[image_with_animation image_url=”9446″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] For the past couple quarters I’ve been teaching beginning figure drawing shorties. “Shorties” are Seattle Artist League shortened classes – shorter by hours, by weeks, or both. These are run like cardio exercise classes, fast paced and intensive, but short enough to not be too overwhelming. I’ve been adding more shorties to the schedule because they’re super fun for me to teach, and they’re great for people who aren’t ready to commit to an 8 session, 4 hour studio class. Many of these students have never taken a drawing class before, almost all of them are new to figure drawing. I’m going to say this again, because it’s amazing. These are BEGINNERS.
Rather than learning one style, I offer a completely different stylistic approach every session, so by the end of the class the students have learned a different drawing style for every week. We’ve done straight line measures, site sizing, envelopes, kites, mass shapes, shadows, gestures, contours, volume, cross-hatching, and more. They even did a stylistic approach that a student named “Chocolate Bar Drawings” because they used the side of brown conte to make volume, and everyone’s drawing looked like it was made with a bar of chocolate. Recently I’ve started collecting photographs of this work, so that I can share it with you.
Remember, at the beginning of every class, the concept is new. The students have never done this before. The first drawings are usually pretty awkward, but midway through each class, they’re making high quality work. These do NOT look like beginner drawings. They’re gorgeous, I’m thrilled, and I wanted to share.
To start with, here are drawings in which the class combined big shadow shapes with thin contour lines. We were also thinking about implied lines, leaving some areas of the drawing purposefully open and undefined.
Contrary to popular belief, the round topped brush was actually designed in the late 1800s by Dr Philbert Bristle and was not named after a nut but instead named after the doctor himself, thus the proper name for this brush is “Philbert.”
“Drawing this way is addictive. I just want to keep addressing every part of my drawing. Time flies. I can’t stop. Been looking at drawings all night and can’t wait to go back tomorrow. I am already sad that tomorrow is our last day.” – Our Provost Lendy Hensley talking about what it’s like to …
Can you guess the color? It’s just delicious fun to watch paint get mixed. Painters, notice how long it takes. It’s easy to get impatient with this part of the process when we’re painting, thinking the mix should instantly be mixed so you could get on with applying the next brush strokes, but really what good is the application …
Ask nearly any artist “what is the most important thing to have with you at all times?” They’ll say a sketchbook. It’s a place for ideas, notes, and practice. It’s also a place where we can explore and try new things without pressure. A sketchbook page doesn’t have to be a masterpiece, it’s just a …
Beginner’s Drawings That’ll Knock Your Socks Off (Part 1)
[image_with_animation image_url=”9446″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] For the past couple quarters I’ve been teaching beginning figure drawing shorties. “Shorties” are Seattle Artist League shortened classes – shorter by hours, by weeks, or both. These are run like cardio exercise classes, fast paced and intensive, but short enough to not be too overwhelming. I’ve been adding more shorties to the schedule because they’re super fun for me to teach, and they’re great for people who aren’t ready to commit to an 8 session, 4 hour studio class. Many of these students have never taken a drawing class before, almost all of them are new to figure drawing. I’m going to say this again, because it’s amazing. These are BEGINNERS.
Rather than learning one style, I offer a completely different stylistic approach every session, so by the end of the class the students have learned a different drawing style for every week. We’ve done straight line measures, site sizing, envelopes, kites, mass shapes, shadows, gestures, contours, volume, cross-hatching, and more. They even did a stylistic approach that a student named “Chocolate Bar Drawings” because they used the side of brown conte to make volume, and everyone’s drawing looked like it was made with a bar of chocolate. Recently I’ve started collecting photographs of this work, so that I can share it with you.
Remember, at the beginning of every class, the concept is new. The students have never done this before. The first drawings are usually pretty awkward, but midway through each class, they’re making high quality work. These do NOT look like beginner drawings. They’re gorgeous, I’m thrilled, and I wanted to share.
To start with, here are drawings in which the class combined big shadow shapes with thin contour lines. We were also thinking about implied lines, leaving some areas of the drawing purposefully open and undefined.
Enjoy.
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Philbert, a correction
Contrary to popular belief, the round topped brush was actually designed in the late 1800s by Dr Philbert Bristle and was not named after a nut but instead named after the doctor himself, thus the proper name for this brush is “Philbert.”
“I FUCKING LOVE MY DRAWING!!!!!” – Lendy Hensley
“Drawing this way is addictive. I just want to keep addressing every part of my drawing. Time flies. I can’t stop. Been looking at drawings all night and can’t wait to go back tomorrow. I am already sad that tomorrow is our last day.” – Our Provost Lendy Hensley talking about what it’s like to …
Watch Acrylic Paint Colors Mix
Can you guess the color? It’s just delicious fun to watch paint get mixed. Painters, notice how long it takes. It’s easy to get impatient with this part of the process when we’re painting, thinking the mix should instantly be mixed so you could get on with applying the next brush strokes, but really what good is the application …
Keith Pfeiffer: Sketchbooks
Ask nearly any artist “what is the most important thing to have with you at all times?” They’ll say a sketchbook. It’s a place for ideas, notes, and practice. It’s also a place where we can explore and try new things without pressure. A sketchbook page doesn’t have to be a masterpiece, it’s just a …