Master sumi-e painter Angie Dixon demonstrates the bamboo joint, bone, and leaf brush strokes.
Dixon says a great sumi-e painting combines a variety of wet and dry, light and dark, thick and thin brush strokes. She says you can’t fix a brush stroke, but you can enhance it.
Demo by Angie Dixon
Beginning Sumi-e Student Work
[gallery ids=”13492,13491,13490,13489,13488,13487,13486,13485,13484,13483,13482,13481,13480″ onclick=”link_no Today’s Beginning Sumi-e workshop with Angie Dixon sold out. She will be teaching another workshop here soon. If you are interested in studying ink and don’t want to miss the next workshop, send us a note. We’ll send you a special invitation as soon as it’s posted.
[image_with_animation image_url=”8367″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] I asked Claire Putney to name some of the inspirational watercolor painters for her upcoming workshop Watercolor Landscapes. She listed: Sunga Park Maria Ginzburg Walton Ford Z L Feng In the next week I’ll share artwork by each of these painters. Today I have work by Z L Feng. …
Model and Chair by Ruthie V. 10×8″ drypoint on grey BFK What a great day! Nikki and I hung out in the studio and made drypoint prints. The image above was my favorite of the day. It was scratched into plexiglass using 220 grit sandpaper and a diamond tipped scribe, then printed on grey BFK. I …
Anthony Eyton was born May 17, 1923. He is a British figurative painter working in the post-Impressionist tradition. He started studying art in 1941, his studies delayed by the war, and then returned to his education at the Camberwell School of Art, completing in 1950. Eyton was Head of Painting at St Lawrence College, Kingston, Ontario in …
Today’s TRANSCRIPTION Challenge: Manet’s Luncheon on the Grass. Media is artist’s choice. In recent V. Notes I talked about how artists learn and get inspired by studying works by other artists. In art, to transcribe is to copy or record information in a different form than the original. To transcribe a painting or drawing is not …
Beginning Sumi-e Painting Workshop with Angie Dixon
Student’s table
Demos
Master sumi-e painter Angie Dixon demonstrates the bamboo joint, bone, and leaf brush strokes.
Dixon says a great sumi-e painting combines a variety of wet and dry, light and dark, thick and thin brush strokes. She says you can’t fix a brush stroke, but you can enhance it.
Demo by Angie Dixon
Beginning Sumi-e Student Work
[gallery ids=”13492,13491,13490,13489,13488,13487,13486,13485,13484,13483,13482,13481,13480″ onclick=”link_no Today’s Beginning Sumi-e workshop with Angie Dixon sold out. She will be teaching another workshop here soon. If you are interested in studying ink and don’t want to miss the next workshop, send us a note. We’ll send you a special invitation as soon as it’s posted.
Related Posts
Z L Feng
[image_with_animation image_url=”8367″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] I asked Claire Putney to name some of the inspirational watercolor painters for her upcoming workshop Watercolor Landscapes. She listed: Sunga Park Maria Ginzburg Walton Ford Z L Feng In the next week I’ll share artwork by each of these painters. Today I have work by Z L Feng. …
Printmaking as a Complement to Painting
Model and Chair by Ruthie V. 10×8″ drypoint on grey BFK What a great day! Nikki and I hung out in the studio and made drypoint prints. The image above was my favorite of the day. It was scratched into plexiglass using 220 grit sandpaper and a diamond tipped scribe, then printed on grey BFK. I …
Variety in Anthony Eyton’s Chairs
Anthony Eyton was born May 17, 1923. He is a British figurative painter working in the post-Impressionist tradition. He started studying art in 1941, his studies delayed by the war, and then returned to his education at the Camberwell School of Art, completing in 1950. Eyton was Head of Painting at St Lawrence College, Kingston, Ontario in …
Day 7: Luncheon on the Grass #30SAL
Today’s TRANSCRIPTION Challenge: Manet’s Luncheon on the Grass. Media is artist’s choice. In recent V. Notes I talked about how artists learn and get inspired by studying works by other artists. In art, to transcribe is to copy or record information in a different form than the original. To transcribe a painting or drawing is not …