This SAL Challenge is a vocabulary based creative challenge every day for January. Materials are artist’s choice. You can draw, paint, sew, collage, sculpt your food, anything you want. See below for today’s creative challenge. Set the timer for 20 minutes and see what happens.
AGASTOPIA
n. – admiration of a particular part of someone’s body. The individual may prefer a certain part of body to do tasks, or they may protect it especially from everything by shielding it. A cure for Agastopia has not been found. It is very rare.
I thought I’d accompany this agastopia post with some general policy information. According to the Guardian, “Facebook users may post artistic images of nudity and sexuality, so long as the work was created in a manual medium.” So as far as Facebook is concerned, you can’t post a photograph of a butt, but you can post a drawing of a butt. See how useful it is to be able to draw? Yay art! Actual Facebook slide presentation (posted by the Guardian) below:
#salchallenge @seattleartistleague #(word of the day)
Prizes awarded for creativity and participation
To be eligible for a prize, and to help motivate other people, post your creative project to Facebook or Instagram. You can also email it to me directly, and use the tags: #salchallenge @seattleartistleague #(word of the day)
This post is an example of it’s own point about how art is changed by frequency, constant inflow, and connectivity. I’m putting this blog post out before the ink dries, without fact checking, thoughts still unresolved. I’ve that itch that says I didn’t finish getting the gunk out of the wrinkles in my own ideas. But I’m publishing …
Demos Master sumi-e painter Angie Dixon demonstrates the bamboo joint, bone, and leaf brush strokes. Dixon says a great sumi-e painting combines a variety of wet and dry, light and dark, thick and thin brush strokes. She says you can’t fix a brush stroke, but you can enhance it. Beginning Sumi-e Student Work [gallery …
Before all those orange artworks, I was posting about Figure in Interior; the most unusual art class I’ve ever been a part of. I talked about Cezanne, and how making small marks distributed around the page (thank you to Fran O’Neill) can be a way to integrate time and change within a drawing. My premise …
SAL Challenge 16: AGASTOPIA
Exercise your creativity
This SAL Challenge is a vocabulary based creative challenge every day for January. Materials are artist’s choice. You can draw, paint, sew, collage, sculpt your food, anything you want. See below for today’s creative challenge. Set the timer for 20 minutes and see what happens.
AGASTOPIA
n. – admiration of a particular part of someone’s body. The individual may prefer a certain part of body to do tasks, or they may protect it especially from everything by shielding it. A cure for Agastopia has not been found. It is very rare.
Prizes awarded for creativity and participation
To be eligible for a prize, and to help motivate other people, post your creative project to Facebook or Instagram. You can also email it to me directly, and use the tags: #salchallenge @seattleartistleague #(word of the day)
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This post is an example of it’s own point about how art is changed by frequency, constant inflow, and connectivity. I’m putting this blog post out before the ink dries, without fact checking, thoughts still unresolved. I’ve that itch that says I didn’t finish getting the gunk out of the wrinkles in my own ideas. But I’m publishing …
Beginning Sumi-e Painting Workshop with Angie Dixon
Demos Master sumi-e painter Angie Dixon demonstrates the bamboo joint, bone, and leaf brush strokes. Dixon says a great sumi-e painting combines a variety of wet and dry, light and dark, thick and thin brush strokes. She says you can’t fix a brush stroke, but you can enhance it. Beginning Sumi-e Student Work [gallery …
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The Most Unusual Art Class; Lauren Kent
Before all those orange artworks, I was posting about Figure in Interior; the most unusual art class I’ve ever been a part of. I talked about Cezanne, and how making small marks distributed around the page (thank you to Fran O’Neill) can be a way to integrate time and change within a drawing. My premise …