One way to use broken color is to create optical color mixing, which is to put colors side by side, instead of mixing them together. Viewed from a far-ish distance, the colors visually mix. Viewed a bit closer up, the difference in colors visually pop and vibrate, giving the sensation or the impression of light.
Think that vibrating colors are one of those made up arty things? Take a look at this red/green wrapping paper. See how the trees and green are visually jumpy?
The grayscale version appears to have less vibration, and less light.
The technique of broken color goes back as far as the practice of weaving color rich tapestries (1600’s), is mentioned in Michel Chevreul’s “A Colourist’s Guide to Margarine” (1839). It was highly utilized by the Impressionists, and is still popular in painting today.
Alex Katz painted by Chuck Close, Alex II (1989)
Tom Thompson
1877-1017
One of the “Group of Seven” Canadian Painters
Notice too, how the underpainting was orange. You can see the orange peeking through each brush stroke. Imagine if the same painting was on white gesso. Not as good.
Anni Albers
1899-1994
[caption id=”attachment_15184″ align=”aligncenter” width=”650 Detail of weaving by Anni Albers
PS. I was joking about Chevreul’s Colourist’s Guide to Margarine, but only slightly.
Alice Mao, a 17 year old student at the League, teamed up with her 15 year old classmate Taylor Wang, to mastermind “Student Art Spaces” a venue for young artists like themselves to show their work. The League is mentoring Student Art Spaces (SAS), and will showcase their curations. We are proud to support SAS in …
[image_with_animation image_url=”14123″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Dan Robbins, the inventor of Paint by Numbers passed away Monday, at the age of 93. After World War II, Robbins was working as a package designer for Palmer Paint Company. Company owner Max Klein was looking for something that would sell to adult hobbyists, and Robbins had an …
[image_with_animation image_url=”7736″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Piet Mondrian The first part of this challenge was to draw a tree from observation. The second was to draw the same tree, editing to emphasize the patterns within the branches. Today, draw the same tree again, editing even more. Look at the spaces between the branches, remove the …
This is the last day in our 30 Day Creative Challenge! A big public THANK YOU to those artists who posted your sketches to Instagram or to Padlet. While the posting type people are wooting amidst their social media glitter and confetti, I’ll pass a word of quiet appreciation to the unknown number of you …
Broken Color
Weave
One way to use broken color is to create optical color mixing, which is to put colors side by side, instead of mixing them together. Viewed from a far-ish distance, the colors visually mix. Viewed a bit closer up, the difference in colors visually pop and vibrate, giving the sensation or the impression of light.
Think that vibrating colors are one of those made up arty things? Take a look at this red/green wrapping paper. See how the trees and green are visually jumpy?
The grayscale version appears to have less vibration, and less light.
The technique of broken color goes back as far as the practice of weaving color rich tapestries (1600’s), is mentioned in Michel Chevreul’s “A Colourist’s Guide to Margarine” (1839). It was highly utilized by the Impressionists, and is still popular in painting today.
Alex Katz painted by Chuck Close, Alex II (1989)
Tom Thompson
1877-1017
One of the “Group of Seven” Canadian Painters
Notice too, how the underpainting was orange. You can see the orange peeking through each brush stroke. Imagine if the same painting was on white gesso. Not as good.
Anni Albers
1899-1994
[caption id=”attachment_15184″ align=”aligncenter” width=”650
Detail of weaving by Anni Albers
PS. I was joking about Chevreul’s Colourist’s Guide to Margarine, but only slightly.
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