The quote from Gerhard Richter about looking for boring and irrelevant photo materials is from the upcoming lecture on Portraiture After Photography – part of our ongoing WTF Art History Lecture series with Suzanne Walker (BA, MA, PhD, BFD). These lectures are one of a kind, and not recorded. Don’t miss Suzanne Walker’s latest spitfire!
“The only art historian I’ve ever wanted to listen to for 2.5 hours” – Lendy Hensley, League Provost
WTF Art History Lecture: Portraiture After Photography Sunday, March 17, 1:00-3:30pm
Active League Students and members are invited to attend WTF Lectures for free. Contact us for your coupon code.
LET US KNOW YOU’RE COMING
Related:
Portraiture After Photography Workshop, March 30/April 6
COMING SOON TO A WALL NEAR YOU! We’re getting ready to paint our name on the side of the building, and ended up finding this little gem of a video about the disappearing art of sign painting. I’m disappointed that human hands so rarely touch the common objects in my life, dismayed that makers of things …
With experience copying classical antique sculptures in Florence, Francis Harwood created this exceptional sculpture which combined the elements of classical sculpture with the subject of a more modern (1700s) Black individual – a subject we do not frequently have the privilege of seeing. In fact, this noble bust by Francis Harwood is one of the …
Take a class with SAL – anywhere! If I wanted to paint solid, flat, even areas of color without visible brushstrokes I would: Start with a pre-gessoed smooth panel, or apply your own gesso and wet sand between coats. Use a soft brush, like a synthetic squirrel tail. (Hint: You’ll need to use thinner paint …
[image_with_animation image_url=”11410″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] From yesterday’s V.Note: “Though I thought I should give it a try, I really thought I wouldn’t like drypoint because every time I heard the word “drypoint” I heard nails on a chalkboard, and most of the prints labeled as “drypoints” seemed less rich and subtle than the etchings …
WTF? Gerhard Richter’s goal for photo references
Sabine 1993/1995
Ella 2007
Portraits 1967
WTF
The quote from Gerhard Richter about looking for boring and irrelevant photo materials is from the upcoming lecture on Portraiture After Photography – part of our ongoing WTF Art History Lecture series with Suzanne Walker (BA, MA, PhD, BFD). These lectures are one of a kind, and not recorded. Don’t miss Suzanne Walker’s latest spitfire!
WTF Art History Lecture: Portraiture After Photography
Sunday, March 17, 1:00-3:30pm
Active League Students and members are invited to attend WTF Lectures for free. Contact us for your coupon code.
LET US KNOW YOU’RE COMING
Related:
Portraiture After Photography Workshop, March 30/April 6
Woodblock Portraits Workshop, March 31/April 7
Related Posts
Sign Painters
COMING SOON TO A WALL NEAR YOU! We’re getting ready to paint our name on the side of the building, and ended up finding this little gem of a video about the disappearing art of sign painting. I’m disappointed that human hands so rarely touch the common objects in my life, dismayed that makers of things …
Bust of a Man
With experience copying classical antique sculptures in Florence, Francis Harwood created this exceptional sculpture which combined the elements of classical sculpture with the subject of a more modern (1700s) Black individual – a subject we do not frequently have the privilege of seeing. In fact, this noble bust by Francis Harwood is one of the …
How to Avoid Brush Strokes With Acrylic
Take a class with SAL – anywhere! If I wanted to paint solid, flat, even areas of color without visible brushstrokes I would: Start with a pre-gessoed smooth panel, or apply your own gesso and wet sand between coats. Use a soft brush, like a synthetic squirrel tail. (Hint: You’ll need to use thinner paint …
This is not an etching: Jake Muirhead
[image_with_animation image_url=”11410″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] From yesterday’s V.Note: “Though I thought I should give it a try, I really thought I wouldn’t like drypoint because every time I heard the word “drypoint” I heard nails on a chalkboard, and most of the prints labeled as “drypoints” seemed less rich and subtle than the etchings …