Young Woman and Ibis, 1857… or 1860–62? Oil on canvas, 40×30″
Thanks to Jennifer Small for sending this in response to yesterday’s post about Degas’ failed historical paintings. This one was painted some time between 1857 and 1862 (dates differ), which was around the same time as he was working on the other historical paintings.
Paintings and dates:
The Daughter of Jephtha 1860
The Daughter of Jephtha study 1860
Young Spartans Exercising 1860
Young Spartan Girls Challenging Boys 1860
Young Woman with Ibis 1861
Bucephalus 1861
At the Stables, Horse and Dog 1861
Semiramis Building Babylon 1861
Portrait of Madame Edmondo Morbilli 1865
Scene of War in the Middle Ages 1865
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Young Woman and Ibis seems unresolved, the landscape separate, the birds and flowers stuck on after everything else had already been half painted. He was trapped. Haven’t we all tried to save a scene by putting a bird on it? And the red-orange birds are a color complementary to the blue-green cloth. Clearly he knew the additions weren’t solving his problems. He was reaching for the easy tricks, and he knew it. He made a quick rough pass of thick desperate “fuck it” paint taken right off the palette, and stopped. I imagine he was thinking about other paintings, and how this or that move could work somewhere else, but not here. Young Woman with Ibis is a weird (yet lovely) painting. It’s nice to see that even the best painters have their puzzles they couldn’t solve.
“Degas made sketches of this composition in a notebook he used during his second stay in Rome in 1857–58. Originally conceived as a depiction of a pensive woman, the picture assumed a mysterious air when Degas added the imaginary Middle Eastern cityscape, the pink flowers, and the two red ibises around 1860–62. About the same time he also considered adding the brilliant birds to his large historical painting Semiramis Building Babylon.” – MetMuseum
Semiramis Building Babylon
The Paint like Degas 2 day workshop starts this Saturday. Artists are welcome to make studies in charcoal, pastel, monotype, or if they’re very very brave: paint. We’ll have a model on the first day, and we’ll work from photographs on the second, like Degas did. What would you enjoy?
Sign up for Draw, Sketch, Print, Paint like Degas.
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Charity Lynn Baker is an artist living and working in New York. She’s been drawing a lot lately. Her dream-like narrative scenes sometimes remind me of Marc Chagall’s, only Charity’s are more grounded. Formally trained in architecture, when asked about her compositions, she remarked that she likes humans and she likes geometry. Her drawings are …
[image_with_animation image_url=”7657″ alignment=”center” animation=”Fade In” box_shadow=”none” max_width=”100%”] In 1953, Robert Rauschenberg asked William de Kooning, an artist he idolized, to give him one of his drawings. De Kooning reluctantly agreed, and Rauschenberg….. well…. Rauschenberg erased it, and put it in a lovely gold frame with an inscription that said “ERASED de KOONING DRAWING, ROBERT RAUSCHENBERG, …
Before all those orange artworks, I was posting about Figure in Interior; the most unusual art class I’ve ever been a part of. I talked about Cezanne, and how making small marks distributed around the page (thank you to Fran O’Neill) can be a way to integrate time and change within a drawing. My premise …
Degas put an Ibis on it
Thanks to Jennifer Small for sending this in response to yesterday’s post about Degas’ failed historical paintings. This one was painted some time between 1857 and 1862 (dates differ), which was around the same time as he was working on the other historical paintings.
Paintings and dates:
Young Woman and Ibis seems unresolved, the landscape separate, the birds and flowers stuck on after everything else had already been half painted. He was trapped. Haven’t we all tried to save a scene by putting a bird on it? And the red-orange birds are a color complementary to the blue-green cloth. Clearly he knew the additions weren’t solving his problems. He was reaching for the easy tricks, and he knew it. He made a quick rough pass of thick desperate “fuck it” paint taken right off the palette, and stopped. I imagine he was thinking about other paintings, and how this or that move could work somewhere else, but not here. Young Woman with Ibis is a weird (yet lovely) painting. It’s nice to see that even the best painters have their puzzles they couldn’t solve.
“Degas made sketches of this composition in a notebook he used during his second stay in Rome in 1857–58. Originally conceived as a depiction of a pensive woman, the picture assumed a mysterious air when Degas added the imaginary Middle Eastern cityscape, the pink flowers, and the two red ibises around 1860–62. About the same time he also considered adding the brilliant birds to his large historical painting Semiramis Building Babylon.” – MetMuseum
The Paint like Degas 2 day workshop starts this Saturday. Artists are welcome to make studies in charcoal, pastel, monotype, or if they’re very very brave: paint. We’ll have a model on the first day, and we’ll work from photographs on the second, like Degas did. What would you enjoy?
Sign up for Draw, Sketch, Print, Paint like Degas.
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