Yesterday I posted Ralph Kiggell’s Temple Dogs series of woodblock prints, and quoted excerpts from his blog that described his process. Today I’m sharing his Sacred Shapes series of 12 woodblocks. They also have a simple concept, repeated in iterations, in which the subject is abstracted to the point it is a compositional element. Similar to yesterday’s dogs, these Sacred Shapes also have a bit of humor included. A while back I wrote a V.Note about how difficult it can be for art to be humorous. Fine lines, so to speak.
Bonus: This post includes a very nicely written artist statement, a rare thing. Notice how his writing is similar in tone to his artwork, and how he avoids inflated and indirect flippity-floppity wishity-washity art speak. He does not even use the word “juxtapose.”
Kiggell’s website is quoted below:
TWELVE SACRED SHAPES
Sacred Shape – Topiary
Sacred Shape – Cypress
Sacred Shape—Windsock
“In Twelve Sacred Shapes, a group of apparently unrelated international objects from science, geography and nature translate the kranok shape. These shapes mimic the upward curving forms and pointy flicks seen in, for example, temple decoration, Thai writing and in the long fingernails of temple dancers, all of which rise auspiciously toward a better, more sacred, place than the earth on which our feet stand.”
Sacred Shape – Pinecone
Sacred Shape – Shell
Sacred Shape – Rock
Do you enjoy the look of the woodgrain? Do you enjoy these simple compositional shapes? Woodblock is an excellent class for painters and designers. It strengthens our compositions, and our ability to think through an artwork so we don’t end up in the weeds. If you enjoy curls of wood shavings, and meditative processes with clear steps (unlike painting), try our new Contemporary Woodblock class. I thought I’d be sick of woodblock after carving that giant steamroller Rhino but I only got more interested. The house spent carving were very pleasant, and I liked the result quite a bit. I discovered I actually kinda like this stuff. I’m taking this Fall Contemporary Woodblocks class on Monday mornings. Want to join me? Sign up now! Don’t wait! This class starts September 17th.
[image_with_animation image_url=”8958″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Alex Walker, an Especially Enjoyable student in my Intermediate Studio class, decided to work on making his brushwork more direct and decisive by doing a study of John Singer Sargent’s portrait of Henry James. Since his pilgrimage to see it in London brought the sad news that the painting …
In recent V. Notes, I have shared some of Carlos San Millan’s favorite painters. So far I’ve posted Kim Frohsin, Mitchell Johnson, Yann Kebbi, Марина Цветаева (Marina Tsvetyeva), and Sangram Majumdar. Today I’m posting Bato Dugarzhapov. Bato is a Russian painter born in 1966. I had his work saved for a V. Note someday. Looks …
Take a class with SAL – anywhere! Colors are shifty buggers. The way we process visual information causes colors to change in relationship to what they’re next to, giving us a constant source of optical illusions. This makes mixing accurate color rather complicated. Below are a few optical quandaries to illustrate how complicated this “accurate seeing” stuff …
Thursdays are vocabulary days for our 30 Day Challenge, and our inspiration for today comes from A Word A Day, by Anu Garg Scrooch PRONUNCIATION: (skrooch) MEANING:verb intr.: To crouch or huddle.verb tr.: To squeeze. ETYMOLOGY:A dialect variant scrouge (to squeeze or crowd), perhaps influenced by crouch. Earliest documented use: 1844. USAGE:“We asked the model to scrooch down so …
Ralph Kiggell: Sacred Shapes
[image_with_animation image_url=”11536″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”]
Sacred Shapes – Accordion Book
Yesterday I posted Ralph Kiggell’s Temple Dogs series of woodblock prints, and quoted excerpts from his blog that described his process. Today I’m sharing his Sacred Shapes series of 12 woodblocks. They also have a simple concept, repeated in iterations, in which the subject is abstracted to the point it is a compositional element. Similar to yesterday’s dogs, these Sacred Shapes also have a bit of humor included. A while back I wrote a V.Note about how difficult it can be for art to be humorous. Fine lines, so to speak.
Bonus: This post includes a very nicely written artist statement, a rare thing. Notice how his writing is similar in tone to his artwork, and how he avoids inflated and indirect flippity-floppity wishity-washity art speak. He does not even use the word “juxtapose.”
Kiggell’s website is quoted below:
TWELVE SACRED SHAPES
Sacred Shape – Topiary
Sacred Shape – Cypress
Sacred Shape—Windsock
“In Twelve Sacred Shapes, a group of apparently unrelated international objects from science, geography and nature translate the kranok shape. These shapes mimic the upward curving forms and pointy flicks seen in, for example, temple decoration, Thai writing and in the long fingernails of temple dancers, all of which rise auspiciously toward a better, more sacred, place than the earth on which our feet stand.”
Sacred Shape – Pinecone
Sacred Shape – Shell
Sacred Shape – Rock
Do you enjoy the look of the woodgrain? Do you enjoy these simple compositional shapes? Woodblock is an excellent class for painters and designers. It strengthens our compositions, and our ability to think through an artwork so we don’t end up in the weeds. If you enjoy curls of wood shavings, and meditative processes with clear steps (unlike painting), try our new Contemporary Woodblock class. I thought I’d be sick of woodblock after carving that giant steamroller Rhino but I only got more interested. The house spent carving were very pleasant, and I liked the result quite a bit. I discovered I actually kinda like this stuff. I’m taking this Fall Contemporary Woodblocks class on Monday mornings. Want to join me? Sign up now! Don’t wait! This class starts September 17th.
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[image_with_animation image_url=”8958″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Alex Walker, an Especially Enjoyable student in my Intermediate Studio class, decided to work on making his brushwork more direct and decisive by doing a study of John Singer Sargent’s portrait of Henry James. Since his pilgrimage to see it in London brought the sad news that the painting …
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In recent V. Notes, I have shared some of Carlos San Millan’s favorite painters. So far I’ve posted Kim Frohsin, Mitchell Johnson, Yann Kebbi, Марина Цветаева (Marina Tsvetyeva), and Sangram Majumdar. Today I’m posting Bato Dugarzhapov. Bato is a Russian painter born in 1966. I had his work saved for a V. Note someday. Looks …
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Take a class with SAL – anywhere! Colors are shifty buggers. The way we process visual information causes colors to change in relationship to what they’re next to, giving us a constant source of optical illusions. This makes mixing accurate color rather complicated. Below are a few optical quandaries to illustrate how complicated this “accurate seeing” stuff …
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Thursdays are vocabulary days for our 30 Day Challenge, and our inspiration for today comes from A Word A Day, by Anu Garg Scrooch PRONUNCIATION: (skrooch) MEANING:verb intr.: To crouch or huddle.verb tr.: To squeeze. ETYMOLOGY:A dialect variant scrouge (to squeeze or crowd), perhaps influenced by crouch. Earliest documented use: 1844. USAGE:“We asked the model to scrooch down so …