Belinda Del Pesco, drypoint of someone making a drypoint
Drypoint, a rather scratchy nails-on-chalboard kind of word, is a printmaking technique in which an image is incised into a plate with a pointy thing. I’ll get into more academic V.cabulary about this later, but for now I’m just going to call it a pointy thing.
It seems to me that drypoint is very similar to drawing, only different. I’m not sure yet how it’s different, but Nikki Barber, the jam on our toast of a printmaking instructor, told me to stop thinking of the pointy thing as a pencil. I’m not sure what this means yet because it looks like a pencil to me, but I’d like to learn, and Nikki said she’d help me.
Drypoint is non toxic. Some people call it an etching without acids or solvents. Before I started scratching haphazardly away at this beautiful, shining, absolutely flawless sheet of precious copper, I did some research to see the kinds of marks that can be made in this medium. In my research, I made a collection of prints I can refer to later, a collection of various marks and styles. Below is a little gallery of drypoint prints, specifically of people reading. From my inspiration book to yours. Enjoy.
” load_in_animation=”none Interested in learning more? We offer a drypoint printmaking class, and a drypoint printmaking workshop this Fall. Click here to find the best class for you.
French: La mariée mise à nu par ses célibataires, même (Le Grand Verre) Artist Marcel Duchamp Year 1915–23 Type Oil, varnish, lead foil, lead wire, and dust on two glass panels Dimensions 277.5 cm × 175.9 cm (109.25 in × 69.25 in) Location Philadelphia Museum of Art, Philadelphia The Bride Stripped Bare by Her Bachelors, Even (La mariée mise à nu par ses …
[image_with_animation image_url=”7183″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] I’ve been making more monotypes. I can’t seem to put them down. The exciting discovery of what comes out of the press is as neurologically rewarding as opening wrapped presents. Better maybe. The invitation of the ghosted plate, cold blankness eliminated, grey tones and shapes invite me to create …
Pouncing is a technique used for transferring an image from one surface to another. It is similar to tracing, and is useful for creating copies of a sketch outline to produce finished works.
In the past, if I had two words to describe watercolor, I might say “fresh” and “delicate.” I’d always thought of watercolor as a fairly fragile medium that shouldn’t be worked too hard. I thought of the white of the paper as the most valuable resource, and the greatest mistake would be to lose that …
Reading About Drypoints of People Reading
[image_with_animation image_url=”11320″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”]
Belinda Del Pesco, drypoint of someone making a drypoint
Drypoint, a rather scratchy nails-on-chalboard kind of word, is a printmaking technique in which an image is incised into a plate with a pointy thing. I’ll get into more academic V.cabulary about this later, but for now I’m just going to call it a pointy thing.
It seems to me that drypoint is very similar to drawing, only different. I’m not sure yet how it’s different, but Nikki Barber, the jam on our toast of a printmaking instructor, told me to stop thinking of the pointy thing as a pencil. I’m not sure what this means yet because it looks like a pencil to me, but I’d like to learn, and Nikki said she’d help me.
Drypoint is non toxic. Some people call it an etching without acids or solvents. Before I started scratching haphazardly away at this beautiful, shining, absolutely flawless sheet of precious copper, I did some research to see the kinds of marks that can be made in this medium. In my research, I made a collection of prints I can refer to later, a collection of various marks and styles. Below is a little gallery of drypoint prints, specifically of people reading. From my inspiration book to yours. Enjoy.
Tomorrow I try the pointy thing!
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Bride Stripped Bare by Her Bachelors, Even
French: La mariée mise à nu par ses célibataires, même (Le Grand Verre) Artist Marcel Duchamp Year 1915–23 Type Oil, varnish, lead foil, lead wire, and dust on two glass panels Dimensions 277.5 cm × 175.9 cm (109.25 in × 69.25 in) Location Philadelphia Museum of Art, Philadelphia The Bride Stripped Bare by Her Bachelors, Even (La mariée mise à nu par ses …
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[image_with_animation image_url=”7183″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] I’ve been making more monotypes. I can’t seem to put them down. The exciting discovery of what comes out of the press is as neurologically rewarding as opening wrapped presents. Better maybe. The invitation of the ghosted plate, cold blankness eliminated, grey tones and shapes invite me to create …
Pouncing
Pouncing is a technique used for transferring an image from one surface to another. It is similar to tracing, and is useful for creating copies of a sketch outline to produce finished works.
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In the past, if I had two words to describe watercolor, I might say “fresh” and “delicate.” I’d always thought of watercolor as a fairly fragile medium that shouldn’t be worked too hard. I thought of the white of the paper as the most valuable resource, and the greatest mistake would be to lose that …