There are a lot of reasons artists don’t finish paintings. Death, for one, such as in Vincent van Gogh’s “Street in Auvers-sur-Oise” unfinished from the June in 1980 that he shot himself. Lovely painting, horrible death.
Correction: According to the research of Pulitzer Prize-winning biographers Steven Naifeh and Gregory White Smith in their book published in 2011, the painter didn’t shoot himself, he was shot accidentally by thugs. I apologize for posting inaccurate information. Please read this following V. Note for slightly less inaccurate information about the topic.
Picasso, Woman in a Red Armchair, 1931
For most painters, starting a painting is infinitely easier than finishing one. With every brush stroke, the number of “right moves” diminishes – whereas at the beginning every move was a right move, half way through, problems begin to emerge, many times with solutions unknown. Completing a painting can be similar to solving a puzzle, and in a sense, though it is satisfying to solve a puzzle, the artist kills all the potentials it could have been, and the engaging relationship with with the work is over.
Personally, I prefer the unfinished paintings because I can see more of the making of it, the process. Not only can I see the artists’ thinking, but I can participate in it more. I also like the sustained, suspended daydream of what the painting could become, had things been a little different.
I met Keith Pfeiffer in one of the last classes I taught in person, before the quarantine. The class was on color and light. We practiced producing a sensation of light by replacing white with color (above), how to get vibration from complementary hues, vibrant vs neutral effects, and how to dim or compress the …
[image_with_animation image_url=”7657″ alignment=”center” animation=”Fade In” box_shadow=”none” max_width=”100%”] In 1953, Robert Rauschenberg asked William de Kooning, an artist he idolized, to give him one of his drawings. De Kooning reluctantly agreed, and Rauschenberg….. well…. Rauschenberg erased it, and put it in a lovely gold frame with an inscription that said “ERASED de KOONING DRAWING, ROBERT RAUSCHENBERG, …
Do you send out a handmade holiday card this year? It’s a lot for an artist to keep up with, hand making each gift and greeting. Printmakers seem well suited for this time of year. Painters, not so much. Sending an original work of art to everyone on my list seems impossible, but an inability …
Unfinished Paintings
[image_with_animation image_url=”9566″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”]
Alice Neel, James Hunter Black Draftee
There are a lot of reasons artists don’t finish paintings. Death, for one, such as in Vincent van Gogh’s “Street in Auvers-sur-Oise” unfinished from the June in 1980 that he shot himself. Lovely painting, horrible death.
Correction: According to the research of Pulitzer Prize-winning biographers Steven Naifeh and Gregory White Smith in their book published in 2011, the painter didn’t shoot himself, he was shot accidentally by thugs. I apologize for posting inaccurate information. Please read this following V. Note for slightly less inaccurate information about the topic.
Picasso, Woman in a Red Armchair, 1931
For most painters, starting a painting is infinitely easier than finishing one. With every brush stroke, the number of “right moves” diminishes – whereas at the beginning every move was a right move, half way through, problems begin to emerge, many times with solutions unknown. Completing a painting can be similar to solving a puzzle, and in a sense, though it is satisfying to solve a puzzle, the artist kills all the potentials it could have been, and the engaging relationship with with the work is over.
Personally, I prefer the unfinished paintings because I can see more of the making of it, the process. Not only can I see the artists’ thinking, but I can participate in it more. I also like the sustained, suspended daydream of what the painting could become, had things been a little different.
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I met Keith Pfeiffer in one of the last classes I taught in person, before the quarantine. The class was on color and light. We practiced producing a sensation of light by replacing white with color (above), how to get vibration from complementary hues, vibrant vs neutral effects, and how to dim or compress the …
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[image_with_animation image_url=”7657″ alignment=”center” animation=”Fade In” box_shadow=”none” max_width=”100%”] In 1953, Robert Rauschenberg asked William de Kooning, an artist he idolized, to give him one of his drawings. De Kooning reluctantly agreed, and Rauschenberg….. well…. Rauschenberg erased it, and put it in a lovely gold frame with an inscription that said “ERASED de KOONING DRAWING, ROBERT RAUSCHENBERG, …
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Do you send out a handmade holiday card this year? It’s a lot for an artist to keep up with, hand making each gift and greeting. Printmakers seem well suited for this time of year. Painters, not so much. Sending an original work of art to everyone on my list seems impossible, but an inability …
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