As a painter, trying my hand at printmaking was a little frustrating. Ink on paper is gorgeous even when I make mistakes, but there was something about every print that drove me nuts. So what is it that’s so frustrating about printmaking? I was talking to Nikki about this. She had a good idea: traditional printing has a finite process. You go through the steps in the proper order, then once it goes through the press, you’re done. It’s complete. Painting isn’t like that. With paint just because you go through steps 1-5 doesn’t mean you’re done. If something’s not working you go back to step 2. With paint you can fix and change and fix and change and fix some more. Nikki says she doesn’t like painting because you do all the steps but then you still have to go back to step 2 if something isn’t working. She likes knowing that or better or worse, she follows the steps and she’s done.
Richard Diebenkorn, Irregular Grid, Drypoint and hard-ground etching
Then I realized I could paint on my prints. I know, I know, no one in the history of art has ever thought of this before (that’s sarcasm) but I really did forget that this was a respectable possibility. Once I pulled out the gouache, things got better.
Nope.
Yes! I like this. The line work, the open space, and the dark leaf is counter balanced by the thickly textured yellow acryla gouache flower.
So I get to have my ink and eat it too. I mean, I can print and paint, and print again. I can do whatever I please dammit, because I’m an artist. I forget that sometimes.
Ever think about printmaking? You could give it a try next week. I highly recommend it. …And if there’s something that isn’t working quite right, there’s probably a way you can change it to suit you better, because you’re an artist, and that’s what you do, dammit.
Printmaking classes start next week!
MONDAY: beginning January 14
BEGINNING PRINTMAKING / Nikki Barber
$ 395. 8 Weeks. 10:00am – 2:00pm
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TUESDAY: beginning January 15 DRYPOINT WITH MONOTYPE / Nikki Barber
$ 395. 8 Weeks. 10:00am – 2:00pm
Lately I’ve been noticing how many good paintings and drawings use repeating shapes within them, a motif. This motif seems to carry us through the composition, and give harmony and order to the shapes. I recently stumbled across this original drawing by Diego Rivera, posted on Facebook by Paul Hemminger of Bellingham Frameworks. It’s full …
Humans are wired to see faces, even in inanimate objects. It’s called Pareidolia. Pareidolia is the tendency for seeing faces in inanimate objects like the moon, clouds, ink blots, or abstract patterns. Pareidolia used to be considered a symptom of human psychosis, but it is now seen as a normal human tendency. We are so …
Nocturne in Black and Gold – The Falling Rocket James Abbot McNeill Whistler c. 1875 I’ve long admired Whistler’s Nocturnes for their spare elegance, and subtle nods to Hiroshige’s woodblock prints. What I didn’t know is that it bankrupted poor Whistler, and was the subject of lawsuit controversy as unfortunate as modern daytime television. All that, and it was …
[image_with_animation image_url=”7444″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Quilled brain (above) by Sarah Yakawonis You might have noticed that these daily challenges are a little different than other daily challenges. First of all, for most of the projects you can use any materials you want, not just drawing materials. You can sew, build, paint, print, draw, collage, or …
What I hate about printmaking
As a painter, trying my hand at printmaking was a little frustrating. Ink on paper is gorgeous even when I make mistakes, but there was something about every print that drove me nuts. So what is it that’s so frustrating about printmaking? I was talking to Nikki about this. She had a good idea: traditional printing has a finite process. You go through the steps in the proper order, then once it goes through the press, you’re done. It’s complete. Painting isn’t like that. With paint just because you go through steps 1-5 doesn’t mean you’re done. If something’s not working you go back to step 2. With paint you can fix and change and fix and change and fix some more. Nikki says she doesn’t like painting because you do all the steps but then you still have to go back to step 2 if something isn’t working. She likes knowing that or better or worse, she follows the steps and she’s done.
Richard Diebenkorn, Irregular Grid, Drypoint and hard-ground etching
Then I realized I could paint on my prints. I know, I know, no one in the history of art has ever thought of this before (that’s sarcasm) but I really did forget that this was a respectable possibility. Once I pulled out the gouache, things got better.
Nope.
Yes! I like this. The line work, the open space, and the dark leaf is counter balanced by the thickly textured yellow acryla gouache flower.
So I get to have my ink and eat it too. I mean, I can print and paint, and print again. I can do whatever I please dammit, because I’m an artist. I forget that sometimes.
Ever think about printmaking? You could give it a try next week. I highly recommend it. …And if there’s something that isn’t working quite right, there’s probably a way you can change it to suit you better, because you’re an artist, and that’s what you do, dammit.
Printmaking classes start next week!
DRYPOINT WITH MONOTYPE / Nikki Barber
$ 395. 8 Weeks. 10:00am – 2:00pm
$ 215. 4 Weeks. 6:00 – 10:00pm
$ 215. 4 Weeks. 6:00 – 10:00pm
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Lately I’ve been noticing how many good paintings and drawings use repeating shapes within them, a motif. This motif seems to carry us through the composition, and give harmony and order to the shapes. I recently stumbled across this original drawing by Diego Rivera, posted on Facebook by Paul Hemminger of Bellingham Frameworks. It’s full …
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Humans are wired to see faces, even in inanimate objects. It’s called Pareidolia. Pareidolia is the tendency for seeing faces in inanimate objects like the moon, clouds, ink blots, or abstract patterns. Pareidolia used to be considered a symptom of human psychosis, but it is now seen as a normal human tendency. We are so …
Whistler v. Ruskin: The Gentle Art of Making Enemies
Nocturne in Black and Gold – The Falling Rocket James Abbot McNeill Whistler c. 1875 I’ve long admired Whistler’s Nocturnes for their spare elegance, and subtle nods to Hiroshige’s woodblock prints. What I didn’t know is that it bankrupted poor Whistler, and was the subject of lawsuit controversy as unfortunate as modern daytime television. All that, and it was …
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[image_with_animation image_url=”7444″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Quilled brain (above) by Sarah Yakawonis You might have noticed that these daily challenges are a little different than other daily challenges. First of all, for most of the projects you can use any materials you want, not just drawing materials. You can sew, build, paint, print, draw, collage, or …