A conversation between League friend and painter Fredericka Foster and composer/musician Phillip Glass has recently been published in Nautilus. Foster and Glass are talking about time.
Philip Glass: There are many strange things about music and time. When I’m on a tour with the dance company we work in a different-sized theater every night. The first thing the dance company does when we arrive is to measure the stage. They have to reset the dance to fit that stage. So you also have to reset the time of the music: In a larger theater, you must play slower. In a smaller theater, you have to play faster. The relation of time and space in music is dynamic. I have a range of speed in mind. If the players don’t pay attention to that, it will look really funny. You can see the stage fill up with dancers because they are playing at the wrong speed.
Fredericka Foster: I understand that variability. I usually paint water. Watching water move is a time-honored way of moving into the present moment. My goal is to feel the water move in the painting, but water has rules, and I have to pay attention to motion in establishing the composition. Water is defined by time: the length of time it takes for a wave to pass a set point. At around a second, you have a ripple; over 10 seconds, a swell, and in between a wave. Once I get the composition down, I can begin to pay attention to the rhythm of the painting. …
Make something that conveys a quick tempo. Materials are artists’ choice. Be aware of how materials (size and media) effect your expression and experience of time.
Thankyou for sharingyourwork! I love seeing these artworks online. People who post to Instagram or on Facebook will be eligible to win prizes (see details). No matter where you post, tag us so we can find it. #seattleartistleague #salchallenge #time.
The June SAL Challenge: Creative exercises once a day for 30 days. [image_with_animation image_url=”9939″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”]
Figure drawing by Fredericka Foster (wonderful to have her in my figure drawing class!)
[image_with_animation image_url=”7459″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Andrea Myers Find an old catalogue, magazine, maps, or a stack of used paper. Working with an x-acto blade, or tearing by hand, remove paper to create windows to previous layers. If using a blade, slip a cutting mat or piece of matboard between the pages. Take a picture …
An atelier is a snobby word for an artist’s workshop space. The word studio is from the Italian: studio, and from Latin: studium, from studere, meaning to study or zeal. The word atelier is French for workshop, especially the workroom or studio of a sculptor or painter, 1840, from French atelier, going back to the Old French astelier which was a carpenter’s workshop, woodpile …
[image_with_animation image_url=”8949″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Been a while since I posted. Here’s a cheerful watercolor clusterlump of flowers painted by John Singer Sargent in 1905. My stars, look at that beautiful blue! Each flower perched atop a brushstroke. That can’t be transparent blue to be that bright on top of other colors. Maybe he …
[image_with_animation image_url=”8093″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Image above from Agora Gallery’s post “How to Recognize an Art Scam” In the last week, I’ve received 2 art scam emails. They read as personalized letters, including the title and size of my painting, mid paragraph. Neither email asked directly for anything, so no red flags, not right …
SAL Challenge: Time (quick)
[image_with_animation image_url=”9941″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”]
Line drawing by William Anastasi
A conversation between League friend and painter Fredericka Foster and composer/musician Phillip Glass has recently been published in Nautilus. Foster and Glass are talking about time.
[image_with_animation image_url=”9277″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”]
Painting by Fredericka Foster
You can read the full article on Nautilus here. [divider line_type=”Full Width Line” line_thickness=”1″ divider_color=”default” custom_height=”30
SAL Challenge: Time (Quick Tempo)
[image_with_animation image_url=”9947″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”]
William Anastasi Untitled (Pocket Drawings) 1969
Make something that conveys a quick tempo. Materials are artists’ choice. Be aware of how materials (size and media) effect your expression and experience of time.
Thank you for sharing your work! I love seeing these artworks online. People who post to Instagram or on Facebook will be eligible to win prizes (see details). No matter where you post, tag us so we can find it. #seattleartistleague #salchallenge #time.
The June SAL Challenge: Creative exercises once a day for 30 days. [image_with_animation image_url=”9939″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”]
Figure drawing by Fredericka Foster (wonderful to have her in my figure drawing class!)
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[image_with_animation image_url=”7459″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Andrea Myers Find an old catalogue, magazine, maps, or a stack of used paper. Working with an x-acto blade, or tearing by hand, remove paper to create windows to previous layers. If using a blade, slip a cutting mat or piece of matboard between the pages. Take a picture …
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