Lendy is on a little trip in Maine, so I asked her to send me art. She sent me some text messages from the museum:
Ashley Bryan. He is heroic. (…) It’s not just the wretched tale of slavery. It is his curiosity and headlong approach to art. He made books, puppets, prints, paintings, collages. HE IS STILL ALIVE. He’s 95.
I looked him up. It appears this wonderful man is very well loved. I found an article in The Take Magazine about Bryan’s children’s book Freedom Over Me, on slavery. A children’s book on slavery. We’ve had several classes on art and activism at the League. Suzanne Walker made the point that it’s complicated to do both art and activism well. This is a socially powerful book, it’s written for children, and it’s artistically beautiful. In The Take Magazine, Bryan talks about this book:
“‘There was an auction about 10 years ago in Northeast Harbor of Civil War paraphernalia and slave-related documents,” he says, “and I bought a document for the purchase of some slaves. They just give you the name and the price.” He pulls the book from the pile on the table and opens it, revealing a detail of the document on the inside cover. “I did a portrait of each,” he says, “and I cut it out and pasted it on the documents. Then I imagined I asked them to tell me their story. After they did, I said to them, ‘If you were not a slave, what would your dream be?’”
I’m sorry to say that further reading reports it’s difficult to find copies of this beautiful book in Maine, because it’s assumed to be written specifically for black children, not all children. Did you hear that thump? That’s the sound of my forehead, hitting the table.
Below: Linocuts, studio space, and puppets made by the marvelous Ashley Bryan. Photo credits: Mount Desert Islander, Maine Boats Homes [gallery ids=”11637,11638,11642,11634,11636,11635,11645″ onclick=”link_no
People posted hundreds of drawings for our 30 day January challenge, in which artists are invited to respond to a daily prompt posted on our V. Notes blog. Unlike other drawing challenges, these prompts are wildly varied, open to non-typical materials around us, and are designed to feed a broad spectrum of creative skills at …
Tamami Shima (1937-1999) graduated from the the Women’s College of Fine Arts, Tokyo in 1958. Her woodblock designs use texture, often multiple woodgrain patterns within a single image. There are a few spots left in our Landscape Woodblock class this Saturday. Woodblock is a great skillbuilder for painters. …
I’ve made you wait long enough. One artist’s posts knocked my fluffy socks off this month. This artist showed an impressive amount of dedication and creative talent. Big League Membership The big prize for the 30SAL Challenge is Big League: a $150 Big League Membership to the League. Big League Memberships come with some big …
Ashley Bryan
I looked him up. It appears this wonderful man is very well loved. I found an article in The Take Magazine about Bryan’s children’s book Freedom Over Me, on slavery. A children’s book on slavery. We’ve had several classes on art and activism at the League. Suzanne Walker made the point that it’s complicated to do both art and activism well. This is a socially powerful book, it’s written for children, and it’s artistically beautiful. In The Take Magazine, Bryan talks about this book:
“‘There was an auction about 10 years ago in Northeast Harbor of Civil War paraphernalia and slave-related documents,” he says, “and I bought a document for the purchase of some slaves. They just give you the name and the price.” He pulls the book from the pile on the table and opens it, revealing a detail of the document on the inside cover. “I did a portrait of each,” he says, “and I cut it out and pasted it on the documents. Then I imagined I asked them to tell me their story. After they did, I said to them, ‘If you were not a slave, what would your dream be?’”
I’m sorry to say that further reading reports it’s difficult to find copies of this beautiful book in Maine, because it’s assumed to be written specifically for black children, not all children. Did you hear that thump? That’s the sound of my forehead, hitting the table.
Related Posts
30SAL Faves: Week 4, Part 1
People posted hundreds of drawings for our 30 day January challenge, in which artists are invited to respond to a daily prompt posted on our V. Notes blog. Unlike other drawing challenges, these prompts are wildly varied, open to non-typical materials around us, and are designed to feed a broad spectrum of creative skills at …
Tamami Shima
Tamami Shima (1937-1999) graduated from the the Women’s College of Fine Arts, Tokyo in 1958. Her woodblock designs use texture, often multiple woodgrain patterns within a single image. There are a few spots left in our Landscape Woodblock class this Saturday. Woodblock is a great skillbuilder for painters. …
30SAL Challenge: The Big Win!
I’ve made you wait long enough. One artist’s posts knocked my fluffy socks off this month. This artist showed an impressive amount of dedication and creative talent. Big League Membership The big prize for the 30SAL Challenge is Big League: a $150 Big League Membership to the League. Big League Memberships come with some big …
Auerbach’s study of ‘Bacchus and Ariadne’
What do you think? Did he get it?