One way to use broken color is to create optical color mixing, which is to put colors side by side, instead of mixing them together. Viewed from a far-ish distance, the colors visually mix. Viewed a bit closer up, the difference in colors visually pop and vibrate, giving the sensation or the impression of light.
Think that vibrating colors are one of those made up arty things? Take a look at this red/green wrapping paper. See how the trees and green are visually jumpy?
The grayscale version appears to have less vibration, and less light.
The technique of broken color goes back as far as the practice of weaving color rich tapestries (1600’s), is mentioned in Michel Chevreul’s “A Colourist’s Guide to Margarine” (1839). It was highly utilized by the Impressionists, and is still popular in painting today.
Alex Katz painted by Chuck Close, Alex II (1989)
Tom Thompson
1877-1017
One of the “Group of Seven” Canadian Painters
Notice too, how the underpainting was orange. You can see the orange peeking through each brush stroke. Imagine if the same painting was on white gesso. Not as good.
Anni Albers
1899-1994
[caption id=”attachment_15184″ align=”aligncenter” width=”650 Detail of weaving by Anni Albers
PS. I was joking about Chevreul’s Colourist’s Guide to Margarine, but only slightly.
[image_with_animation image_url=”9700″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Topophilia (From Greek topos “place” and -philia, “love of”) is a strong sense of place, which often becomes mixed with the sense of cultural identity among certain people and a love of certain aspects of such a place. Today is the second of a series of Topophilia Creative Exercises, this …
[image_with_animation image_url=”15699″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] A show by young artists, curated by Student Art Spaces Sponsored by the Seattle Artist League Opening Reception: Saturday August 31 6:30-8:30 Show open: Aug 31 6:30-8:30 Sept 1 9:00-5:00 Sept 2 9:00-5:00 Seattle Artist League 10219 Aurora Ave North [image_with_animation image_url=”15726″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Last January, Alice …
Take a class with SAL – anywhere! Recently I posted about The Language of Color, in which I relate pinking shears to pink, the color. Please allow me to clarify. According to WordHistories.net, the noun “pink” is first recorded in 1566, but not as the name for a color. “Pink” was the name for a flower, …
A search for indigo dye brought me a glimpse of these stunning treasures. While indigo is common as a clothing dye and (often now synthetic) indigo is worn all around the world as a near religious love of blue jeans, these Buddhist works on indigo-dyed paper are anything but common. In the 11th century, many …
Broken Color
Weave
One way to use broken color is to create optical color mixing, which is to put colors side by side, instead of mixing them together. Viewed from a far-ish distance, the colors visually mix. Viewed a bit closer up, the difference in colors visually pop and vibrate, giving the sensation or the impression of light.
Think that vibrating colors are one of those made up arty things? Take a look at this red/green wrapping paper. See how the trees and green are visually jumpy?
The grayscale version appears to have less vibration, and less light.
The technique of broken color goes back as far as the practice of weaving color rich tapestries (1600’s), is mentioned in Michel Chevreul’s “A Colourist’s Guide to Margarine” (1839). It was highly utilized by the Impressionists, and is still popular in painting today.
Alex Katz painted by Chuck Close, Alex II (1989)
Tom Thompson
1877-1017
One of the “Group of Seven” Canadian Painters
Notice too, how the underpainting was orange. You can see the orange peeking through each brush stroke. Imagine if the same painting was on white gesso. Not as good.
Anni Albers
1899-1994
[caption id=”attachment_15184″ align=”aligncenter” width=”650
Detail of weaving by Anni Albers
PS. I was joking about Chevreul’s Colourist’s Guide to Margarine, but only slightly.
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[image_with_animation image_url=”9700″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Topophilia (From Greek topos “place” and -philia, “love of”) is a strong sense of place, which often becomes mixed with the sense of cultural identity among certain people and a love of certain aspects of such a place. Today is the second of a series of Topophilia Creative Exercises, this …
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[image_with_animation image_url=”15699″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] A show by young artists, curated by Student Art Spaces Sponsored by the Seattle Artist League Opening Reception: Saturday August 31 6:30-8:30 Show open: Aug 31 6:30-8:30 Sept 1 9:00-5:00 Sept 2 9:00-5:00 Seattle Artist League 10219 Aurora Ave North [image_with_animation image_url=”15726″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Last January, Alice …
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Take a class with SAL – anywhere! Recently I posted about The Language of Color, in which I relate pinking shears to pink, the color. Please allow me to clarify. According to WordHistories.net, the noun “pink” is first recorded in 1566, but not as the name for a color. “Pink” was the name for a flower, …
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A search for indigo dye brought me a glimpse of these stunning treasures. While indigo is common as a clothing dye and (often now synthetic) indigo is worn all around the world as a near religious love of blue jeans, these Buddhist works on indigo-dyed paper are anything but common. In the 11th century, many …