This is drypoint and chine-collé, a printmaking technique in which a thin or fragile piece of paper is glued to a thicker, stronger piece of paper with rice glue, and a run through the press.
Janelle with kimono, drypoint chine-collé on 14×11″ Rives gray BFK.
(The color is a little dark and dull in this photo, because the paper was still wet. I’ll post better photos later.)
How to make a chine-colle drypoint:
First, take 900 pictures of Janelle slowly putting on and taking off her gray hoodie, over and over, and over and over, and over. About 200 times should do it. From these pictures, find two images that layer well, playing with the overlapping forms within her body. Edit for simplicity, and scribe the linework onto plexiglass. Then, buy 7 packages of mixed Japanese paper, and curse that there are only 2 patterns you like out of 35. Take the 2 patterns that you like and be thankful.
From another print, cut out a Janelle paper doll, and use the paper doll to cut a kimono shape. Be careful not to put one of the faces in Janelle’s paper doll armpit, or a bird head peeking out from behind her shoulder.
For printing, ink the plexiglass plate and set it ink side up on the press bed. Apply rice glue on the back of the paper doll kimono.
Note: Do not use Adams creamy peanut butter. We have tried it, and confirm that traditional Nori rice glue is superior for this particular application. Eat the peanut butter, glue with rice. Remember to hydrate so your mouth doesn’t get glued shut.
Then, with tweezers and COMPLETE SILENCE, place the paper doll kimono on the inked plate. Set the wet BFK on top, cover with felts, and run through the press. Voila! Drypoint with chine-colle kimono. (Nikki makes it look so easy.)
Some Pretty Paintings
Show opens January 5, 2019
Show up through January 27th
Artist Talk Saturday, January 5th (3:30-4:30pm)
Opening Reception to follow (5-7pm)
Today is the Memory/Imagination day of our 30 Day Creative Challenge. Look at “The Desperate Man” by Gustave Courbet. Your challenge today is to imagine what he’s looking at, and recreate that. Medium is artist’s choice. You can draw, paint, collage, assemblage, assemble a diorama, or dress in drag. Set a timer for 20 minutes. When the timer chimes, continue if you wish, …
Today is the 3rd straight day of record heat in Seattle, up to 108 degrees. It got me wondering what it would look like to draw “hot.” What does “hot” look like? How do you draw heat? Here are some fun digital ideas from young artists for how they might draw heat, from Draw Something. …
[image_with_animation image_url=”7482″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Every day, librarians across America are called to respond to book murders. Each homicide case is tragic, but there are few cases more heartbreaking and more difficult to understand than serial book murder. For years, library scientists, academics, and mental health experts have studied serial book murder, asking why, …
[image_with_animation image_url=”11473″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”] The past few V. Notes have been about drypoints, and I hope you’re not sick of hearing about drypoints, because I still have more to say. Today: Drypoints! I continued to do little experiments with Nikki Barber, and this evening (yesterday by the time you read this) I …
Some Pretty Paintings: Chine-collé kimono
This is drypoint and chine-collé, a printmaking technique in which a thin or fragile piece of paper is glued to a thicker, stronger piece of paper with rice glue, and a run through the press.
Janelle with kimono, drypoint chine-collé on 14×11″ Rives gray BFK.
(The color is a little dark and dull in this photo, because the paper was still wet. I’ll post better photos later.)
How to make a chine-colle drypoint:
First, take 900 pictures of Janelle slowly putting on and taking off her gray hoodie, over and over, and over and over, and over. About 200 times should do it. From these pictures, find two images that layer well, playing with the overlapping forms within her body. Edit for simplicity, and scribe the linework onto plexiglass. Then, buy 7 packages of mixed Japanese paper, and curse that there are only 2 patterns you like out of 35. Take the 2 patterns that you like and be thankful.
From another print, cut out a Janelle paper doll, and use the paper doll to cut a kimono shape. Be careful not to put one of the faces in Janelle’s paper doll armpit, or a bird head peeking out from behind her shoulder.
For printing, ink the plexiglass plate and set it ink side up on the press bed. Apply rice glue on the back of the paper doll kimono.
Then, with tweezers and COMPLETE SILENCE, place the paper doll kimono on the inked plate. Set the wet BFK on top, cover with felts, and run through the press. Voila! Drypoint with chine-colle kimono. (Nikki makes it look so easy.)
Some Pretty Paintings
Show opens January 5, 2019
Show up through January 27th
Artist Talk Saturday, January 5th (3:30-4:30pm)
Opening Reception to follow (5-7pm)
Smith & Vallee Gallery
5742 Gilkey Ave, Edison
(360) 766-6230
Open Daily 11-5
www.smithandvalleegallery.com
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Today is the 3rd straight day of record heat in Seattle, up to 108 degrees. It got me wondering what it would look like to draw “hot.” What does “hot” look like? How do you draw heat? Here are some fun digital ideas from young artists for how they might draw heat, from Draw Something. …
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