[image_with_animation image_url=”11428″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] From previous V.Note:
“Though I thought I should give it a try, I really thought I wouldn’t like drypoint because every time I heard the word “drypoint” I heard nails on a chalkboard, and most of the prints labeled as “drypoints” seemed less rich and subtle than the etchings that I admired. I was wrong. Nikki informed me that people often misuse the word etching (a chemical process) because it sounds better than drypoint (a scratchity process), and many of the prints I had thought were etchings were actually mislabeled drypoints.”
Take a look at this work by Frank Hobbs. See those velvety areas, and graceful line work? This is a drypoint, not an etching.
Rodin’s hands feel more real: …If you’re wondering, yes I was the crazy lady of the day that became all verklempt over the Rodins. I’m told it’s a thing. Interested in hearing more thoughts like this? Take my figure drawing class, or the more sculptural Planes of the Face. I am also teaching drawing camps …
I’m in NY, doing a figurative sculpture marathon with Bruce Gagnier at the NY Studio School. I’m three days into a two week intensive, and I’m loving it. One of the topics my instructor presses is contrapposto. I learned about contrapposto at WWU, but I’m understanding the real value of it now. Bruce Gagnier showed me …
Hey Artists! For some reason the Mailchimps didn’t pick this up at 7:00am as scheduled. This happens sometimes. In the future, if you are looking for the challenge and don’t see it in your inbox by 7:05am, check V. Notes on ourwebsite. Memory Challenge For this memory exercise you will need 2 pieces of paper, …
This first image was from the ‘Transience and Eternity’, Angie Dixon’s exhibition at Foster/White in the 1990’s. It was a combination of installation and paintings. It was about creation and the formation of everything before it becomes tangible. The paintings were meant to be of the actual tangible results of the creative formation. The installation …
This is not an etching: Frank Hobbs
[image_with_animation image_url=”11428″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] From previous V.Note:
“Though I thought I should give it a try, I really thought I wouldn’t like drypoint because every time I heard the word “drypoint” I heard nails on a chalkboard, and most of the prints labeled as “drypoints” seemed less rich and subtle than the etchings that I admired. I was wrong. Nikki informed me that people often misuse the word etching (a chemical process) because it sounds better than drypoint (a scratchity process), and many of the prints I had thought were etchings were actually mislabeled drypoints.”
Take a look at this work by Frank Hobbs. See those velvety areas, and graceful line work? This is a drypoint, not an etching.
[image_with_animation image_url=”11427″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%
Images: https://frank-hobbsart.com/portfolios/printmaking-drypoints-etchings/1
We have several printmaking classes this fall. Lucky me, I get to take them all. Want to join me? Click here to find a printmaking class that works with your schedule.
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Rodin’s hands feel more real: …If you’re wondering, yes I was the crazy lady of the day that became all verklempt over the Rodins. I’m told it’s a thing. Interested in hearing more thoughts like this? Take my figure drawing class, or the more sculptural Planes of the Face. I am also teaching drawing camps …
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