You may have heard about Japonisme – the influence Japanese art had on Western art in the 19th century, after Japanese ports reopened in 1854, having been closed to the West for over 200 years. I posted about 8 Great Artists Inspired by Japanese Art a while back. Artists like Van Gogh, Degas, and Toulouse Lautrec saw the artistic creativity of Japanese non-realist art, and were inspired to paint works mimicking their color palette of secondary and tertiary colors, asymmetrical compositions, and creative expressions of form. I hear a lot about Japonisme. I love it. What I haven’t heard as much about is the influence the West had on Japanese artists.
Although depictions of beautiful women were one of the primary subjects of ukiyo-e woodblock prints, before the 19th century, the completely nude body as an independent form was rare in Japanese art. Japanese figures were usually stylized presentations showcasing hairstyles, kimono and textile designs. What the figures were wearing and how they were wearing it was more important than the form of the body. So, Japanese artists contributed color, abstraction, and asymmetrical composition to the West, and the West contributed … casually naked women. As an official spokesperson for all Western Artists, all I have to say is “You’re welcome.”
I recently got to see a few of these very Parisian looking woodblock prints, made by a Ishikawa Toraji (1875-1964). What Western artists do these compositions remind you of?
[image_with_animation image_url=”6237″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Raymond Pettibon Wiki: Raymond Pettibon (born Raymond Ginn; June 16, 1957) is an American artist who lives and works in New York City. Pettibon came to prominence in the early 1980s in the southern California punk rock scene, creating posters and album art mainly for groups on SST Records, owned and operated by his brother, Greg Ginn. …
From my window, the smoke gives a terrible, surreal beauty to the landscape. A dampened and compressed eerie glow. There is a weight to it. What do you see? CALL FOR ART: SMOKE I’ve received great submissions for this show! There’s still time to send in yours. Email artwork of any media you have documenting this smoke …
[image_with_animation image_url=”7035″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] I prefer a perfect sheet of Rives BFK, baptized in a bath of holy water and dabbed by angels wings, printed with hesitant optimism and an aneurysm when an imperfection emerges, but William Kentridge, he throws it down. That man can work the paper. Torn pieces, inked, and carefully …
Chuck Close has an almost photographic memory for things that are flat, but for 3 dimensional things that move around – things like faces – he is effectively blind. His work is built around his talent, and his disability. Through the detailed grids, Close can learn about the faces of people he cares about and commit them …
Japonisme, Parisme
You may have heard about Japonisme – the influence Japanese art had on Western art in the 19th century, after Japanese ports reopened in 1854, having been closed to the West for over 200 years. I posted about 8 Great Artists Inspired by Japanese Art a while back. Artists like Van Gogh, Degas, and Toulouse Lautrec saw the artistic creativity of Japanese non-realist art, and were inspired to paint works mimicking their color palette of secondary and tertiary colors, asymmetrical compositions, and creative expressions of form. I hear a lot about Japonisme. I love it. What I haven’t heard as much about is the influence the West had on Japanese artists.
Although depictions of beautiful women were one of the primary subjects of ukiyo-e woodblock prints, before the 19th century, the completely nude body as an independent form was rare in Japanese art. Japanese figures were usually stylized presentations showcasing hairstyles, kimono and textile designs. What the figures were wearing and how they were wearing it was more important than the form of the body. So, Japanese artists contributed color, abstraction, and asymmetrical composition to the West, and the West contributed … casually naked women. As an official spokesperson for all Western Artists, all I have to say is “You’re welcome.”
I recently got to see a few of these very Parisian looking woodblock prints, made by a Ishikawa Toraji (1875-1964). What Western artists do these compositions remind you of?
Related Posts
Humor in Art: Raymond Pettibon
[image_with_animation image_url=”6237″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Raymond Pettibon Wiki: Raymond Pettibon (born Raymond Ginn; June 16, 1957) is an American artist who lives and works in New York City. Pettibon came to prominence in the early 1980s in the southern California punk rock scene, creating posters and album art mainly for groups on SST Records, owned and operated by his brother, Greg Ginn. …
Call for Art: Smoke
From my window, the smoke gives a terrible, surreal beauty to the landscape. A dampened and compressed eerie glow. There is a weight to it. What do you see? CALL FOR ART: SMOKE I’ve received great submissions for this show! There’s still time to send in yours. Email artwork of any media you have documenting this smoke …
William Kentridge Prints
[image_with_animation image_url=”7035″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] I prefer a perfect sheet of Rives BFK, baptized in a bath of holy water and dabbed by angels wings, printed with hesitant optimism and an aneurysm when an imperfection emerges, but William Kentridge, he throws it down. That man can work the paper. Torn pieces, inked, and carefully …
Chuck Close; About Face
Chuck Close has an almost photographic memory for things that are flat, but for 3 dimensional things that move around – things like faces – he is effectively blind. His work is built around his talent, and his disability. Through the detailed grids, Close can learn about the faces of people he cares about and commit them …