A lot of V. Note ideas wither because they are just one little thought or artwork, and I don’t have it in me to flush them out into a complete chapter. I’ve been thinking I should post more of these single notes. Here’s one: an automatic writing by Bruno Leyval.
Automatic Writing/Drawing: writing or drawing produced without conscious intention
The part of this I’m ignorant of, the bit that makes my head tilt here, is the typing above the signature. I found this picture on the internet, and I can’t figure out if this is part of the piece or not. It adds a stamp of officialness to the scribbles, and again to the only slightly more intentional scrib-signature, and I notice the placement very nicely breaking the right side boundary, but is the typing part of the piece? Or a label added for instruction? Something else? I imagine the piece without the typing, and I don’t like it as much. It really does make the signature more of a legitimate and serious giggle.
[image_with_animation image_url=”14063″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] There was so much interesting material produced in day one of this two day workshop “Portraiture After Photography” I wanted to share it. The morning slideshow focused on photography as a tool for abstraction, launching from an in depth look at multi exposure photographs taken by John Deakin and …
Yesterday I posted an introduction to the most unusual art class I’ve ever been a part of. I talked about Cezanne’s approach to recording a scene by using short lines distributed across the page, and how this can be used to integrate abstraction, time, space, and movement in a piece. One of the students in …
R. B. Kitaj 1932 – 2007 Edited from https://artbios.net/5-en.html R.B. Kitaj was an American artist who championed figuration in the aftermath of expressionism. Kitaj was an influential figure in the London art scene and was intimate with Lucian Freud and Francis Bacon, coining the term “London School” for this group. His art was unabashedly erudite and often accompanied …
Richard Diebenkorn: The Sketchbooks Revealed Text from Stanford.edu: Throughout his long career, seminal California artist Richard Diebenkorn (Stanford BA ’49) always kept a sketchbook—a “portable studio,” as he called it—to capture his ideas. The books contain 1,045 drawings that span the artist’s career and represent the range of styles and subjects he explored—both gestural renderings …
Automatic writing by Bruno Leyval
A lot of V. Note ideas wither because they are just one little thought or artwork, and I don’t have it in me to flush them out into a complete chapter. I’ve been thinking I should post more of these single notes. Here’s one: an automatic writing by Bruno Leyval.
Automatic Writing/Drawing: writing or drawing produced without conscious intention
The part of this I’m ignorant of, the bit that makes my head tilt here, is the typing above the signature. I found this picture on the internet, and I can’t figure out if this is part of the piece or not. It adds a stamp of officialness to the scribbles, and again to the only slightly more intentional scrib-signature, and I notice the placement very nicely breaking the right side boundary, but is the typing part of the piece? Or a label added for instruction? Something else? I imagine the piece without the typing, and I don’t like it as much. It really does make the signature more of a legitimate and serious giggle.
Other artists that come to mind: Cy Twombly, Mark Tobey, André Masson, Henri Michaux
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[image_with_animation image_url=”14063″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] There was so much interesting material produced in day one of this two day workshop “Portraiture After Photography” I wanted to share it. The morning slideshow focused on photography as a tool for abstraction, launching from an in depth look at multi exposure photographs taken by John Deakin and …
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Yesterday I posted an introduction to the most unusual art class I’ve ever been a part of. I talked about Cezanne’s approach to recording a scene by using short lines distributed across the page, and how this can be used to integrate abstraction, time, space, and movement in a piece. One of the students in …
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R. B. Kitaj 1932 – 2007 Edited from https://artbios.net/5-en.html R.B. Kitaj was an American artist who championed figuration in the aftermath of expressionism. Kitaj was an influential figure in the London art scene and was intimate with Lucian Freud and Francis Bacon, coining the term “London School” for this group. His art was unabashedly erudite and often accompanied …
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Richard Diebenkorn: The Sketchbooks Revealed Text from Stanford.edu: Throughout his long career, seminal California artist Richard Diebenkorn (Stanford BA ’49) always kept a sketchbook—a “portable studio,” as he called it—to capture his ideas. The books contain 1,045 drawings that span the artist’s career and represent the range of styles and subjects he explored—both gestural renderings …