[image_with_animation image_url=”8694″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] This spring, my Friday nights are going to be in an Unconventional Portraits class. These Friday night classes have become my night to do whatever I think would be the most fun thing to do. This quarter I got most excited thinking about Unconventional Portraits.
This is not a realist class with look-a-like portraiture. It’s a series of creative ideas and experiments; a mix of unexpected drawing and painting techniques intended to produce unconventional results. We will look at unconventional portraits made by other artists, and be have a wide variety of stylistic inspirations for our work. Focus will be on manipulating source materials, and on using mediums and surfaces that allow for and encourage those not-so-accidental happy accidents. We will work from a combination of self portraits, photographs, and live models.
This unconventional portraits class lets students choose their own level of difficulty: brave beginners are invited to draw using forgiving materials such as graphite, ink, and charcoal. Intermediate students are invited to draw or paint with their chosen mediums (oil, watercolor, ink, & acrylic).
The chicken paintings featured in this V-Note are by Endre Penovác. The chicken letter that follows was written in 1870, sent to the Poultry Society. The title proclaims it’s a manual about how to raise fine poultry. The content, however, renders itself informational for how to steal birds from your neighbor (or yourself, if you’re an idiot). It was signed by …
A selection from Keith Pfeiffer’s Tiny Paintings Class Another word for Tiny Paintings is Thumbnails. Thumbnail sketches are often used to test out ideas, and making adjustments before launching into a big project. These itty bitty paintings are a series of low pressure color and composition experiments. This is one in a series of posts …
Meet Britain’s most straight-talking and foul-mouthed artist, Maggi Hambling Busy days – sunny days – I can’t stand to sit here for long thoughts. Here’s a quickie video (below) from a new favorite of mine: Maggi Hambling. More about her tomorrow. Enjoy! [nectar_video_lightbox link_style=”play_button_2″ nectar_play_button_color=”Default-Accent-Color” image_url=”6012″ hover_effect=”defaut” box_shadow=”none” video_url=”https://www.youtube.com/watch?v=vNpvS-DYEmA Painter and sculptor Maggi Hambling CBE …
Feet in blanket, drypoint and embossed chine-collé on 14×11″ Rives gray BFK. (The color is a little dark and dull in this photo, because the paper was still wet) An accidental print resulted in some body-less feet at the bottom of the page, and Nikki had a brilliant idea to add chine-collé to the empty …
Unconventional Portraits
[image_with_animation image_url=”8694″ alignment=”center” animation=”None” box_shadow=”none” max_width=”100%”] This spring, my Friday nights are going to be in an Unconventional Portraits class. These Friday night classes have become my night to do whatever I think would be the most fun thing to do. This quarter I got most excited thinking about Unconventional Portraits.
This is not a realist class with look-a-like portraiture. It’s a series of creative ideas and experiments; a mix of unexpected drawing and painting techniques intended to produce unconventional results. We will look at unconventional portraits made by other artists, and be have a wide variety of stylistic inspirations for our work. Focus will be on manipulating source materials, and on using mediums and surfaces that allow for and encourage those not-so-accidental happy accidents. We will work from a combination of self portraits, photographs, and live models.
This unconventional portraits class lets students choose their own level of difficulty: brave beginners are invited to draw using forgiving materials such as graphite, ink, and charcoal. Intermediate students are invited to draw or paint with their chosen mediums (oil, watercolor, ink, & acrylic).
Click here to learn more about my Unconventional Portraits Class.
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To Raise Poultry
The chicken paintings featured in this V-Note are by Endre Penovác. The chicken letter that follows was written in 1870, sent to the Poultry Society. The title proclaims it’s a manual about how to raise fine poultry. The content, however, renders itself informational for how to steal birds from your neighbor (or yourself, if you’re an idiot). It was signed by …
Itty Bitty Paintings; Online Anniversary Show Continues
A selection from Keith Pfeiffer’s Tiny Paintings Class Another word for Tiny Paintings is Thumbnails. Thumbnail sketches are often used to test out ideas, and making adjustments before launching into a big project. These itty bitty paintings are a series of low pressure color and composition experiments. This is one in a series of posts …
Maggi Hambling
Meet Britain’s most straight-talking and foul-mouthed artist, Maggi Hambling Busy days – sunny days – I can’t stand to sit here for long thoughts. Here’s a quickie video (below) from a new favorite of mine: Maggi Hambling. More about her tomorrow. Enjoy! [nectar_video_lightbox link_style=”play_button_2″ nectar_play_button_color=”Default-Accent-Color” image_url=”6012″ hover_effect=”defaut” box_shadow=”none” video_url=”https://www.youtube.com/watch?v=vNpvS-DYEmA Painter and sculptor Maggi Hambling CBE …
Some Pretty Paintings: Chine-collé and cold little feet
Feet in blanket, drypoint and embossed chine-collé on 14×11″ Rives gray BFK. (The color is a little dark and dull in this photo, because the paper was still wet) An accidental print resulted in some body-less feet at the bottom of the page, and Nikki had a brilliant idea to add chine-collé to the empty …