[image_with_animation image_url=”11565″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Her work looks to me like a modern Morandi. The composition is static, the colors are either quiet or repetitive and controlled, the objects are worn and common. The minimalist arrangements present the objects as flat abstracted forms. Notice the soft edges and surface detail. This painting is sitting right on the surface of the linen.
[gallery ids=”11573,11571,11564,11561,11575,11576″ onclick=”link_no[gallery ids=”11567,11568,11569″ onclick=”link_no I’m teaching a Still Life class on Friday nights. Drawings, paintings, and mixed media welcome. In addition to drawing and painting and media mixing, you’ll be learning how to design, build, and light your own personal style of still life scenes. We’ll talk about how to develop interest, tension, and narrative, as well as exploring what types of scenes inspire you to produce your best work.
Some of the topics I’ve got planned:
Build a Box, Compositional Height, Light & Shadow, Big vs Small
Repetition & Variety
Experimental still lifes
Deconstruction, reconstruction of the picture
Theme
Sense of time
Narrative
Challenges and bragging rights
Thinking about joining this class? Don’t delay, we start this week! Click here to learn more.
I have two gap scholarships to give away. Interested? Click here.
[image_with_animation image_url=”8071″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Drawings by Ruthie V. I received a very nice letter today. It’s about line, and how one League artist improved her quality of line – not by thinking about improving the quality of her line directly – but by checking in on her level of engagement with the drawing. …
If you’ve taken a drawing class, you might have learned to draw with 1 point, 2 point, and 3 point linear perspective. With this perspective method, objects that are farther away are drawn smaller, and perpendicular lines recede to common vanishing points in the distance. In inverse perspective, objects that are farther away are drawn …
Take a class with SAL – anywhere! Yesterday’s post featuring drawings by Kathe Kollwitz introduced the idea of hands as expressive elements within a drawing. I was so excited about the idea of hands doing the talking for a face in a drawing that I made a class to study expressive hands and heads, and …
Jude Rae, Contemporary Still Life
[image_with_animation image_url=”11565″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Her work looks to me like a modern Morandi. The composition is static, the colors are either quiet or repetitive and controlled, the objects are worn and common. The minimalist arrangements present the objects as flat abstracted forms. Notice the soft edges and surface detail. This painting is sitting right on the surface of the linen.
Some of the topics I’ve got planned:
Thinking about joining this class? Don’t delay, we start this week! Click here to learn more.
I have two gap scholarships to give away. Interested? Click here.
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[image_with_animation image_url=”8071″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Drawings by Ruthie V. I received a very nice letter today. It’s about line, and how one League artist improved her quality of line – not by thinking about improving the quality of her line directly – but by checking in on her level of engagement with the drawing. …
Day 15: Inverse Perspective #30SAL
If you’ve taken a drawing class, you might have learned to draw with 1 point, 2 point, and 3 point linear perspective. With this perspective method, objects that are farther away are drawn smaller, and perpendicular lines recede to common vanishing points in the distance. In inverse perspective, objects that are farther away are drawn …
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Drawing Hands: Henry Moore
Take a class with SAL – anywhere! Yesterday’s post featuring drawings by Kathe Kollwitz introduced the idea of hands as expressive elements within a drawing. I was so excited about the idea of hands doing the talking for a face in a drawing that I made a class to study expressive hands and heads, and …