One way to use broken color is to create optical color mixing, which is to put colors side by side, instead of mixing them together. Viewed from a far-ish distance, the colors visually mix. Viewed a bit closer up, the difference in colors visually pop and vibrate, giving the sensation or the impression of light.
Think that vibrating colors are one of those made up arty things? Take a look at this red/green wrapping paper. See how the trees and green are visually jumpy?
The grayscale version appears to have less vibration, and less light.
The technique of broken color goes back as far as the practice of weaving color rich tapestries (1600’s), is mentioned in Michel Chevreul’s “A Colourist’s Guide to Margarine” (1839). It was highly utilized by the Impressionists, and is still popular in painting today.
Alex Katz painted by Chuck Close, Alex II (1989)
Tom Thompson
1877-1017
One of the “Group of Seven” Canadian Painters
Notice too, how the underpainting was orange. You can see the orange peeking through each brush stroke. Imagine if the same painting was on white gesso. Not as good.
Anni Albers
1899-1994
[caption id=”attachment_15184″ align=”aligncenter” width=”650 Detail of weaving by Anni Albers
PS. I was joking about Chevreul’s Colourist’s Guide to Margarine, but only slightly.
[image_with_animation image_url=”11320″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”] Belinda Del Pesco, drypoint of someone making a drypoint Drypoint, a rather scratchy nails-on-chalboard kind of word, is a printmaking technique in which an image is incised into a plate with a pointy thing. I’ll get into more academic V.cabulary about this later, but for now I’m just …
[image_with_animation image_url=”7866″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Connectivity Report, System 1 New work by Claire Putney Watercolor, burned maps and text on paper Don’t miss this show, Leaguers! Reception 1st Thursday, Feb 1, 5:00-9:00 Showing through February CORE Gallery 117 Prefontaine Pl S, Seattle, WA 98104 https://www.coregallery.org/ Do you like these unusual effects? Claire Putney is …
[image_with_animation image_url=”9362″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] I went to see Figuring History at the Seattle Art Museum (closes soon!). Figuring History is a selection of work by three generations of contemporary black American artists (Robert Colescott, Kerry James Marshall, and Mickalene Thomas) as they use their spin on white dominated painting traditions to address the white dominated …
This is day 5 of our 30 day creative challenge! To learn more about this 30SAL challenge, click here. Today’s challenge is to create something inspired by the word cacoethes. Media is artist’s choice. Can be pencil, digital collage, or assemblage live alligators. Cacoethes noun: An irresistible urge to do something inadvisable. (kak-oh/uh-WEE-theez) Share your drawing …
Broken Color
Weave
One way to use broken color is to create optical color mixing, which is to put colors side by side, instead of mixing them together. Viewed from a far-ish distance, the colors visually mix. Viewed a bit closer up, the difference in colors visually pop and vibrate, giving the sensation or the impression of light.
Think that vibrating colors are one of those made up arty things? Take a look at this red/green wrapping paper. See how the trees and green are visually jumpy?
The grayscale version appears to have less vibration, and less light.
The technique of broken color goes back as far as the practice of weaving color rich tapestries (1600’s), is mentioned in Michel Chevreul’s “A Colourist’s Guide to Margarine” (1839). It was highly utilized by the Impressionists, and is still popular in painting today.
Alex Katz painted by Chuck Close, Alex II (1989)
Tom Thompson
1877-1017
One of the “Group of Seven” Canadian Painters
Notice too, how the underpainting was orange. You can see the orange peeking through each brush stroke. Imagine if the same painting was on white gesso. Not as good.
Anni Albers
1899-1994
[caption id=”attachment_15184″ align=”aligncenter” width=”650
Detail of weaving by Anni Albers
PS. I was joking about Chevreul’s Colourist’s Guide to Margarine, but only slightly.
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Day 5: Cacoethes #30SAL
This is day 5 of our 30 day creative challenge! To learn more about this 30SAL challenge, click here. Today’s challenge is to create something inspired by the word cacoethes. Media is artist’s choice. Can be pencil, digital collage, or assemblage live alligators. Cacoethes noun: An irresistible urge to do something inadvisable. (kak-oh/uh-WEE-theez) Share your drawing …