Frohsin is another painter on the list of Carlos San Millan’s favorites. He had talked about wanting to develop his work into more flat color fields, a move towards the abstract. These paintings by Frohsin and others are his inspirations. I liked these abstracted figures so much I did some research and found more of my own to take for inspiration. These are Carlos’ pics, I’ll post more in the next V. Note.
My last V. Note proclaimed itself “the first of four posts highlighting black artists with professional careers in both painting and printmaking.” I had done an internet search for black artists, and found a Wiki page with a fantastic list of artists I could research. To narrow down the list, I looked for all the artists …
Yesterday I posted drawings by Stanley Lewis. Lewis was one of the influences listed by Charity Baker at the New York Studio School. Looking through Lewis’ art and writing, I found an interview on Painting Perceptions that talked about his methods, and his influences: “[Painting from perception] often feels like a horribly impossible thing to …
What can one detail tell us about a scene? If you’re Lynne Ramsay: absolutely everything. In this episode from “Every Frame a Painting” Tony Zhou considers the poetic possibilities of cinema. He presents ideas for film that you can also be applied to paintings. (7 minutes)
[image_with_animation image_url=”8653″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Image above from Urban Sketchers Chicago Chris Harvey has a lot of long straight architectural lines in his painting, and no matter what he tried, every pass with the brush resulted in another wobbly line. The wobbles weren’t interesting or expressive, they were distracting from the painting’s quality …
Kim Frohsin
Frohsin is another painter on the list of Carlos San Millan’s favorites. He had talked about wanting to develop his work into more flat color fields, a move towards the abstract. These paintings by Frohsin and others are his inspirations. I liked these abstracted figures so much I did some research and found more of my own to take for inspiration. These are Carlos’ pics, I’ll post more in the next V. Note.
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My last V. Note proclaimed itself “the first of four posts highlighting black artists with professional careers in both painting and printmaking.” I had done an internet search for black artists, and found a Wiki page with a fantastic list of artists I could research. To narrow down the list, I looked for all the artists …
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Yesterday I posted drawings by Stanley Lewis. Lewis was one of the influences listed by Charity Baker at the New York Studio School. Looking through Lewis’ art and writing, I found an interview on Painting Perceptions that talked about his methods, and his influences: “[Painting from perception] often feels like a horribly impossible thing to …
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What can one detail tell us about a scene? If you’re Lynne Ramsay: absolutely everything. In this episode from “Every Frame a Painting” Tony Zhou considers the poetic possibilities of cinema. He presents ideas for film that you can also be applied to paintings. (7 minutes)
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[image_with_animation image_url=”8653″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Image above from Urban Sketchers Chicago Chris Harvey has a lot of long straight architectural lines in his painting, and no matter what he tried, every pass with the brush resulted in another wobbly line. The wobbles weren’t interesting or expressive, they were distracting from the painting’s quality …