For these monoprints, Giovanni used the subtractive method. First he rolled black ink to cover a copper plate, then he removed the light areas of the composition, leaving the black to be soaked up by the paper, when pressed.
[caption id=”attachment_13845″ align=”aligncenter” width=”300 Giovanni Battista Castiglione, monotype
Exercise your creativity This SAL Challenge is a vocabulary based creative challenge every day for January. Materials are artist’s choice. You can draw, paint, sew, collage, sculpt your food, anything you want. See below for today’s creative challenge. Set the timer for 20 minutes and see what happens. UGGLE An old Scots dialect word meaning …
Today’s SEQUENCE Challenge Create a 2 panel sequence to compare before and after ____. #beforeandafter ATTENTION: New #tag Previously we were finding your posts by searching Instagram for #30SAL but going forward please also include the #tag title for each day. To be eligible for prizes (yes prizes!) at the end of the month, post …
In the late 1940s, several prominent artists of the New York School– including Robert Rauschenberg, Ad Reinhardt, Mark Rothko and Frank Stella–were intently studying the color black. That work, interrelated but not collaborative, resulted in 20 years of black: textured black, striped black, blue-black, brown-black, black-black, blackish, and blackity-black-black paintings. With a Google image search, …
Giovanni Benedetto Castiglione’s monotypes
For these monoprints, Giovanni used the subtractive method. First he rolled black ink to cover a copper plate, then he removed the light areas of the composition, leaving the black to be soaked up by the paper, when pressed.
[caption id=”attachment_13845″ align=”aligncenter” width=”300
Giovanni Battista Castiglione, monotype
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