I like to overlap figures, and use the shadow shapes to carve out abstracts within the body. This doesn’t just introduce abstraction, it also introduces a sense of time, and movement within a static image, in which I am fascinated. I asked my model how she felt about having her head cut off in this image, and she said “thank you.” She named it Horus, for the beak shape at the clavicle reminded her of the bird headed Egyptian god.
In the studio, Nikki Barber uses old newspapers to cover the inking station. This drypoint is on a plexiglass plate, so you can see everything through it. A bit of chance, a dob of serendipity, and we received a message from the gods: George H. Kalberer’s head on Horus.
Siobhan Wilder, a founding member of the Seattle Artist League in 2016, has been honing her painting skills in my classes since 2015. This quarter, she steps into the role …
Read Claes Oldenburg’s Manifesto below. At the top of your paper write “I am for…” Choose something within his list, and draw/paint/collage/photograph it. Having trouble choosing something? Close your eyes, loudly …
Drypoint, the art of scratching a shiny surface with a pointy thing, seemed to me to be an easy form of printmaking because I can draw with said pointy …
Some Pretty Paintings: Horus
I like to overlap figures, and use the shadow shapes to carve out abstracts within the body. This doesn’t just introduce abstraction, it also introduces a sense of time, and movement within a static image, in which I am fascinated. I asked my model how she felt about having her head cut off in this image, and she said “thank you.” She named it Horus, for the beak shape at the clavicle reminded her of the bird headed Egyptian god.
In the studio, Nikki Barber uses old newspapers to cover the inking station. This drypoint is on a plexiglass plate, so you can see everything through it. A bit of chance, a dob of serendipity, and we received a message from the gods: George H. Kalberer’s head on Horus.
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