[image_with_animation image_url=”9941″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Line drawing by William Anastasi A conversation between League friend and painter Fredericka Foster and composer/musician Phillip Glass has recently been published in Nautilus. Foster and Glass are talking about time. Philip Glass: There are many strange things about music and time. When I’m on a tour with the dance …
This robot was designed to have human-like focus. It looks first at the subject, then at the paper, and wiggles its little robot arm to make marks with a Bic pen. From this, a portrait is produced. It’s normal to assume that creative work is an emotional process, but observational drawing is more like this studious robot …
This is the first of three posts about Scott McClellan, head of ceramics at the Seattle Artist League—his work, his approach, and the tone he sets in the studio. Scott McClellan’s vessels seem caught mid-motion. They settle into themselves without ever going still. His forms press downward—weighty, bodily. Surfaces remain raw and exposed, with nothing …
One Monotype by Georgie O’Keefe
This is a monotype by Georgia O’Keefe. I could not find another. If you’ve seen one, let me know!
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SAL Challenge: Time (quick)
[image_with_animation image_url=”9941″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Line drawing by William Anastasi A conversation between League friend and painter Fredericka Foster and composer/musician Phillip Glass has recently been published in Nautilus. Foster and Glass are talking about time. Philip Glass: There are many strange things about music and time. When I’m on a tour with the dance …
Erin Goodwin-Guerrero: Embracing Mixed-media
Robot Portraits
This robot was designed to have human-like focus. It looks first at the subject, then at the paper, and wiggles its little robot arm to make marks with a Bic pen. From this, a portrait is produced. It’s normal to assume that creative work is an emotional process, but observational drawing is more like this studious robot …
Pots in Motion: Scott McClellan
This is the first of three posts about Scott McClellan, head of ceramics at the Seattle Artist League—his work, his approach, and the tone he sets in the studio. Scott McClellan’s vessels seem caught mid-motion. They settle into themselves without ever going still. His forms press downward—weighty, bodily. Surfaces remain raw and exposed, with nothing …