[image_with_animation image_url=”9675″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Topophilia (From Greek topos “place” and -philia, “love of”) is a strong sense of place, which often becomes mixed with the sense of cultural identity among certain people and a love of certain aspects of such a place.
Today is the first of a series of Topophilia Creative Exercises, this one based on the Salish Sea.
In 2009, the Puget Sound, the Strait of Juan de Fuca and the Strait of Georgia got a name change to the Salish Sea, recognized by the U.S. Board on Geographic Names. The expanse and boundaries of the Salish Sea can be seen on these maps here.
Today’s challenge is to make a map that defines the Salish Sea. I realize this project is large as it is, but the map needs only to illustrate an aspect of the sea, and if you have time and are enjoying the work, feel free to add thoughts, memories, flora and fauna. Artists’ choice to collage, trace, draw, cut, or integrate multimedia. See below for inspirations. Note the inspirations below are not of the Salish Sea, but various artist’s topophilia of their own places. For maps of the Salish Sea, click here.
Thank you for sharing your work! I love seeing these artworks online. People who post to Instagram or on Facebook will be eligible to win prizes (see details). No matter where you post, tag us so we can find it #seattleartistleague #salchallenge.
The June SAL Challenge: Creative exercises once a day for 30 days.
Special thanks to League instructor Claire Putney of Topophilia Studios for her help with this post.
“The beginning is the best part. Why continue? Yes, things will get richer and deeper, but the simplicity and directness of a birdsong is soon gone. When I get old and begin losing my marbles I will learn to keep it simple, the way Matisse, De Kooning and Whistler did in the end.” – Alex …
Lendy is on a little trip in Maine, so I asked her to send me art. She sent me some text messages from the museum: Ashley Bryan. He is heroic. (…) It’s not just the wretched tale of slavery. It is his curiosity and headlong approach to art. He made books, puppets, prints, paintings, collages. …
Every quarter I teach figure drawing on Sundays. No class is ever the same, which means that every artist gets to experience different ways to approach the figure. Each comes with a specific challenge that teaches a skill, and I hold the artists to that challenge, but individual styles are celebrated, as you’ll see in …
Max Ernst used texture rubbings to overcome his fear of the white canvas, and ignite his imagination. “Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation.” Max Ernst, 1891-1976 The embedded video preview does not appear to be working, so please click …
SAL Challenge: Salish Sea Map
[image_with_animation image_url=”9675″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Topophilia (From Greek topos “place” and -philia, “love of”) is a strong sense of place, which often becomes mixed with the sense of cultural identity among certain people and a love of certain aspects of such a place.
Today is the first of a series of Topophilia Creative Exercises, this one based on the Salish Sea.
In 2009, the Puget Sound, the Strait of Juan de Fuca and the Strait of Georgia got a name change to the Salish Sea, recognized by the U.S. Board on Geographic Names. The expanse and boundaries of the Salish Sea can be seen on these maps here.
Today’s challenge is to make a map that defines the Salish Sea. I realize this project is large as it is, but the map needs only to illustrate an aspect of the sea, and if you have time and are enjoying the work, feel free to add thoughts, memories, flora and fauna. Artists’ choice to collage, trace, draw, cut, or integrate multimedia. See below for inspirations. Note the inspirations below are not of the Salish Sea, but various artist’s topophilia of their own places. For maps of the Salish Sea, click here.
There is a great Salish Sea Art & Activism lecture and workshop coming up at the League – the talk is June 10th, the class starts June 12th.
Thank you for sharing your work! I love seeing these artworks online. People who post to Instagram or on Facebook will be eligible to win prizes (see details). No matter where you post, tag us so we can find it #seattleartistleague #salchallenge.
The June SAL Challenge: Creative exercises once a day for 30 days.
Special thanks to League instructor Claire Putney of Topophilia Studios for her help with this post.
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The beginning is the best part, Kanevsky
“The beginning is the best part. Why continue? Yes, things will get richer and deeper, but the simplicity and directness of a birdsong is soon gone. When I get old and begin losing my marbles I will learn to keep it simple, the way Matisse, De Kooning and Whistler did in the end.” – Alex …
Ashley Bryan
Lendy is on a little trip in Maine, so I asked her to send me art. She sent me some text messages from the museum: Ashley Bryan. He is heroic. (…) It’s not just the wretched tale of slavery. It is his curiosity and headlong approach to art. He made books, puppets, prints, paintings, collages. …
Figure Drawings from Summer 2020
Every quarter I teach figure drawing on Sundays. No class is ever the same, which means that every artist gets to experience different ways to approach the figure. Each comes with a specific challenge that teaches a skill, and I hold the artists to that challenge, but individual styles are celebrated, as you’ll see in …
Max Ernst; frottage to free the freeze
Max Ernst used texture rubbings to overcome his fear of the white canvas, and ignite his imagination. “Painting is not for me either decorative amusement, or the plastic invention of felt reality; it must be every time: invention, discovery, revelation.” Max Ernst, 1891-1976 The embedded video preview does not appear to be working, so please click …