies in charcoal, pastel, monotype, or if they’re very very brave: paint. We’ll have a model on the first day, and we’ll work from photographs on the second, like Degas did. What would you enjoy?
Sign up for Draw, Sketch, Print, Paint like Degas.
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