Tamami Shima (1937-1999) graduated from the the Women’s College of Fine Arts, Tokyo in 1958. Her woodblock designs use texture, often multiple woodgrain patterns within a single image.
There are a few spots left in our Landscape Woodblock class this Saturday. Woodblock is a great skillbuilder for painters. It’ll get you to simplify, and compose in big basic shapes. Want to give it a try? Click here to learn more.
[image_with_animation image_url=”11061″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Ruthie V, Doorzien, after Carlos San Millan. 36×24″ oil on linen Last Saturday, while the steamroller printmaking party was happening on the street, inside the studio we had a show of works inspired by doorzien, a Dutch word that when applied to the genre of painting, means to see through from …
A selection from Keith Pfeiffer’s Tone Class Seven months ago, during our summer in quarantine, eleven League artists set aside their colors and practiced just with light and dark tones. Here are a few of their studies. This is one in a series of posts showcasing a selection of artwork made by League artists during …
The leaves of this chrysanthemum were an excuse for me to play with deep dark velvety burrs and light clean lines, the delights of drypoint. I have covered every table, easel, and palette-stand with my paintings and prints for this show. 12 tables, all covered with colorful paints, images of flowers, fabrics, drypoint plates, ink, …
We are like crabs I was marveling out loud about how our left and right hands look the same but one works and one doesn’t, when I was gracefully informed by a dancer that one side of our body is best for fine motor skills, and the other is for strength. Could this be true?? …
Tamami Shima
Tamami Shima (1937-1999) graduated from the the Women’s College of Fine Arts, Tokyo in 1958. Her woodblock designs use texture, often multiple woodgrain patterns within a single image.
There are a few spots left in our Landscape Woodblock class this Saturday. Woodblock is a great skillbuilder for painters. It’ll get you to simplify, and compose in big basic shapes. Want to give it a try? Click here to learn more.
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The Doorzien Show
[image_with_animation image_url=”11061″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Ruthie V, Doorzien, after Carlos San Millan. 36×24″ oil on linen Last Saturday, while the steamroller printmaking party was happening on the street, inside the studio we had a show of works inspired by doorzien, a Dutch word that when applied to the genre of painting, means to see through from …
11 Tonal Artworks; Online Anniversary Show Continues
A selection from Keith Pfeiffer’s Tone Class Seven months ago, during our summer in quarantine, eleven League artists set aside their colors and practiced just with light and dark tones. Here are a few of their studies. This is one in a series of posts showcasing a selection of artwork made by League artists during …
Some Pretty Paintings: Two Chrysanthemums
The leaves of this chrysanthemum were an excuse for me to play with deep dark velvety burrs and light clean lines, the delights of drypoint. I have covered every table, easel, and palette-stand with my paintings and prints for this show. 12 tables, all covered with colorful paints, images of flowers, fabrics, drypoint plates, ink, …
30SAL Challenge: Two Handed Drawing
We are like crabs I was marveling out loud about how our left and right hands look the same but one works and one doesn’t, when I was gracefully informed by a dancer that one side of our body is best for fine motor skills, and the other is for strength. Could this be true?? …