Model and Chair by Ruthie V. 10×8″ drypoint on grey BFK
What a great day! Nikki and I hung out in the studio and made drypoint prints. The image above was my favorite of the day. It was scratched into plexiglass using 220 grit sandpaper and a diamond tipped scribe, then printed on grey BFK. I was originally intending to paint the composition, but thought it’d be interesting to sketch it as a print first. Today was drypoint. I might try making it into a woodblock as well.
This could be a new studio practice for me: printmaking as a pre-step before painting. When I draw, print, or paint an image, I engage in various forms of problem solving. The wider variety of problem solving, the more forms I see my ideas take, the more I hone in on what I want to pull out of the image. I can already tell my painting will be easier to paint, and better. Also, great ideas and good compositions are not easy to come by, and this way I get to make more with my favorite images. I’m excited about this. I’ve already started several more drypoints of new painting references. We’ll see what happens.
Sculptors think in terms of mass, volume, weight and texture. Those elements are present even in their 2D work. Henry Moore (1898 – 1986) is known mainly for his sculptures, but he also made a few voluminous sketches. Take a look at this series of sheep. They have mass, volume, mood, weight and texture. Notice there is nothing flat …
On January 6 I posted a challenge that was inspired by John Oliver on Last Week Tonight. The challenge was to imagine what Julius Pringles looks like below the neck. We had so many fun submissions that I felt they deserved to be in their own collection. Here they are, in their crispy glory, starting …
Last month I posted 16 Ways to Reduce the Carbon Footprint in Your Art Studio and I invited artists to contribute their ideas. One artist was chosen for their answer, and has won a free class: Courtney Wooten pointed out that as artists, our greatest potential for impact can be made by using our art …
Printmaking as a Complement to Painting
What a great day! Nikki and I hung out in the studio and made drypoint prints. The image above was my favorite of the day. It was scratched into plexiglass using 220 grit sandpaper and a diamond tipped scribe, then printed on grey BFK. I was originally intending to paint the composition, but thought it’d be interesting to sketch it as a print first. Today was drypoint. I might try making it into a woodblock as well.
This could be a new studio practice for me: printmaking as a pre-step before painting. When I draw, print, or paint an image, I engage in various forms of problem solving. The wider variety of problem solving, the more forms I see my ideas take, the more I hone in on what I want to pull out of the image. I can already tell my painting will be easier to paint, and better. Also, great ideas and good compositions are not easy to come by, and this way I get to make more with my favorite images. I’m excited about this. I’ve already started several more drypoints of new painting references. We’ll see what happens.
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Henry Moore: Drawings of Sheep
Sculptors think in terms of mass, volume, weight and texture. Those elements are present even in their 2D work. Henry Moore (1898 – 1986) is known mainly for his sculptures, but he also made a few voluminous sketches. Take a look at this series of sheep. They have mass, volume, mood, weight and texture. Notice there is nothing flat …
30SAL Faves: Pringles
On January 6 I posted a challenge that was inspired by John Oliver on Last Week Tonight. The challenge was to imagine what Julius Pringles looks like below the neck. We had so many fun submissions that I felt they deserved to be in their own collection. Here they are, in their crispy glory, starting …
Drawing A Day, Day 29
The role of the artist is to make revolution irresistible
Last month I posted 16 Ways to Reduce the Carbon Footprint in Your Art Studio and I invited artists to contribute their ideas. One artist was chosen for their answer, and has won a free class: Courtney Wooten pointed out that as artists, our greatest potential for impact can be made by using our art …