Young Woman and Ibis, 1857… or 1860–62? Oil on canvas, 40×30″
Thanks to Jennifer Small for sending this in response to yesterday’s post about Degas’ failed historical paintings. This one was painted some time between 1857 and 1862 (dates differ), which was around the same time as he was working on the other historical paintings.
Paintings and dates:
The Daughter of Jephtha 1860
The Daughter of Jephtha study 1860
Young Spartans Exercising 1860
Young Spartan Girls Challenging Boys 1860
Young Woman with Ibis 1861
Bucephalus 1861
At the Stables, Horse and Dog 1861
Semiramis Building Babylon 1861
Portrait of Madame Edmondo Morbilli 1865
Scene of War in the Middle Ages 1865
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Young Woman and Ibis seems unresolved, the landscape separate, the birds and flowers stuck on after everything else had already been half painted. He was trapped. Haven’t we all tried to save a scene by putting a bird on it? And the red-orange birds are a color complementary to the blue-green cloth. Clearly he knew the additions weren’t solving his problems. He was reaching for the easy tricks, and he knew it. He made a quick rough pass of thick desperate “fuck it” paint taken right off the palette, and stopped. I imagine he was thinking about other paintings, and how this or that move could work somewhere else, but not here. Young Woman with Ibis is a weird (yet lovely) painting. It’s nice to see that even the best painters have their puzzles they couldn’t solve.
“Degas made sketches of this composition in a notebook he used during his second stay in Rome in 1857–58. Originally conceived as a depiction of a pensive woman, the picture assumed a mysterious air when Degas added the imaginary Middle Eastern cityscape, the pink flowers, and the two red ibises around 1860–62. About the same time he also considered adding the brilliant birds to his large historical painting Semiramis Building Babylon.” – MetMuseum
Semiramis Building Babylon
The Paint like Degas 2 day workshop starts this Saturday. Artists are welcome to make studies in charcoal, pastel, monotype, or if they’re very very brave: paint. We’ll have a model on the first day, and we’ll work from photographs on the second, like Degas did. What would you enjoy?
Sign up for Draw, Sketch, Print, Paint like Degas.
“I was incredibly sad about Notre-Dame because it’s such a beautiful building,” Mr Géant said in an interview with CNN. “But to hear there is life when it comes to the bees, that’s just wonderful.” “Thank goodness the flames didn’t touch them,” he added. “It’s a miracle!”
On a computer screen, the detailed cells of color in Chris Crites’ paintings look digital-perfect. In person, I’m compelled to creep closer, closer, until my breath fogs up the glass. It’s then that I can see the thousands of tiny brush strokes neatly aligned within each penciled form. He says it’s OCD. I say it’s skill and …
[image_with_animation image_url=”10288″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] We’ve made it to the end of our 30 Day Creative Challenge! There have been a lot of inspiring artworks posted on Facebook and Instagram. I’ve enjoyed making these, and seeing what is posted. For our last project, choose a SAL Challenge post someone else made, and make an …
Read Claes Oldenburg’s Manifesto below. At the top of your paper write “I am for…” Choose something within his list, and draw/paint/collage/photograph it. Having trouble choosing something? Close your eyes, loudly say “I am for the art!” and point. Take a picture of your drawing and post it to our Facebook page. Tag: #salchallenge The January Creative Challenge: 15 …
Degas put an Ibis on it
Thanks to Jennifer Small for sending this in response to yesterday’s post about Degas’ failed historical paintings. This one was painted some time between 1857 and 1862 (dates differ), which was around the same time as he was working on the other historical paintings.
Paintings and dates:
Young Woman and Ibis seems unresolved, the landscape separate, the birds and flowers stuck on after everything else had already been half painted. He was trapped. Haven’t we all tried to save a scene by putting a bird on it? And the red-orange birds are a color complementary to the blue-green cloth. Clearly he knew the additions weren’t solving his problems. He was reaching for the easy tricks, and he knew it. He made a quick rough pass of thick desperate “fuck it” paint taken right off the palette, and stopped. I imagine he was thinking about other paintings, and how this or that move could work somewhere else, but not here. Young Woman with Ibis is a weird (yet lovely) painting. It’s nice to see that even the best painters have their puzzles they couldn’t solve.
“Degas made sketches of this composition in a notebook he used during his second stay in Rome in 1857–58. Originally conceived as a depiction of a pensive woman, the picture assumed a mysterious air when Degas added the imaginary Middle Eastern cityscape, the pink flowers, and the two red ibises around 1860–62. About the same time he also considered adding the brilliant birds to his large historical painting Semiramis Building Babylon.” – MetMuseum
The Paint like Degas 2 day workshop starts this Saturday. Artists are welcome to make studies in charcoal, pastel, monotype, or if they’re very very brave: paint. We’ll have a model on the first day, and we’ll work from photographs on the second, like Degas did. What would you enjoy?
Sign up for Draw, Sketch, Print, Paint like Degas.
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Chris Crites
On a computer screen, the detailed cells of color in Chris Crites’ paintings look digital-perfect. In person, I’m compelled to creep closer, closer, until my breath fogs up the glass. It’s then that I can see the thousands of tiny brush strokes neatly aligned within each penciled form. He says it’s OCD. I say it’s skill and …
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