Nikki and I met at the studio for a fast test run. She got to try out her lesson plan, and I got to try the process. To my delight, vitreography was fast, non-toxic, and easy to learn! I don’t mean “easy” in the way that my first print was a masterpiece, but vitreography was far more beginner friendly for me than drypoint, woodcuts, and traditional etching. It was easier to see what I was doing, and since I was able to apply the etching paste with a soft brush, I felt more comfortable with the types of marks I was able to make.
The first test plate: the dremel tool
It was easy to make marks in my thick glass plate using a diamond tipped scribe, and a dremel tool. For the dremel, Nikki had me submerge the plate in water so I didn’t send glass dust into the air. I made a few random experimental marks with the dremel, just to see what stuff would like like.
[caption id=”attachment_13939″ align=”aligncenter” width=”600 Wet plate from water bath, after dremel marks
etching paste applied to some areas
After being so worried I wouldn’t wait long enough for the paste to etch the glass, turns out I waited too long. It only needed 2 minutes!
[caption id=”attachment_13944″ align=”aligncenter” width=”600 First etching print experiment, with cheap paper
The first print ended up being too dark, but I liked the stippled grey and felt confident I could make a better plate without much effort. I loved the brush strokes on the vase.
Doorzien – a Dutch word translated as “to see through.” In dutch art, doorzien referred to a painting that showed a view from one room into another, making the picture especially beautiful. I wish I knew what movie it was, but some time long ago I was in a college film class. The instructor showed us …
[image_with_animation image_url=”9734″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] I was sitting here, as one does, thinking “you know, I don’t actually remember what my own fingerprints look like. They’re right here in front of me, every day, and I couldn’t identify my own darned fingertip in a line-up. Today, study and draw your fingerprint. To make your …
According to the National Gallery UK: The woman’s large white headdress, its calligraphic shape made up of stiff, angular folds, is striking against the dark background. Shading around the folds reinforces the sense of their depth, and the artist seems to want us to think that a fly, deceived by his illusion, has attempted to …
[image_with_animation image_url=”6075″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Ruthie V. Continuous Line Figure Studies “Figures; Draw Paint Sculpt” Friday night class Sculpting changed our drawings! Have you ever seen a figure drawing look as heavy as these (below) by Lendy Hensley? They weigh as much as the real model! They have gravity, volume, mass, and space. Aren’t …
Vitreography test prints
Nikki and I met at the studio for a fast test run. She got to try out her lesson plan, and I got to try the process. To my delight, vitreography was fast, non-toxic, and easy to learn! I don’t mean “easy” in the way that my first print was a masterpiece, but vitreography was far more beginner friendly for me than drypoint, woodcuts, and traditional etching. It was easier to see what I was doing, and since I was able to apply the etching paste with a soft brush, I felt more comfortable with the types of marks I was able to make.
The first test plate: the dremel tool
It was easy to make marks in my thick glass plate using a diamond tipped scribe, and a dremel tool. For the dremel, Nikki had me submerge the plate in water so I didn’t send glass dust into the air. I made a few random experimental marks with the dremel, just to see what stuff would like like.
[caption id=”attachment_13939″ align=”aligncenter” width=”600
Wet plate from water bath, after dremel marks
etching paste applied to some areas
After being so worried I wouldn’t wait long enough for the paste to etch the glass, turns out I waited too long. It only needed 2 minutes!
[caption id=”attachment_13944″ align=”aligncenter” width=”600
First etching print experiment, with cheap paper
The first print ended up being too dark, but I liked the stippled grey and felt confident I could make a better plate without much effort. I loved the brush strokes on the vase.
Etching ghost print, with tiny areas of drypoint
I’m going to like Vitreography. We start Tuesday!
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Doorzien – a Dutch word translated as “to see through.” In dutch art, doorzien referred to a painting that showed a view from one room into another, making the picture especially beautiful. I wish I knew what movie it was, but some time long ago I was in a college film class. The instructor showed us …
SAL Challenge: Fingerprint
[image_with_animation image_url=”9734″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] I was sitting here, as one does, thinking “you know, I don’t actually remember what my own fingerprints look like. They’re right here in front of me, every day, and I couldn’t identify my own darned fingertip in a line-up. Today, study and draw your fingerprint. To make your …
The Hofer Woman and the Fly
According to the National Gallery UK: The woman’s large white headdress, its calligraphic shape made up of stiff, angular folds, is striking against the dark background. Shading around the folds reinforces the sense of their depth, and the artist seems to want us to think that a fly, deceived by his illusion, has attempted to …
Continuous line drawings from “Figures: Draw, Paint, Sculpt”
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