Phase 1: Make a shape, or choose a simple object. Place that simple shape inside a small rectangle and consider the space around it to make a composition. Save this. Then repeat the process, placing the same basic shape on the same sized rectangle, in a different way each time. Repeat to make enough for a full block of rows and columns.
Phase 2: When you have an even number to make a block, assemble all the different compositions into a new whole. Move the individual compositions until you are pleased with the final composition with them all together. Photograph and post. [image_with_animation image_url=”10066″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”]
Ezra Siegel
Thankyou for sharingyourwork! I love seeing these artworks online. People who post to Instagram or on Facebook will be eligible to win prizes (see details). No matter where you post, tag us so we can find it. #seattleartistleague #salchallenge #composition
The June SAL Challenge: Creative exercises once a day for 30 days.
In the previous post featuring Stanley Lewis, Lewis was quoted on his admiration of Wilbur Niewald. “You have got to find out about his paintings (…) Wilbur is an interpreter of Cézanne and Mondrian.” – Lewis Following this advice, I looked up Wilbur Niewald. My eyes were most eager to look at his drawings, still life, and …
Last week I talked about different methods of linear perspective. The challenge was to draw something using inverse perspective, in which objects that are farther away are drawn larger than what is up close, as seen in Byzantine, Chinese, Japanese, and Indian artworks. (My apologies for not including India’s use of multiple perspectives in the …
[image_with_animation alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”] I just discovered these abstracted still lifes by Peri Schwartz. Playful and studied. As did yesterday’s artist, this artist repeats compositions in different media: watercolor, monotype, and in oil. Interesting to compare. I am always thinking of how something was made, and more and more I have been enjoying …
With experience copying classical antique sculptures in Florence, Francis Harwood created this exceptional sculpture which combined the elements of classical sculpture with the subject of a more modern (1700s) Black individual – a subject we do not frequently have the privilege of seeing. In fact, this noble bust by Francis Harwood is one of the …
SAL Challenge: One Shape, Placed Repeatedly
[image_with_animation image_url=”10063″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”]
Ezra Siegel
Phase 1: Make a shape, or choose a simple object. Place that simple shape inside a small rectangle and consider the space around it to make a composition. Save this. Then repeat the process, placing the same basic shape on the same sized rectangle, in a different way each time. Repeat to make enough for a full block of rows and columns.
Phase 2: When you have an even number to make a block, assemble all the different compositions into a new whole. Move the individual compositions until you are pleased with the final composition with them all together. Photograph and post. [image_with_animation image_url=”10066″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”]
Ezra Siegel
Thank you for sharing your work! I love seeing these artworks online. People who post to Instagram or on Facebook will be eligible to win prizes (see details). No matter where you post, tag us so we can find it. #seattleartistleague #salchallenge #composition
The June SAL Challenge: Creative exercises once a day for 30 days.
Related Posts
Wilbur Niewald, interpreter of Cézanne and Mondrian
In the previous post featuring Stanley Lewis, Lewis was quoted on his admiration of Wilbur Niewald. “You have got to find out about his paintings (…) Wilbur is an interpreter of Cézanne and Mondrian.” – Lewis Following this advice, I looked up Wilbur Niewald. My eyes were most eager to look at his drawings, still life, and …
Day 22: Reverse Perspective #30SAL
Last week I talked about different methods of linear perspective. The challenge was to draw something using inverse perspective, in which objects that are farther away are drawn larger than what is up close, as seen in Byzantine, Chinese, Japanese, and Indian artworks. (My apologies for not including India’s use of multiple perspectives in the …
Peri Schwartz, Abstracted Still Lifes
[image_with_animation alignment=”” animation=”Fade In” box_shadow=”none” max_width=”100%”] I just discovered these abstracted still lifes by Peri Schwartz. Playful and studied. As did yesterday’s artist, this artist repeats compositions in different media: watercolor, monotype, and in oil. Interesting to compare. I am always thinking of how something was made, and more and more I have been enjoying …
Bust of a Man
With experience copying classical antique sculptures in Florence, Francis Harwood created this exceptional sculpture which combined the elements of classical sculpture with the subject of a more modern (1700s) Black individual – a subject we do not frequently have the privilege of seeing. In fact, this noble bust by Francis Harwood is one of the …