Some Pretty Paintings; a collection of flowers and figures in paintings and prints
I buy myself flowers because they make me happy. They are colorful and fragrant, and have no purpose other than my enjoyment. As temporal sculptures, flowers mark time by dropping petals, and are to be enjoyed without procrastination. No matter how busy I am, the time to appreciate a flower is gently now.
As flowers shift my attention towards the now, so do people. Collaborating with models is a creative joy. For this series we used blankets and kimono patterned with flowers. We set up in diffused morning light, and the models moved slowly as I captured images in my camera. Photographs allow me to take more time with my paintings, and layer images to carve one moment’s form with another. The figure is now an abstract of overlapping sensual shapes, now with an element of time. As each pose shifts, and we take advantage of the light, day to day, moment to moment, no person is exactly the same.
Drypoints were printed in collaboration with Nikki Barber, printmaking instructor at the Seattle Artist League. I scribed the plates and Barber printed them. Each image sparked a discussion of line, tone, and texture, and each print is a hand worked original. Since each print is hand inked with so much personalization to the wiping of the ink, no drypoint print is exactly the same. Each print is slightly different, and with each print the burrs that cause the velvet areas compress, and for this reason the marks that differentiate drypoints from etchings also mark the end of an edition. Once the burrs are compressed, the print is finished. Drypoints are known for producing editions of only about 10 and then they’re gone.
Some Pretty Paintings; a collection of flowers and figures in paintings and prints
Show opens January 5, 2019
Show up through January 27th
Artist Talk Saturday, January 5th (3:30-4:30pm)
Opening Reception to follow (5-7pm)
A lot of people have been joining our Drawing A Day challenge. While most people prefer to keep their drawings private, a few brave and fabulous people have been posting their …
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[image_with_animation image_url=”9047″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] John Singer Sargent’s portrait of Eleanora Duse When looking at John Singer Sargent’s “effortless” portraits, I often wonder how long he actually spent on …
I’ll be sharing my drawings on Facebook. I’d love for you to share yours too. Maybe we’ll get some people jumping in to join us. Post your pics on the Seattle …
Some Pretty Paintings: Figure “Z” and Artist’s Statement
Some Pretty Paintings; a collection of flowers and figures in paintings and prints
I buy myself flowers because they make me happy. They are colorful and fragrant, and have no purpose other than my enjoyment. As temporal sculptures, flowers mark time by dropping petals, and are to be enjoyed without procrastination. No matter how busy I am, the time to appreciate a flower is gently now.
As flowers shift my attention towards the now, so do people. Collaborating with models is a creative joy. For this series we used blankets and kimono patterned with flowers. We set up in diffused morning light, and the models moved slowly as I captured images in my camera. Photographs allow me to take more time with my paintings, and layer images to carve one moment’s form with another. The figure is now an abstract of overlapping sensual shapes, now with an element of time. As each pose shifts, and we take advantage of the light, day to day, moment to moment, no person is exactly the same.
Drypoints were printed in collaboration with Nikki Barber, printmaking instructor at the Seattle Artist League. I scribed the plates and Barber printed them. Each image sparked a discussion of line, tone, and texture, and each print is a hand worked original. Since each print is hand inked with so much personalization to the wiping of the ink, no drypoint print is exactly the same. Each print is slightly different, and with each print the burrs that cause the velvet areas compress, and for this reason the marks that differentiate drypoints from etchings also mark the end of an edition. Once the burrs are compressed, the print is finished. Drypoints are known for producing editions of only about 10 and then they’re gone.
Some Pretty Paintings; a collection of flowers and figures in paintings and prints
Show opens January 5, 2019
Show up through January 27th
Artist Talk Saturday, January 5th (3:30-4:30pm)
Opening Reception to follow (5-7pm)
Smith & Vallee Gallery
5742 Gilkey Ave, Edison
(360) 766-6230
Open Daily 11-5
www.smithandvalleegallery.com
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