“The beginning is the best part. Why continue? Yes, things will get richer and deeper, but the simplicity and directness of a birdsong is soon gone. When I get old and begin losing my marbles I will learn to keep it simple, the way Matisse, De Kooning and Whistler did in the end.” – Alex Kanevsky, somepaintings
My new intermediate drawing/painting class STYLE starts August 1st. It’s for people who know the fundamentals but are stuck, and for people who would like to figure out (or re-figure out) who they are and where they’d like to go as artists. We’ll start by asking you about how you think and how you work. There will be plenty of time to try on different artist’s processes to see how they feel, and plenty more time to hone in on your own path. “STYLE” is designed to help you paint (or draw or think) more like you.
Daphne Minkoff’s latest exhibition, “Facades,” at Harris Harvey Gallery, offers an immersive look into Seattle’s evolving urban landscape. Minkoff, a Seattle-based artist with a special appreciation for urban landscapes, documents our longing for security as it succumbs to inevitable change. Minkoff’s paintings oscillate between hard shadows and low, dull, diffused light, mirroring Seattle’s characteristic lighting. …
[image_with_animation image_url=”7409″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Draw, paint, or collage half a self portrait, life size, so when you hold it up it completes your face. Your drawing can be realistic, or made up. If it is made up, have lines on the paper that connect the drawing to your real face. Take a picture …
Take a class with SAL – anywhere! PAINTING TECHNIQUES TO GET YOU STARTED Blocking in is the step after your sketch, in which the canvas is covered with flat shapes that indicate where elements will go, and what color or value they’ll be. Move past outlines into shapes. You can easily shift and change things around …
I have been sharing works from Figure in Interior; the most unusual art class I’ve ever been a part of. I talked about Cezanne, and how making small marks distributed around the page (thank you to Fran O’Neill) can be a way to integrate time and change within a drawing. I talked about Kathy Paul and …
The beginning is the best part, Kanevsky
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Daphne Minkoff’s Façades
Daphne Minkoff’s latest exhibition, “Facades,” at Harris Harvey Gallery, offers an immersive look into Seattle’s evolving urban landscape. Minkoff, a Seattle-based artist with a special appreciation for urban landscapes, documents our longing for security as it succumbs to inevitable change. Minkoff’s paintings oscillate between hard shadows and low, dull, diffused light, mirroring Seattle’s characteristic lighting. …
SAL Challenge Day 1: Half Self Portrait
[image_with_animation image_url=”7409″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Draw, paint, or collage half a self portrait, life size, so when you hold it up it completes your face. Your drawing can be realistic, or made up. If it is made up, have lines on the paper that connect the drawing to your real face. Take a picture …
Blocking In
Take a class with SAL – anywhere! PAINTING TECHNIQUES TO GET YOU STARTED Blocking in is the step after your sketch, in which the canvas is covered with flat shapes that indicate where elements will go, and what color or value they’ll be. Move past outlines into shapes. You can easily shift and change things around …
The Most Unusual Art Class; Madelaine Mimi Torchia Boothby
I have been sharing works from Figure in Interior; the most unusual art class I’ve ever been a part of. I talked about Cezanne, and how making small marks distributed around the page (thank you to Fran O’Neill) can be a way to integrate time and change within a drawing. I talked about Kathy Paul and …