Yesterday I posted about “The Language of Color” in which John H. McWhorter points out that some languages don’t have the words ours does to describe colors. Ancient Greek was one such language, and did not have words for yellow, green, or blue. In The Iliad, Homer refers to “the wine dark sea.” Upon examination, that poetry seemed like a moment of either profound lacking of rods and cones, or a very limited color vocabulary.
In response to my post, V. Notes reader Miles Strombach sent in this picture, taken by his friend in Greece. The wine dark sea is real!!!
WTF Art History: Color
If you like purple and other useless words, you’ll hate Suzanne Walker’s upcoming WTF Color lecture on Nov 4th. Active League students attend free, with coupon code (just ask!). $20 for the rest of you. Please let us know you’re attending so we can have a chair for you.
Take a class with SAL – anywhere! PAINTING TECHNIQUES TO GET YOU STARTED Blocking in is the step after your sketch, in which the canvas is covered with flat shapes that indicate where elements will go, and what color or value they’ll be. Move past outlines into shapes. You can easily shift and change things around …
[image_with_animation image_url=”11503″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Many new artists feel they need an original idea for every artwork, but most experienced artists get a lot of creative mileage out of one idea (especially a simple idea), repeated in iterations. Here is a great example: Temple Dogs, a series of 8 by Ralph Kiggell. Each illustration is …
[image_with_animation image_url=”9247″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Re-etched Rembrandt Drypoint Prints Traditional drypoints are made by using a scribe (a sharp metal pointy thing) and a burin (a different sharp metal pointy thing) to scratch marks into a smooth copper plate. Introduction to Printmaking After drawing with the sharp metal pointy things, ink is rolled across …
Day 21 of our 30 day creative challenge in January was a transcription of Titian’s Bacchus and Ariadne. The transcription didn’t have to be a copy, but I was looking for artists who were seeing the underlying story, structure, movement, and composition – as well as artists who took the inspiration into their own new …
The Wine Dark Sea
Yesterday I posted about “The Language of Color” in which John H. McWhorter points out that some languages don’t have the words ours does to describe colors. Ancient Greek was one such language, and did not have words for yellow, green, or blue. In The Iliad, Homer refers to “the wine dark sea.” Upon examination, that poetry seemed like a moment of either profound lacking of rods and cones, or a very limited color vocabulary.
In response to my post, V. Notes reader Miles Strombach sent in this picture, taken by his friend in Greece. The wine dark sea is real!!!
WTF Art History: Color
If you like purple and other useless words, you’ll hate Suzanne Walker’s upcoming WTF Color lecture on Nov 4th. Active League students attend free, with coupon code (just ask!). $20 for the rest of you. Please let us know you’re attending so we can have a chair for you.
Related Posts
Blocking In
Take a class with SAL – anywhere! PAINTING TECHNIQUES TO GET YOU STARTED Blocking in is the step after your sketch, in which the canvas is covered with flat shapes that indicate where elements will go, and what color or value they’ll be. Move past outlines into shapes. You can easily shift and change things around …
Ralph Kiggell: Temple Dogs
[image_with_animation image_url=”11503″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Many new artists feel they need an original idea for every artwork, but most experienced artists get a lot of creative mileage out of one idea (especially a simple idea), repeated in iterations. Here is a great example: Temple Dogs, a series of 8 by Ralph Kiggell. Each illustration is …
Gotcha, You Fucker!
[image_with_animation image_url=”9247″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Re-etched Rembrandt Drypoint Prints Traditional drypoints are made by using a scribe (a sharp metal pointy thing) and a burin (a different sharp metal pointy thing) to scratch marks into a smooth copper plate. Introduction to Printmaking After drawing with the sharp metal pointy things, ink is rolled across …
30SAL Faves: Bacchus and Ariadne
Day 21 of our 30 day creative challenge in January was a transcription of Titian’s Bacchus and Ariadne. The transcription didn’t have to be a copy, but I was looking for artists who were seeing the underlying story, structure, movement, and composition – as well as artists who took the inspiration into their own new …