Among his monotype and pastel works, Degas did a series featuring a young model bathing in private interior scenes, many with the light coming in from a window. The model appears to be caught midway into a movement, making triangles with her body. While the bathing models make a variety of shapes in various positions, many of these interior scenes have secondary verticals and rumpled fabrics that support the model in the composition, and give the scene an intimate feeling, emphasizing the interior elements.
Edward Hopper, Evening Wind, etching (1921)
Hopper’s Prints
Hopper, Night in the Park, etching (1921)
Hopper, The Railroad, (1922)
Hopper produced approximately 70 prints over a relatively short period of time. His career as an etcher was short, and ended in 1923. In 1928 he made two last drypoints, before abandoning printmaking to focus on painting.
Martin Lewis, etching
If all Hopper wanted to do was paint light on the side of a house (Hopper’s quote), all Martin Lewis wanted to do was capture moments where light and shadow play.
Martin Lewis, Relics, drypoint, 1928
Notice how Lewis uses diagonals and strong light vs dark shadow shapes to create structure and mood in his compositions. The figures initiate the movement, but in parallel to Hopper’s quiet stage actors, they’re no more individual and personal than the buildings themselves. The story lives in the moment of the scene.
Kathy Paul was a student in my figure drawing class when a sequence of strokes in her optic nerves left her almost completely blind. She has been drawing nearly every day since. In her multi year work of rehabilitation, Paul has produced a series of extraordinary drawings that call attention to the experience of sight …
I was looking for an artwork to include in a newsletter. I wanted something to talk about friendship, while also giving a reference to social distancing and connections from afar. I found this 1937 painting by Dora Maar that seemed just right…. and then I didn’t end up needing the image. I thought it was …
JANET FISH Born 1938 Janet Fish is known for her large, bold, still life paintings and drawings that study how light bounces through and off various surfaces. Among her favorite subjects are produce incased in plastic wrap, clear glassware and liquids. Other subjects include teacups, flower bouquets, textiles with interesting patterns, goldfish, vegetables, and mirrored …
Insect Challenge 68 people, and 9 teams collaborated for this blind drawing challenge. Each team member emailed me their drawings without their team mates seeing what they drew, and I assembled them. Unlike the two previous drawing challenges, this challenge was an invitation to see how many members a team could assemble. Bugs below. “2 Hills” Team [image_with_animation …
Hopper’s Influences in Printmaking
“Au Louvre, la peinture, Mary Cassatt” by Degas
Among his monotype and pastel works, Degas did a series featuring a young model bathing in private interior scenes, many with the light coming in from a window. The model appears to be caught midway into a movement, making triangles with her body. While the bathing models make a variety of shapes in various positions, many of these interior scenes have secondary verticals and rumpled fabrics that support the model in the composition, and give the scene an intimate feeling, emphasizing the interior elements.
Edward Hopper, Evening Wind, etching (1921)
Hopper’s Prints
Hopper, Night in the Park, etching (1921)
Hopper, The Railroad, (1922)
Hopper produced approximately 70 prints over a relatively short period of time. His career as an etcher was short, and ended in 1923. In 1928 he made two last drypoints, before abandoning printmaking to focus on painting.
Martin Lewis, etching
If all Hopper wanted to do was paint light on the side of a house (Hopper’s quote), all Martin Lewis wanted to do was capture moments where light and shadow play.
Martin Lewis, Relics, drypoint, 1928
Notice how Lewis uses diagonals and strong light vs dark shadow shapes to create structure and mood in his compositions. The figures initiate the movement, but in parallel to Hopper’s quiet stage actors, they’re no more individual and personal than the buildings themselves. The story lives in the moment of the scene.
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Kathy Paul was a student in my figure drawing class when a sequence of strokes in her optic nerves left her almost completely blind. She has been drawing nearly every day since. In her multi year work of rehabilitation, Paul has produced a series of extraordinary drawings that call attention to the experience of sight …
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I was looking for an artwork to include in a newsletter. I wanted something to talk about friendship, while also giving a reference to social distancing and connections from afar. I found this 1937 painting by Dora Maar that seemed just right…. and then I didn’t end up needing the image. I thought it was …
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JANET FISH Born 1938 Janet Fish is known for her large, bold, still life paintings and drawings that study how light bounces through and off various surfaces. Among her favorite subjects are produce incased in plastic wrap, clear glassware and liquids. Other subjects include teacups, flower bouquets, textiles with interesting patterns, goldfish, vegetables, and mirrored …
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Insect Challenge 68 people, and 9 teams collaborated for this blind drawing challenge. Each team member emailed me their drawings without their team mates seeing what they drew, and I assembled them. Unlike the two previous drawing challenges, this challenge was an invitation to see how many members a team could assemble. Bugs below. “2 Hills” Team [image_with_animation …