[image_with_animation image_url=”8694″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] This spring, my Friday nights are going to be in an Unconventional Portraits class. These Friday night classes have become my night to do whatever I think would be the most fun thing to do. This quarter I got most excited thinking about Unconventional Portraits.
This is not a realist class with look-a-like portraiture. It’s a series of creative ideas and experiments; a mix of unexpected drawing and painting techniques intended to produce unconventional results. We will look at unconventional portraits made by other artists, and be have a wide variety of stylistic inspirations for our work. Focus will be on manipulating source materials, and on using mediums and surfaces that allow for and encourage those not-so-accidental happy accidents. We will work from a combination of self portraits, photographs, and live models.
This unconventional portraits class lets students choose their own level of difficulty: brave beginners are invited to draw using forgiving materials such as graphite, ink, and charcoal. Intermediate students are invited to draw or paint with their chosen mediums (oil, watercolor, ink, & acrylic).
Click here to learn more about my Unconventional Portraits Class.
Cezanne painted 29 portraits and made countless drawings of Hortense Fiquet. He drew and painted his mistress in graphite, watercolor, and oil. The first painting exists only in a photograph, and the second was of Fiquet nursing their baby. Fiquet and Cezanne met in Paris sometime around 1869. Cezanne was a 30 year old painter …
7 Landscapes A selection from Keith Pfeiffer’s 4 week Landscape class Five months ago, as we headed into a very dreary holiday season in quarantine, seven League artists found some joy painting landscapes with Keith Pfieffer. Here are a few of their artworks. This is one in a series of posts showcasing a selection of …
[image_with_animation image_url=”11428″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] From previous V.Note: “Though I thought I should give it a try, I really thought I wouldn’t like drypoint because every time I heard the word “drypoint” I heard nails on a chalkboard, and most of the prints labeled as “drypoints” seemed less rich and subtle than the etchings …
Hatching (making parallel marks) and crosshatching (making parallel marks overlapped with parallel marks) are some of the most valuable tools for adding value, contour, movement, energy, and texture to a drawing. For materials, a sharp pencil or pen on smooth paper works great. Old fashioned pen and ink is made for this. If you’re new …
Unconventional Portraits
[image_with_animation image_url=”8694″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] This spring, my Friday nights are going to be in an Unconventional Portraits class. These Friday night classes have become my night to do whatever I think would be the most fun thing to do. This quarter I got most excited thinking about Unconventional Portraits.
This is not a realist class with look-a-like portraiture. It’s a series of creative ideas and experiments; a mix of unexpected drawing and painting techniques intended to produce unconventional results. We will look at unconventional portraits made by other artists, and be have a wide variety of stylistic inspirations for our work. Focus will be on manipulating source materials, and on using mediums and surfaces that allow for and encourage those not-so-accidental happy accidents. We will work from a combination of self portraits, photographs, and live models.
This unconventional portraits class lets students choose their own level of difficulty: brave beginners are invited to draw using forgiving materials such as graphite, ink, and charcoal. Intermediate students are invited to draw or paint with their chosen mediums (oil, watercolor, ink, & acrylic).
Click here to learn more about my Unconventional Portraits Class.
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Cezanne painted 29 portraits and made countless drawings of Hortense Fiquet. He drew and painted his mistress in graphite, watercolor, and oil. The first painting exists only in a photograph, and the second was of Fiquet nursing their baby. Fiquet and Cezanne met in Paris sometime around 1869. Cezanne was a 30 year old painter …
7 Landscapes; Online Anniversary Show Continues
7 Landscapes A selection from Keith Pfeiffer’s 4 week Landscape class Five months ago, as we headed into a very dreary holiday season in quarantine, seven League artists found some joy painting landscapes with Keith Pfieffer. Here are a few of their artworks. This is one in a series of posts showcasing a selection of …
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[image_with_animation image_url=”11428″ alignment=”” animation=”None” box_shadow=”none” max_width=”100%”] From previous V.Note: “Though I thought I should give it a try, I really thought I wouldn’t like drypoint because every time I heard the word “drypoint” I heard nails on a chalkboard, and most of the prints labeled as “drypoints” seemed less rich and subtle than the etchings …
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Hatching (making parallel marks) and crosshatching (making parallel marks overlapped with parallel marks) are some of the most valuable tools for adding value, contour, movement, energy, and texture to a drawing. For materials, a sharp pencil or pen on smooth paper works great. Old fashioned pen and ink is made for this. If you’re new …