[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”9524″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”][vc_column_text]This is the sixth and last part of a multi day series, sharing work by my beginning figure drawing classes. Many of these students have never taken a drawing class before, nearly all of them are new to figure drawing. Rather than learning one style, we study a different approach every session. We’ve done straight line measures, site sizing, envelopes, kites, mass shapes, shadows, gestures, contours, volume, cross-hatching, and more.
These are combinations of quick mass gestures and contour lines. Special attention was put on disappearing or implied lines – lines that are not drawn in, but are suggested by other elements in the drawing. None of the poses were longer than 5 minutes.
Every quarter I teach figure drawing on Sundays. No class is ever the same, which means that every artist gets to experience different ways to approach the figure. Each comes with a specific challenge that teaches a skill, and I hold the artists to that challenge, but individual styles are celebrated, as you’ll see in …
Pan Gongkai was born in Hangzhou in 1947. Influenced by his father Pan Tianshou (1897-1971) who was one of the top Four Masters of Chinese Painting in the 20th century. His father was regarded alongside Huang Binhong, Wu Changshuo and Qi Baishi. During the Cultural Revolution, Pan Gongkai’s father had been accused for crime as a …
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”11238″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”][vc_column_text]This last year, Seattle Refined highlighted both Nikki Barber and myself, Ruthie V. Now they’ve discovered Angie Dixon. KOMO said they look at the Seattle Artist League website to find artists for their ongoing …
In 1970-1, Frank Auerbach did a study on Titian’s ‘Bacchus and Ariadne’. Auerbach abstracted the forms but distilled the essential pieces of the composition – a great exercise for any artist. We did some modern interpretations of classical compositions in my classes last quarter. I’ll post some pictures soon. For today, here’s Auerbach’s study of …
Beginner’s Drawings That’ll Knock Your Socks Off (Final)
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”9524″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”][vc_column_text]This is the sixth and last part of a multi day series, sharing work by my beginning figure drawing classes. Many of these students have never taken a drawing class before, nearly all of them are new to figure drawing. Rather than learning one style, we study a different approach every session. We’ve done straight line measures, site sizing, envelopes, kites, mass shapes, shadows, gestures, contours, volume, cross-hatching, and more.
Enjoy.
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Figure Drawings from Summer 2020
Every quarter I teach figure drawing on Sundays. No class is ever the same, which means that every artist gets to experience different ways to approach the figure. Each comes with a specific challenge that teaches a skill, and I hold the artists to that challenge, but individual styles are celebrated, as you’ll see in …
Pan Gongkai
Pan Gongkai was born in Hangzhou in 1947. Influenced by his father Pan Tianshou (1897-1971) who was one of the top Four Masters of Chinese Painting in the 20th century. His father was regarded alongside Huang Binhong, Wu Changshuo and Qi Baishi. During the Cultural Revolution, Pan Gongkai’s father had been accused for crime as a …
Angie Dixon in Seattle Refined
[vc_row type=”in_container” full_screen_row_position=”middle” scene_position=”center” text_color=”dark” text_align=”left” overlay_strength=”0.3″][vc_column column_padding=”no-extra-padding” column_padding_position=”all” background_color_opacity=”1″ background_hover_color_opacity=”1″ column_shadow=”none” width=”1/1″ tablet_text_alignment=”default” phone_text_alignment=”default” column_border_width=”none” column_border_style=”solid”][image_with_animation image_url=”11238″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”][vc_column_text]This last year, Seattle Refined highlighted both Nikki Barber and myself, Ruthie V. Now they’ve discovered Angie Dixon. KOMO said they look at the Seattle Artist League website to find artists for their ongoing …
Auerbach’s study of ‘Bacchus and Ariadne’
In 1970-1, Frank Auerbach did a study on Titian’s ‘Bacchus and Ariadne’. Auerbach abstracted the forms but distilled the essential pieces of the composition – a great exercise for any artist. We did some modern interpretations of classical compositions in my classes last quarter. I’ll post some pictures soon. For today, here’s Auerbach’s study of …