Feet in blanket, drypoint and embossed chine-collé on 14×11″ Rives gray BFK.
(The color is a little dark and dull in this photo, because the paper was still wet)
An accidental print resulted in some body-less feet at the bottom of the page, and Nikki had a brilliant idea to add chine-collé to the empty area as if the feet were sticking out of a blanket. After looking at that and having ourselves a giggle, she asked if I had any lace. The two of us laughed some more, as if either one of us overall wearing workers would have any lace. Nikki made a run to Goodwill and got some doilies. Never have I been so excited about a doily. The pattern tied the piece to my other flowery drypoints and paintings. Pretty cute, don’t you think?
One of the Seattle Artist League etching presses. This one is named Steve.
Each of the drypoints in this series had to be run through the press three times. The first run through the press had a scribed plate with a layered figure on it, only the feet were inked. This created the rectangular embossment on every drypoint. Soft Japanese mulberry paper was ripped carefully to size, and wet with rice glue, then placed on the gray paper and run through the press again. This is the chine-collé, a printmaking technique in which a fragile piece of paper is glued to a stronger piece of paper. Then the lace was cut and added, and after Nikki and I made several attempts, we finally had a design that worked, and the lace was run through the press with the wet paper, pressing into it an embossment pattern. Voila! Art happened.
Ruthie V.
Some Pretty Paintings
Show opens January 5, 2019
Show up through January 27th
Artist Talk Saturday, January 5th (3:30-4:30pm)
Opening Reception to follow (5-7pm)
In my current series of abstraction classes, each week we focus on a single element of art. Honing in like this allows us to explore different ways into a painting or drawing. By narrowing down, we are able to go farther into an idea. These projects were made in response to a class on line …
[image_with_animation image_url=”10682″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] If there is a collection of feet in art, I don’t know about it. I’ve been looking. In ten toed optimism, I ordered an art book called “Feet.” I was quite excited to see different ways these difficult subjects are represented across time and cultures. I was disappointed. Once …
Thursdays are vocabulary day in our 30 day challenge. Our inspiration is actually two words: smatchet / menge, both from A.Word.A.Day with the incredible wordsmith Anu Garg. smatchet PRONUNCIATION: (SMACH-uht) MEANING: noun: An insignificant contemptible person.ETYMOLOGY: Of Scottish origin. Earliest documented use: 1582.USAGE: “Again he wondered how Mieka could be such an infuriating, impossible little …
Michelle Muldrow uses the aqueous and graphic casein paint to give fresh painterly color to her urban landscapes. Her scenes describe the buzzing light and glinting metal, linoleum, and synthetic fabrics of department stores. Edited from her website: Muldrow explores the the landscape genre and what it means to be picturesque. She contrasts the idea of the picturesque by …
Some Pretty Paintings: Chine-collé and cold little feet
(The color is a little dark and dull in this photo, because the paper was still wet)
An accidental print resulted in some body-less feet at the bottom of the page, and Nikki had a brilliant idea to add chine-collé to the empty area as if the feet were sticking out of a blanket. After looking at that and having ourselves a giggle, she asked if I had any lace. The two of us laughed some more, as if either one of us overall wearing workers would have any lace. Nikki made a run to Goodwill and got some doilies. Never have I been so excited about a doily. The pattern tied the piece to my other flowery drypoints and paintings. Pretty cute, don’t you think?
Each of the drypoints in this series had to be run through the press three times. The first run through the press had a scribed plate with a layered figure on it, only the feet were inked. This created the rectangular embossment on every drypoint. Soft Japanese mulberry paper was ripped carefully to size, and wet with rice glue, then placed on the gray paper and run through the press again. This is the chine-collé, a printmaking technique in which a fragile piece of paper is glued to a stronger piece of paper. Then the lace was cut and added, and after Nikki and I made several attempts, we finally had a design that worked, and the lace was run through the press with the wet paper, pressing into it an embossment pattern. Voila! Art happened.
Ruthie V.
Some Pretty Paintings
Show opens January 5, 2019
Show up through January 27th
Artist Talk Saturday, January 5th (3:30-4:30pm)
Opening Reception to follow (5-7pm)
Smith & Vallee Gallery
5742 Gilkey Ave, Edison
(360) 766-6230
Open Daily 11-5
www.smithandvalleegallery.com
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