[image_with_animation image_url=”9675″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Topophilia (From Greek topos “place” and -philia, “love of”) is a strong sense of place, which often becomes mixed with the sense of cultural identity among certain people and a love of certain aspects of such a place.
Today is the first of a series of Topophilia Creative Exercises, this one based on the Salish Sea.
In 2009, the Puget Sound, the Strait of Juan de Fuca and the Strait of Georgia got a name change to the Salish Sea, recognized by the U.S. Board on Geographic Names. The expanse and boundaries of the Salish Sea can be seen on these maps here.
Today’s challenge is to make a map that defines the Salish Sea. I realize this project is large as it is, but the map needs only to illustrate an aspect of the sea, and if you have time and are enjoying the work, feel free to add thoughts, memories, flora and fauna. Artists’ choice to collage, trace, draw, cut, or integrate multimedia. See below for inspirations. Note the inspirations below are not of the Salish Sea, but various artist’s topophilia of their own places. For maps of the Salish Sea, click here.
Thank you for sharing your work! I love seeing these artworks online. People who post to Instagram or on Facebook will be eligible to win prizes (see details). No matter where you post, tag us so we can find it #seattleartistleague #salchallenge.
The June SAL Challenge: Creative exercises once a day for 30 days.
Special thanks to League instructor Claire Putney of Topophilia Studios for her help with this post.
Above: A beautiful example of multi-layered blending by Sharon Kingston Blending The most common way to kill the vitality in a painting, blending is a smooth transition between two colors, painted when wet. This is difficult to do with acrylic because it dries so danged fast, so using a slow drying paint like Golden OPEN Acrylics might help. 3 Blending …
Lendy and I met this evening and painted little studies in preparation for the upcoming workshop Paint like Alice Neel. We had League model/instructor Mark MacKenzie dress up in a suit and tie, and sat him in my new (old) green chair. It’s shabby and low to the ground, so he looked angular and awkward, …
Here’s another painter from the list of Carlos San Millan’s favorites: Mitchell Johnson. Johnson’s paintings take urban and suburban architecture and turns them into playful studies of color and shape. The shapes in his recent paintings are large, flat areas of pronounced color theory – almost resembling collage. Artist influences: Josef Albers, Morandi. Place influences: …
We started the challenge with a self portrait, and we ended by drawing the place where you make art. I enjoyed getting to glimpse into everyone’s spaces, especially after getting to know you a little in your posts. Seeing your spaces, I felt that we were all a bit closer, even though we may not …
SAL Challenge: Salish Sea Map
[image_with_animation image_url=”9675″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Topophilia (From Greek topos “place” and -philia, “love of”) is a strong sense of place, which often becomes mixed with the sense of cultural identity among certain people and a love of certain aspects of such a place.
Today is the first of a series of Topophilia Creative Exercises, this one based on the Salish Sea.
In 2009, the Puget Sound, the Strait of Juan de Fuca and the Strait of Georgia got a name change to the Salish Sea, recognized by the U.S. Board on Geographic Names. The expanse and boundaries of the Salish Sea can be seen on these maps here.
Today’s challenge is to make a map that defines the Salish Sea. I realize this project is large as it is, but the map needs only to illustrate an aspect of the sea, and if you have time and are enjoying the work, feel free to add thoughts, memories, flora and fauna. Artists’ choice to collage, trace, draw, cut, or integrate multimedia. See below for inspirations. Note the inspirations below are not of the Salish Sea, but various artist’s topophilia of their own places. For maps of the Salish Sea, click here.
There is a great Salish Sea Art & Activism lecture and workshop coming up at the League – the talk is June 10th, the class starts June 12th.
Thank you for sharing your work! I love seeing these artworks online. People who post to Instagram or on Facebook will be eligible to win prizes (see details). No matter where you post, tag us so we can find it #seattleartistleague #salchallenge.
The June SAL Challenge: Creative exercises once a day for 30 days.
Special thanks to League instructor Claire Putney of Topophilia Studios for her help with this post.
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Above: A beautiful example of multi-layered blending by Sharon Kingston Blending The most common way to kill the vitality in a painting, blending is a smooth transition between two colors, painted when wet. This is difficult to do with acrylic because it dries so danged fast, so using a slow drying paint like Golden OPEN Acrylics might help. 3 Blending …
Painting like Alice Neel
Lendy and I met this evening and painted little studies in preparation for the upcoming workshop Paint like Alice Neel. We had League model/instructor Mark MacKenzie dress up in a suit and tie, and sat him in my new (old) green chair. It’s shabby and low to the ground, so he looked angular and awkward, …
Mitchell Johnson
Here’s another painter from the list of Carlos San Millan’s favorites: Mitchell Johnson. Johnson’s paintings take urban and suburban architecture and turns them into playful studies of color and shape. The shapes in his recent paintings are large, flat areas of pronounced color theory – almost resembling collage. Artist influences: Josef Albers, Morandi. Place influences: …
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