[image_with_animation image_url=”9654″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] It’s said that Cézanne would plan a general composition, then step around and closer, moving his easel to each object to paint it with his full attention, thus disrupting the illusion of perspective that occurs when looking from a single viewpoint. For today’s creative challenge, find or arrange a simple scene or still life, and move to study the shape of each object as it interests you, recording the changes in your perspective. Drawing and painting were Cézanne’s media, but today’s materials are artists’ choice, including photography and collage.
Please share your work! People who post to Instagram or to the event HERE on Facebook will be eligible to win prizes (see details). No matter where you post, tag us so we can find it #seattleartistleague #salchallenge.
The June SAL Challenge: Creative exercises once a day for 30 days.
I was interested in learning some new language to talk about what is so captivating about Charity Baker’s drawings and paintings. Charity gave me a list of her teachers, Barbara Grossman was one of them. Barbara Grossman’s artworks are impressionistic, abstracted, full of color and pattern. Instead of drawing with focal points and perspective, she …
Before we move out of this big and beautiful space (and into a new big and beautiful space….) The Seattle Artist League is hosting a show of student work March 10, 11, 12 and we want you to be a part of it! Past and present students and teachers at the League, you are invited to …
Take a class with SAL – anywhere! If I wanted to paint solid, flat, even areas of color without visible brushstrokes I would: Start with a pre-gessoed smooth panel, or apply your own gesso and wet sand between coats. Use a soft brush, like a synthetic squirrel tail. (Hint: You’ll need to use thinner paint …
SALChallenge: Cézanne’s Perspective
[image_with_animation image_url=”9654″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] It’s said that Cézanne would plan a general composition, then step around and closer, moving his easel to each object to paint it with his full attention, thus disrupting the illusion of perspective that occurs when looking from a single viewpoint. For today’s creative challenge, find or arrange a simple scene or still life, and move to study the shape of each object as it interests you, recording the changes in your perspective. Drawing and painting were Cézanne’s media, but today’s materials are artists’ choice, including photography and collage.
Please share your work! People who post to Instagram or to the event HERE on Facebook will be eligible to win prizes (see details). No matter where you post, tag us so we can find it #seattleartistleague #salchallenge.
The June SAL Challenge: Creative exercises once a day for 30 days.
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I was interested in learning some new language to talk about what is so captivating about Charity Baker’s drawings and paintings. Charity gave me a list of her teachers, Barbara Grossman was one of them. Barbara Grossman’s artworks are impressionistic, abstracted, full of color and pattern. Instead of drawing with focal points and perspective, she …
Seattle Artist League Show
Before we move out of this big and beautiful space (and into a new big and beautiful space….) The Seattle Artist League is hosting a show of student work March 10, 11, 12 and we want you to be a part of it! Past and present students and teachers at the League, you are invited to …
How to Avoid Brush Strokes With Acrylic
Take a class with SAL – anywhere! If I wanted to paint solid, flat, even areas of color without visible brushstrokes I would: Start with a pre-gessoed smooth panel, or apply your own gesso and wet sand between coats. Use a soft brush, like a synthetic squirrel tail. (Hint: You’ll need to use thinner paint …