“My futile idea was that action in comics, as in any art, doesn’t end with one person pounding another person in the jaw. There’s also the action of emotion, psychology, character and idea. I yearned to have stories which dealt with more reality and people’s feelings and thoughts . . . a kind of literary form, let’s say even a Chekhovian form, where one could delve into real people and real feelings.” – Kringstein
Even though his proposal to illustrate Bill Gaines’ and Al Feldstein’s story of “Master Race” was cut from 12 to 8 pages, Kringstein’s panels are never cramped. The compositions are well balanced and well paced. Drawing from observation, his disdain of comic shortcuts and easy symbolic solutions such as sweat marks and action lines pushed him to articulate action and emotion by using a painter’s language of expressive figure studies within “high brow art” ideas of composition and form.
The work of Kringstein had a strong influence on more recognizable names such as Art Spiegelman, and Frank Miller.
Dark Knight Returns (1986)
So if you have ever looked at a comic and admired the visual storytelling, you likely have Krigstein to thank.
As Spiegelman put it in the New Yorker, “Krigstein began to vibrate with the inner language of comics, to understand that its essence lay in the ‘breakdowns,’ the box-to-box exposition that breaks moments of time down into spatial units.”
Inspired to draw but want a little guidance? We have a great Comics workshop happening at the League this weekend, open to all ages and skill levels. This is a new genre for the League, and we are hoping to expand it. Gap assistance available. If you are a new (or previous) fan of Krigstein, apply the coupon code KRIGSTEIN to receive 20% off.
This SAL Challenge is a vocabulary based creative challenge every day for January. Materials are artist’s choice. You can draw, paint, collage, sculpt your food, anything you want. Make something today! Prizes awarded for creativity and participation To be eligible for a prize, and to help motivate other people, post your creative project to Facebook or Instagram …
[image_with_animation image_url=”15699″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] A show by young artists, curated by Student Art Spaces Sponsored by the Seattle Artist League Opening Reception: Saturday August 31 6:30-8:30 Show open: Aug 31 6:30-8:30 Sept 1 9:00-5:00 Sept 2 9:00-5:00 Seattle Artist League 10219 Aurora Ave North [image_with_animation image_url=”15726″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Last January, Alice …
Congratulations! You are halfway through our 30 day creative challenge! How are you doing with the various approaches? Do you have favorites? Hopefully you’ve logged into Instagram or to the Padlets to “like” people’s artistic responses. Awards and prizes will be posted today. Here are links to all the Padlet pages so far: Day 1: …
Yesterday I said the next post would be about color, but I didn’t have time to write today, and there has been so much bad news that I wanted to put a little art in your inbox. Today is an addition to yesterday’s post about the Effects of Light, with illusions of glow produced from …
The single most analyzed page in comics history
Detail
“My futile idea was that action in comics, as in any art, doesn’t end with one person pounding another person in the jaw. There’s also the action of emotion, psychology, character and idea. I yearned to have stories which dealt with more reality and people’s feelings and thoughts . . . a kind of literary form, let’s say even a Chekhovian form, where one could delve into real people and real feelings.” – Kringstein
Even though his proposal to illustrate Bill Gaines’ and Al Feldstein’s story of “Master Race” was cut from 12 to 8 pages, Kringstein’s panels are never cramped. The compositions are well balanced and well paced. Drawing from observation, his disdain of comic shortcuts and easy symbolic solutions such as sweat marks and action lines pushed him to articulate action and emotion by using a painter’s language of expressive figure studies within “high brow art” ideas of composition and form.
The work of Kringstein had a strong influence on more recognizable names such as Art Spiegelman, and Frank Miller.
Dark Knight Returns (1986)
So if you have ever looked at a comic and admired the visual storytelling, you likely have Krigstein to thank.
As Spiegelman put it in the New Yorker, “Krigstein began to vibrate with the inner language of comics, to understand that its essence lay in the ‘breakdowns,’ the box-to-box exposition that breaks moments of time down into spatial units.”
Inspired to draw but want a little guidance? We have a great Comics workshop happening at the League this weekend, open to all ages and skill levels. This is a new genre for the League, and we are hoping to expand it. Gap assistance available. If you are a new (or previous) fan of Krigstein, apply the coupon code KRIGSTEIN to receive 20% off.
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