“Though I thought I should give it a try, I really thought I wouldn’t like drypoint because every time I heard the word “drypoint” I heard nails on a chalkboard, and most of the prints labeled as “drypoints” seemed less rich and subtle than the etchings that I admired. I was wrong. Nikki informed me that people often misuse the word etching (a chemical process) because it sounds better than drypoint (a scratchity process), and many of the prints I had thought were etchings were actually mislabeled drypoints.”
Take a look at this work by Frank Hobbs. See those velvety areas, and graceful line work? This is a drypoint, not an etching.
[vc_row type=”in_container” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ width=”1/1″][vc_column_text]I enjoy how this artist used a combination of graphite and ink to produce wide swathes of soft burnished textures with diffused light lines (erased), and thin liquid dark contrast. I enjoy how the compositions are studies of energy between two objects, and the surrounding spaces. …
François-Antoine Bossuet, (1798 – 1889) Belgian Look at these bricks in the shadow. They are almost black, and though they have some detail, the detail is not crisp. It can be difficult to know how much detail to put into shadows, and difficult to know how dark to go. A reference photograph often has too …
I’m working on a new series of posts about Alberto Giacometti’s drawings and paintings. Giacometti is the guy who made the big tall skinny guy sculptures. They look like this: For my post, I searched for Giacometti’s early works and found artworks from 1910. Alberto was born in 1901, so in 1910, he would have …
This is not an etching: Frank Hobbs
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”11428″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”][vc_column_text]From previous V.Note:
“Though I thought I should give it a try, I really thought I wouldn’t like drypoint because every time I heard the word “drypoint” I heard nails on a chalkboard, and most of the prints labeled as “drypoints” seemed less rich and subtle than the etchings that I admired. I was wrong. Nikki informed me that people often misuse the word etching (a chemical process) because it sounds better than drypoint (a scratchity process), and many of the prints I had thought were etchings were actually mislabeled drypoints.”
Take a look at this work by Frank Hobbs. See those velvety areas, and graceful line work? This is a drypoint, not an etching.
[/vc_column_text][image_with_animation image_url=”11427″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”][divider line_type=”No Line” custom_height=”20″][vc_gallery type=”image_grid” images=”11426,11425,11424,11423,11422,11420,11419,11418″ layout=”3″ gallery_style=”1″ load_in_animation=”none”][vc_column_text]
Images: https://frank-hobbsart.com/portfolios/printmaking-drypoints-etchings/1
We have several printmaking classes this fall. Lucky me, I get to take them all. Want to join me? Click here to find a printmaking class that works with your schedule.[/vc_column_text][/vc_column][/vc_row]
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I’m working on a new series of posts about Alberto Giacometti’s drawings and paintings. Giacometti is the guy who made the big tall skinny guy sculptures. They look like this: For my post, I searched for Giacometti’s early works and found artworks from 1910. Alberto was born in 1901, so in 1910, he would have …