When I think of paintings by Carlos San Millan, I think of glowing light spilling into interiors, dark and moody, the scattered stuff of daily clutter expressed with cascading swaths of bold, intuitive, luscious vibrating color. When I think of Carlos San Millan, I think of the effects of light.
Carlos San Millan (2017)
Lucky us, Carlos San Millan is mid way through his second workshop at the League, and – lucky me – I’m starting to get some of his lessons. I wrote him a question for clarification, and he sent me an “illuminating” explanation of the tools he applies to give the illusion of light.
Carlos San Millan (2017)
From CSM: You can get light from any kind of contrast: soft / hard edges, muted / saturated colors, dark / light value, cold / warm hues. Using contrast is much better than pushing the light values to the highest level.
Carlos San Millan (2017)
To illustrate this I’ve attached a few paintings from one of my favorite artists that in my opinion masters light work, Emil Joseph Robinson.
You can see that he never needs to reach the maximum light value to get the effect of intense light.
Brushstrokes I’ve heard from several students that Brushstrokes is one of the best classes they’ve ever taken. I offer it once a year, and there’s a class starting next week. There are still a few spots if you’d like to jump in on Thursdays 6-10pm. Not a night person? No problem. I …
[image_with_animation image_url=”8901″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Last night’s Big League Show was a Big League success, due to the generous contributions of many. There were 198 artworks from 70 artists, and we estimate 150 people attended the reception. The quality of the work was excellent, widely varied in style and content, and incredibly interesting. There …
[image_with_animation image_url=”11320″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”] Belinda Del Pesco, drypoint of someone making a drypoint Drypoint, a rather scratchy nails-on-chalboard kind of word, is a printmaking technique in which an image is incised into a plate with a pointy thing. I’ll get into more academic V.cabulary about this later, but for now I’m just …
Painting Light; Notes from Carlos San Millan
When I think of paintings by Carlos San Millan, I think of glowing light spilling into interiors, dark and moody, the scattered stuff of daily clutter expressed with cascading swaths of bold, intuitive, luscious vibrating color. When I think of Carlos San Millan, I think of the effects of light.
Lucky us, Carlos San Millan is mid way through his second workshop at the League, and – lucky me – I’m starting to get some of his lessons. I wrote him a question for clarification, and he sent me an “illuminating” explanation of the tools he applies to give the illusion of light.
From CSM: You can get light from any kind of contrast: soft / hard edges, muted / saturated colors, dark / light value, cold / warm hues. Using contrast is much better than pushing the light values to the highest level.
To illustrate this I’ve attached a few paintings from one of my favorite artists that in my opinion masters light work, Emil Joseph Robinson.
You can see that he never needs to reach the maximum light value to get the effect of intense light.
Emil Joseph Robinson
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[image_with_animation image_url=”8901″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Last night’s Big League Show was a Big League success, due to the generous contributions of many. There were 198 artworks from 70 artists, and we estimate 150 people attended the reception. The quality of the work was excellent, widely varied in style and content, and incredibly interesting. There …
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[image_with_animation image_url=”11320″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”] Belinda Del Pesco, drypoint of someone making a drypoint Drypoint, a rather scratchy nails-on-chalboard kind of word, is a printmaking technique in which an image is incised into a plate with a pointy thing. I’ll get into more academic V.cabulary about this later, but for now I’m just …