[image_with_animation image_url=”9424″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] My last V. Note focused on Cezanne’s Objects, a series of photographs from Joel Meyerowitz, a street photographer who documented still life objects of Cezanne and Morandi. I posted Cezanne’s earlier, so today I’ll post his photographs of Morandi’s objects.
In the photographs taken in Morandi’s studio, the photographer sat in the exact same place, looking at the objects in the exact same light as the painter would have. You can see the marks drawn on the table, so Morandi knew where to set the positions of his subjects. In the background is the same paper that Morandi left on the wall, now brittle and yellow with age. You can also see the dust. Preferring muted colors, Morandi was insistent that the bottles and jars in his studio never be dusted.
” load_in_animation=”none I thought “Morandi’s Dust” made a nice title for this post. Evidently I was not the first to think of it. There is also a documentary with the same name. I haven’t watched it, but if you do, please let me know what you think.
Exercise your creativity This SAL Challenge is a vocabulary based creative challenge every day for January. Materials are artist’s choice. You can draw, paint, sew, collage, sculpt your food, anything you want. See below for today’s creative challenge. Set the timer for 20 minutes and see what happens. SLIMSY : flimsy, frail Slimsy is a blend …
[image_with_animation image_url=”10515″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Photo and painting of JS Sargent’s teacher Carolus-Duran. Painting not made from photo. Photo taken (possibly?) to resemble the painting. Posted by James Gurney Would you be surprised to see that a painter who depended on patrons’ funds applied a bit of painterly flattery to his portraits? Take a …
This is one in a series of posts showcasing work made by students in the League’s online classes. We have now been in quarantine for twelve months. In the last year, the League has grown in numbers, and our artistic voice as a school has evolved. We started working with Special Guest Star Fran O’Neill …
[image_with_animation image_url=”6644″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] Installation view of work by Raúl de Nieves, in the 2017 Whitney Biennial Raúl de Nieves What does it mean to be an American artist today? From his basement studio in Ridgewood, Queens, artist Raúl de Nieves creates an epic stained glass mural for the 2017 Whitney Biennial. Born …
Morandi’s Dust
[image_with_animation image_url=”9424″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] My last V. Note focused on Cezanne’s Objects, a series of photographs from Joel Meyerowitz, a street photographer who documented still life objects of Cezanne and Morandi. I posted Cezanne’s earlier, so today I’ll post his photographs of Morandi’s objects.
In the photographs taken in Morandi’s studio, the photographer sat in the exact same place, looking at the objects in the exact same light as the painter would have. You can see the marks drawn on the table, so Morandi knew where to set the positions of his subjects. In the background is the same paper that Morandi left on the wall, now brittle and yellow with age. You can also see the dust. Preferring muted colors, Morandi was insistent that the bottles and jars in his studio never be dusted.
[image_with_animation image_url=”9426″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”]
https://www.youtube.com/watch?v=6PJJSJQp7KQ
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