[image_with_animation image_url=”9204″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Yesterday I posted a fragment of a sculpture and asked you to guess when it was made and who made it. I worded my question to be misleading by asking specifically “who” and “what year.” Some of the guesses I received were:
Brancusi, 1952?
Isamu Noguchi?
Henry Moore late 1800s?
African, or African influenced Picasso?
Ancient Chinese?
Aztec?
Thank you for your guesses! I posted this sculpture because I was so taken aback by how contemporary it looked. In truth, this is a fragment of an ancient Olmec mask, dated 300 BC.
This Jade face might represent the Olmec Maize God. According to the Met Museum, the Olmec Maize God can be identified by his upturned lip. Many of the masks weren’t worn on the face, but were likely used as belt buckles, on headdresses, or as necklaces.
The earliest Olmec sites presently known date to 4000 years ago ( about 2000 BC). By 1400 BC, Olmec artisans were creating amazing earthworks, stonework, and ceramics that still captivate the viewer. To their 19th century discoverers, Olmec cities seemed to have sprouted full-blown out of the earth, complete with sophisticated directional alignment, symbolic writing (which we still can’t decipher), a complex set of spiritual beliefs, and finely crafted stonework, much of which was imitated by the Maya and other peoples who came to prominence after the Olmec faded.
[image_with_animation image_url=”7824″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] The Unpostible Post Two days ago I encouraged you all to post your work to the website, in the comments section. I didn’t realize that our WordPress format doesn’t allow comments with pictures. Oops. Luckily Berkeley Parks sent in her collection (5 more days to go!). I was so …
[image_with_animation image_url=”11503″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Many new artists feel they need an original idea for every artwork, but most experienced artists get a lot of creative mileage out of one idea (especially a simple idea), repeated in iterations. Here is a great example: Temple Dogs, a series of 8 by Ralph Kiggell. Each illustration is …
I’ll be sharing my drawings on Facebook. I’d love for you to share yours too. Maybe we’ll get some people jumping in to join us. Post your pics on the Seattle Artist League‘s Facebook, or Instagram at SeattleArtLeague. #drawingaday #seattleartleague
[image_with_animation image_url=”9675″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Topophilia (From Greek topos “place” and -philia, “love of”) is a strong sense of place, which often becomes mixed with the sense of cultural identity among certain people and a love of certain aspects of such a place. Today is the first of a series of Topophilia Creative Exercises, this …
Mystery Mask
[image_with_animation image_url=”9204″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] Yesterday I posted a fragment of a sculpture and asked you to guess when it was made and who made it. I worded my question to be misleading by asking specifically “who” and “what year.” Some of the guesses I received were:
[image_with_animation image_url=”9212″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”]
Map from Misfits and Heroes; New Thoughts on Olmec Art
Olmec Masks
This Jade face might represent the Olmec Maize God. According to the Met Museum, the Olmec Maize God can be identified by his upturned lip. Many of the masks weren’t worn on the face, but were likely used as belt buckles, on headdresses, or as necklaces.
More information is found on Misfits and Heroes; New Thoughts on Olmec Art:
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