Phase 1: Make a shape, or choose a simple object. Place that simple shape inside a small rectangle and consider the space around it to make a composition. Save this. Then repeat the process, placing the same basic shape on the same sized rectangle, in a different way each time. Repeat to make enough for a full block of rows and columns.
Phase 2: When you have an even number to make a block, assemble all the different compositions into a new whole. Move the individual compositions until you are pleased with the final composition with them all together. Photograph and post. [image_with_animation image_url=”10066″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”]
Ezra Siegel
Thankyou for sharingyourwork! I love seeing these artworks online. People who post to Instagram or on Facebook will be eligible to win prizes (see details). No matter where you post, tag us so we can find it. #seattleartistleague #salchallenge #composition
The June SAL Challenge: Creative exercises once a day for 30 days.
Excerpt from Mitchell Albala’s Book: Simplification and Massing The ability to simplify means to eliminate the unnecessary so that the necessary may speak. – Hans Hoffman At a recent workshop, several students pointed to a cottonwood tree that was gently swaying in the breeze. “How are we going to paint all those leaves?” they asked. …
Children with jack-o-lanterns, a sketch by Katie Jo Keppinger, in Thursday’s class for drawing and painting. I love Keppinger’s marks, bold and sensitive like Kathe Kollwitz, moody as Edvard Monk. This drawing uses a variety of edges and plenty of dark values and contrast to produce the sensation of glow. Organic circles, strong angles, and …
[image_with_animation image_url=”6410″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Vote for your favorite Seattle Artist League mascot! The winning entry could end up on a poster, or as a mural on our building. Please see entries below, and use the comments to cast your vote. Forward to your friends, this is open to all. Still want to submit an …
Hey there. I wanted to send out a little personal thank you about V. Notes, this unusual and personal blog series of thoughts and ideas related to art. Initially started as a way to give my painting students more information outside of class, V. Notes now has over 1,000 readers. Many subscribers are part of …
SAL Challenge: One Shape, Placed Repeatedly
[image_with_animation image_url=”10063″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”]
Ezra Siegel
Phase 1: Make a shape, or choose a simple object. Place that simple shape inside a small rectangle and consider the space around it to make a composition. Save this. Then repeat the process, placing the same basic shape on the same sized rectangle, in a different way each time. Repeat to make enough for a full block of rows and columns.
Phase 2: When you have an even number to make a block, assemble all the different compositions into a new whole. Move the individual compositions until you are pleased with the final composition with them all together. Photograph and post. [image_with_animation image_url=”10066″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”]
Ezra Siegel
Thank you for sharing your work! I love seeing these artworks online. People who post to Instagram or on Facebook will be eligible to win prizes (see details). No matter where you post, tag us so we can find it. #seattleartistleague #salchallenge #composition
The June SAL Challenge: Creative exercises once a day for 30 days.
Related Posts
Mitchell Albala: Simplification and Massing
Excerpt from Mitchell Albala’s Book: Simplification and Massing The ability to simplify means to eliminate the unnecessary so that the necessary may speak. – Hans Hoffman At a recent workshop, several students pointed to a cottonwood tree that was gently swaying in the breeze. “How are we going to paint all those leaves?” they asked. …
Effects of Light: Children with jack-o-lanterns
Children with jack-o-lanterns, a sketch by Katie Jo Keppinger, in Thursday’s class for drawing and painting. I love Keppinger’s marks, bold and sensitive like Kathe Kollwitz, moody as Edvard Monk. This drawing uses a variety of edges and plenty of dark values and contrast to produce the sensation of glow. Organic circles, strong angles, and …
Help Us Choose Our Mascot
[image_with_animation image_url=”6410″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Vote for your favorite Seattle Artist League mascot! The winning entry could end up on a poster, or as a mural on our building. Please see entries below, and use the comments to cast your vote. Forward to your friends, this is open to all. Still want to submit an …
A note about V. Notes
Hey there. I wanted to send out a little personal thank you about V. Notes, this unusual and personal blog series of thoughts and ideas related to art. Initially started as a way to give my painting students more information outside of class, V. Notes now has over 1,000 readers. Many subscribers are part of …