Between 1914 and 1917, Matisse made a series of 69 monotypes, the only monotypes of his career.
Matisse created his black-and-white monotypes by covering a copper plate with black ink and then lightly and swiftly scratching into the pigment with a tool, so that the linework emerged through the dark ink ground. To transfer the image to paper, damp paper was laid on top of the plate and then run through the printing press, so the paper picked up the ink from the plate. Matisse’s monotypes are the inverse of his etchings made during the same period of time, many of which utilized the same copper plates.
The monotype also had a dramatic impact on the artist’s paintings from this time, leading him to simplify outlines, suppress details, and employ black to express a tension between positive and negative space. Despite their differences in scale, the black monotypes have affinity with the black that assumed an important role in Matisse’s colorful paintings of the time. This is particularly evident in The Moroccans (1915–16), … which demonstrates the artist’s generous use of black paint as a means of unifying the composition.
Printmaker’s Show at the League this weekend
Reception: Saturday March 23, 5:00-7:00
Show Open:
Saturday, March 23, 11:00-7:00
Saturday, March 24, 11:00-5:00
Seattle Artist League
10219 Aurora Ave N, Seattle, WA 98133
League artist Siobhan Wilder’s work will be part of COCA’s Motherland show this month. Wilder paints mysterious scenes. She wants to give the viewer the sensation that there are messages all around us, and we might be able to clue into them with a little concentration. The scene above was one that she happened upon in real …
As preparation for this Saturday’s workshop Paint like Degas, I’m digging in some art history to get perspective on the range of Degas’ art. Although he was eternally unsatisfied with his work, and he could a miserable jerk to people, early in his career it seems he was especially extra miserable with his artwork. He …
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”9654″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”][vc_column_text]It’s said that Cézanne would plan a general composition, then step around and closer, moving his easel to each object to paint it with his full attention, thus disrupting the illusion of perspective that …
Matisse’s Monoprints
Printmaker’s Show at the League this weekend
Reception: Saturday March 23, 5:00-7:00
Show Open:
Saturday, March 23, 11:00-7:00
Saturday, March 24, 11:00-5:00
Seattle Artist League
10219 Aurora Ave N, Seattle, WA 98133
We have art, and we have beer.
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League artist Siobhan Wilder’s work will be part of COCA’s Motherland show this month. Wilder paints mysterious scenes. She wants to give the viewer the sensation that there are messages all around us, and we might be able to clue into them with a little concentration. The scene above was one that she happened upon in real …
Degas’ Failed Historical Paintings
As preparation for this Saturday’s workshop Paint like Degas, I’m digging in some art history to get perspective on the range of Degas’ art. Although he was eternally unsatisfied with his work, and he could a miserable jerk to people, early in his career it seems he was especially extra miserable with his artwork. He …
SALChallenge: Cézanne’s Perspective
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”9654″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”][vc_column_text]It’s said that Cézanne would plan a general composition, then step around and closer, moving his easel to each object to paint it with his full attention, thus disrupting the illusion of perspective that …