Yesterday I posted about “The Language of Color” in which John H. McWhorter points out that some languages don’t have the words ours does to describe colors. Ancient Greek was one such language, and did not have words for yellow, green, or blue. In The Iliad, Homer refers to “the wine dark sea.” Upon examination, that poetry seemed like a moment of either profound lacking of rods and cones, or a very limited color vocabulary.
In response to my post, V. Notes reader Miles Strombach sent in this picture, taken by his friend in Greece. The wine dark sea is real!!!
WTF Art History: Color
If you like purple and other useless words, you’ll hate Suzanne Walker’s upcoming WTF Color lecture on Nov 4th. Active League students attend free, with coupon code (just ask!). $20 for the rest of you. Please let us know you’re attending so we can have a chair for you.
I took a little pause from posting 30SAL Challenge favorite entries so we could get the new class listings online. Voila! All of our spring classes and workshops are now ready for registration. Find your class. They’re already selling! 30SAL Challenge favorites coming soon! There will be many adorations, and prizes. But first, I sleep. …
[image_with_animation image_url=”8601″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Qi Baishi (1864–1957) was one of the most beloved contemporary Chinese watercolor painters. His original name is Huang but he went by Baishi (“white stone”) as a pseudonym. Some of Qi’s major influences include the Ming dynasty artist Xu Wei (徐渭) and the early Qing dynasty painter Zhu Da (朱耷). His favorite …
Tennis said he grabbed a crayon at random, and slowly started making a line on the paper. He tried not to think about where the line was going or dictate where it went. He’d just let it go, as if he was watching a bug walk across the page. This “not thinking” thing is difficult …
The Representation of Fireworks in Early Modern Europe “Fireworks are intrinsically fleeting, transitory, fugitive. Their power lies in the brutality of their transience: dying the instant of their birth, consumed in the act of consummation. There is something ironic, even poignant, then, in the attempt to render permanent through the medium of art a phenomenon …
The Wine Dark Sea
Yesterday I posted about “The Language of Color” in which John H. McWhorter points out that some languages don’t have the words ours does to describe colors. Ancient Greek was one such language, and did not have words for yellow, green, or blue. In The Iliad, Homer refers to “the wine dark sea.” Upon examination, that poetry seemed like a moment of either profound lacking of rods and cones, or a very limited color vocabulary.
In response to my post, V. Notes reader Miles Strombach sent in this picture, taken by his friend in Greece. The wine dark sea is real!!!
WTF Art History: Color
If you like purple and other useless words, you’ll hate Suzanne Walker’s upcoming WTF Color lecture on Nov 4th. Active League students attend free, with coupon code (just ask!). $20 for the rest of you. Please let us know you’re attending so we can have a chair for you.
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I took a little pause from posting 30SAL Challenge favorite entries so we could get the new class listings online. Voila! All of our spring classes and workshops are now ready for registration. Find your class. They’re already selling! 30SAL Challenge favorites coming soon! There will be many adorations, and prizes. But first, I sleep. …
Qi Baishi
[image_with_animation image_url=”8601″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Qi Baishi (1864–1957) was one of the most beloved contemporary Chinese watercolor painters. His original name is Huang but he went by Baishi (“white stone”) as a pseudonym. Some of Qi’s major influences include the Ming dynasty artist Xu Wei (徐渭) and the early Qing dynasty painter Zhu Da (朱耷). His favorite …
Automatic Abstracts
Tennis said he grabbed a crayon at random, and slowly started making a line on the paper. He tried not to think about where the line was going or dictate where it went. He’d just let it go, as if he was watching a bug walk across the page. This “not thinking” thing is difficult …
Happy New Year!
The Representation of Fireworks in Early Modern Europe “Fireworks are intrinsically fleeting, transitory, fugitive. Their power lies in the brutality of their transience: dying the instant of their birth, consumed in the act of consummation. There is something ironic, even poignant, then, in the attempt to render permanent through the medium of art a phenomenon …