[image_with_animation image_url=”9424″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] My last V. Note focused on Cezanne’s Objects, a series of photographs from Joel Meyerowitz, a street photographer who documented still life objects of Cezanne and Morandi. I posted Cezanne’s earlier, so today I’ll post his photographs of Morandi’s objects.
In the photographs taken in Morandi’s studio, the photographer sat in the exact same place, looking at the objects in the exact same light as the painter would have. You can see the marks drawn on the table, so Morandi knew where to set the positions of his subjects. In the background is the same paper that Morandi left on the wall, now brittle and yellow with age. You can also see the dust. Preferring muted colors, Morandi was insistent that the bottles and jars in his studio never be dusted.
” load_in_animation=”none I thought “Morandi’s Dust” made a nice title for this post. Evidently I was not the first to think of it. There is also a documentary with the same name. I haven’t watched it, but if you do, please let me know what you think.
A strong relationship between the arts and politics, particularly between various kinds of art and power, occurs across historical epochs and cultures. As they respond to contemporaneous events and politics, the arts take on political as well as social dimensions, becoming themselves a focus of controversy and even a force of political as well as …
In January, artists all over the globe sketched, inked, smeared, melted, and scribbled their way through our 30 Day Creative Challenge. The wide variety of creative challenges included vocabulary, observation, comics, design ,composition, imagination, and experimental creative prompts. Media was artist’s choice. Challenges were posted to our website and sent to inboxes around the globe …
“Anything done more than a week ago I’m embarrassed about. You think you can get it right, but you never get it right. No one’s got it right. Who got it right?” – Harry Ally Source: https://www.escapeintolife.com/mixed-media-2/breaking-the-mold-art-of-harry-ally/ Harry Paul Ally paints with dry pigments, acrylics, tar, fabrics, oils, bonding agents, and different clays dug from the …
The content below is from the Seattle Artist League’s Official Artist-Not-In-Residence, Patty Haller. We are pits deep in a series called “Stuff that Patty Likes.” Patty’s Ponderous Post “The paintings I’m showing in January 2017 at Smith and Vallee Gallery are my explorations of pattern, color and how to handle the complex data of forest …
Morandi’s Dust
[image_with_animation image_url=”9424″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] My last V. Note focused on Cezanne’s Objects, a series of photographs from Joel Meyerowitz, a street photographer who documented still life objects of Cezanne and Morandi. I posted Cezanne’s earlier, so today I’ll post his photographs of Morandi’s objects.
In the photographs taken in Morandi’s studio, the photographer sat in the exact same place, looking at the objects in the exact same light as the painter would have. You can see the marks drawn on the table, so Morandi knew where to set the positions of his subjects. In the background is the same paper that Morandi left on the wall, now brittle and yellow with age. You can also see the dust. Preferring muted colors, Morandi was insistent that the bottles and jars in his studio never be dusted.
[image_with_animation image_url=”9426″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”]
https://www.youtube.com/watch?v=6PJJSJQp7KQ
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