Belinda Del Pesco, drypoint of someone making a drypoint
Drypoint, a rather scratchy nails-on-chalboard kind of word, is a printmaking technique in which an image is incised into a plate with a pointy thing. I’ll get into more academic V.cabulary about this later, but for now I’m just going to call it a pointy thing.
It seems to me that drypoint is very similar to drawing, only different. I’m not sure yet how it’s different, but Nikki Barber, the jam on our toast of a printmaking instructor, told me to stop thinking of the pointy thing as a pencil. I’m not sure what this means yet because it looks like a pencil to me, but I’d like to learn, and Nikki said she’d help me.
Drypoint is non toxic. Some people call it an etching without acids or solvents. Before I started scratching haphazardly away at this beautiful, shining, absolutely flawless sheet of precious copper, I did some research to see the kinds of marks that can be made in this medium. In my research, I made a collection of prints I can refer to later, a collection of various marks and styles. Below is a little gallery of drypoint prints, specifically of people reading. From my inspiration book to yours. Enjoy.
This robot was designed to have human-like focus. It looks first at the subject, then at the paper, and wiggles its little robot arm to make marks with a Bic pen. From this, a portrait is produced. It’s normal to assume that creative work is an emotional process, but observational drawing is more like this studious robot …
“Protest is a fundamental reason I paint. Protest against sexism, against the status quo, against what I should be doing” – Elizabeth Malaska (Oregon Arts Commission)
Today’s Challenge: Mix and match figures with an interior from historical artworks. Materials are artist’s choice. #mashup References You can find your own references, or find something in these suggestions: Figures: Villa of Mysteries in Pompeii, Nicolas Poussin, Mughal Indian Miniatures Interiors: Pierre Bonnard, Henri Matisse, Edward Hopper Post it To be eligible for prizes …
[image_with_animation image_url=”8666″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] A couple days ago I shared “A Very Fancy Painting Tool” a rough but effective fast-made bridge. I received a great comment from Sue Rose, which prompted more thoughts for today: Sue Rose says: March 20, 2018 at 12:36 pm Cool! I have a tool, too. My mother has something …
Reading About Drypoints of People Reading
[image_with_animation image_url=”11320″ alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”]
Belinda Del Pesco, drypoint of someone making a drypoint
Drypoint, a rather scratchy nails-on-chalboard kind of word, is a printmaking technique in which an image is incised into a plate with a pointy thing. I’ll get into more academic V.cabulary about this later, but for now I’m just going to call it a pointy thing.
It seems to me that drypoint is very similar to drawing, only different. I’m not sure yet how it’s different, but Nikki Barber, the jam on our toast of a printmaking instructor, told me to stop thinking of the pointy thing as a pencil. I’m not sure what this means yet because it looks like a pencil to me, but I’d like to learn, and Nikki said she’d help me.
Drypoint is non toxic. Some people call it an etching without acids or solvents. Before I started scratching haphazardly away at this beautiful, shining, absolutely flawless sheet of precious copper, I did some research to see the kinds of marks that can be made in this medium. In my research, I made a collection of prints I can refer to later, a collection of various marks and styles. Below is a little gallery of drypoint prints, specifically of people reading. From my inspiration book to yours. Enjoy.
Tomorrow I try the pointy thing!
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Robot Portraits
This robot was designed to have human-like focus. It looks first at the subject, then at the paper, and wiggles its little robot arm to make marks with a Bic pen. From this, a portrait is produced. It’s normal to assume that creative work is an emotional process, but observational drawing is more like this studious robot …
Elizabeth Malaska
“Protest is a fundamental reason I paint. Protest against sexism, against the status quo, against what I should be doing” – Elizabeth Malaska (Oregon Arts Commission)
Day 26: Mashup! #30SAL
Today’s Challenge: Mix and match figures with an interior from historical artworks. Materials are artist’s choice. #mashup References You can find your own references, or find something in these suggestions: Figures: Villa of Mysteries in Pompeii, Nicolas Poussin, Mughal Indian Miniatures Interiors: Pierre Bonnard, Henri Matisse, Edward Hopper Post it To be eligible for prizes …
Working with tremors, and other limitations
[image_with_animation image_url=”8666″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] A couple days ago I shared “A Very Fancy Painting Tool” a rough but effective fast-made bridge. I received a great comment from Sue Rose, which prompted more thoughts for today: Sue Rose says: March 20, 2018 at 12:36 pm Cool! I have a tool, too. My mother has something …