Photo and painting of JS Sargent’s teacher Carolus-Duran. Painting not made from photo. Photo taken (possibly?) to resemble the painting. Posted by James Gurney
Would you be surprised to see that a painter who depended on patrons’ funds applied a bit of painterly flattery to his portraits?
Take a look at this portrait above by John Singer Sargent, of his teacher Carolus-Duran. See how the angles of the eyebrows have been accentuated, and the mustache lifted? Notice also the nose is more aquiline, the face is more smooth, cheekbones more sculptural, and narrow. These lifts are more pleasing to both the owner of the face, and those who gaze upon it.
Check your realism. Charismatic flattery is a valued skill, and a well paid friend.
–> Starting Monday, July 24: “How to paint from your own photographs.” An art camp for teens.
Take a class with SAL – anywhere! In 1998, a referendum to legalize abortion failed in Portugal. In direct response, Portuguese artist Paula Rego painted the Abortion series, 10 pastel paintings that drew attention to the experience of women. “It highlights the fear and pain and danger of an illegal abortion, which is what desperate …
Only two more days in this 30 Day Creative Challenge! Today, let’s see what you’ve been working with. Show us your brain. Share your brain on Instagram with these tags: #30sal, #brain Or post to this Padlet. – Recent Padlet links: Day 24: The Big SneezeDay 25: Cezanne’s FigureDay 26: Pentimento (see 24)Day 27: Infanta Margarita …
What comes to mind when you think of Williem De Kooning? I have never seen a De Kooning in person. Viewing a work in person is nothing like viewing it on a screen or on a printed page, so to be able to know a work, to be able to talk about a work, I …
Changing a figure’s surrounding transforms its mood and meaning. In “Drawing into Painting: Reconfiguring the Figure,” an online class at Seattle Artist League, Fran O’Neill led students in rethinking figure placement through drawing, collage, and painting. Using historical artworks, Zoom models, and personal photos, students reworked compositions, developed drawings into paintings, and examined how shifts …
The Charismatic Flattery of JS Sargent
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Photo and painting of JS Sargent’s teacher Carolus-Duran. Painting not made from photo. Photo taken (possibly?) to resemble the painting. Posted by James Gurney
Would you be surprised to see that a painter who depended on patrons’ funds applied a bit of painterly flattery to his portraits?
Take a look at this portrait above by John Singer Sargent, of his teacher Carolus-Duran. See how the angles of the eyebrows have been accentuated, and the mustache lifted? Notice also the nose is more aquiline, the face is more smooth, cheekbones more sculptural, and narrow. These lifts are more pleasing to both the owner of the face, and those who gaze upon it.
Check your realism. Charismatic flattery is a valued skill, and a well paid friend.
–> Starting Monday, July 24: “How to paint from your own photographs.” An art camp for teens.
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Paula Rego’s Abortion Series
Take a class with SAL – anywhere! In 1998, a referendum to legalize abortion failed in Portugal. In direct response, Portuguese artist Paula Rego painted the Abortion series, 10 pastel paintings that drew attention to the experience of women. “It highlights the fear and pain and danger of an illegal abortion, which is what desperate …
Day 28: Brain #30SAL
Only two more days in this 30 Day Creative Challenge! Today, let’s see what you’ve been working with. Show us your brain. Share your brain on Instagram with these tags: #30sal, #brain Or post to this Padlet. – Recent Padlet links: Day 24: The Big SneezeDay 25: Cezanne’s FigureDay 26: Pentimento (see 24)Day 27: Infanta Margarita …
Why I hate De Kooning
What comes to mind when you think of Williem De Kooning? I have never seen a De Kooning in person. Viewing a work in person is nothing like viewing it on a screen or on a printed page, so to be able to know a work, to be able to talk about a work, I …
Reconfiguring the Figure: art from Fran O’Neill’s class
Changing a figure’s surrounding transforms its mood and meaning. In “Drawing into Painting: Reconfiguring the Figure,” an online class at Seattle Artist League, Fran O’Neill led students in rethinking figure placement through drawing, collage, and painting. Using historical artworks, Zoom models, and personal photos, students reworked compositions, developed drawings into paintings, and examined how shifts …