Here’s another painter from the list of Carlos San Millan’s favorites: Mitchell Johnson. Johnson’s paintings take urban and suburban architecture and turns them into playful studies of color and shape. The shapes in his recent paintings are large, flat areas of pronounced color theory – almost resembling collage.
Artist influences: Josef Albers, Morandi. Place influences: California, Cape Cod, Asia, Europe.
One year ago, to protect our students and teachers from a new coronavirus, the Seattle Artist League moved our classes online. Four days after we offered our first zoom class, the virus was declared a national emergency, and we went into quarantine. We have now been in quarantine for twelve months. As the paroxysm of …
[image_with_animation image_url=”7664″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Wang Tzu-Ting Draw the same thing, over and over, from multiple views. This can be done from observation, or imagination. Overlap your drawings. Add your drawing to this post on our Facebook page. (#salchallenge) The January Creative Challenge: 15 minutes, once a day, for 30 days.
This proclamation didn’t stop Chuck Close, who started painting portraits in the 1960s, 10 years after Pollock’s most famous drip paintings, and still during Greenberg’s reign. “I thought, ‘Well then, that field is wide open.’ And why the fuck can’t you make a portrait anyway?” – Chuck Close An informative little video WTF The quotes …
Mitchell Johnson
Here’s another painter from the list of Carlos San Millan’s favorites: Mitchell Johnson. Johnson’s paintings take urban and suburban architecture and turns them into playful studies of color and shape. The shapes in his recent paintings are large, flat areas of pronounced color theory – almost resembling collage.
Artist influences: Josef Albers, Morandi. Place influences: California, Cape Cod, Asia, Europe.
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